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1.3.2 Expressive marks as curves
This section explains how to create various expressive marks that are curved: normal slurs, phrasing slurs, breath marks, falls, and doits.
Slurs | ||
Phrasing slurs | ||
Breath marks | ||
Falls and doits |
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Slurs
Slurs are entered using parentheses:
Note: In polyphonic music, a slur must be terminated in the same voice it began.
\relative { f''4( g a) a8 b( a4 g2 f4) <c e>2( <b d>2) }
Slurs may be manually placed above or below the staff; see Direction and placement.
Simultaneous or overlapping slurs require special attention. Most
occurences of outer slurs actually indicate phrasing, and phrasing
slurs may overlap a regular slur, see Phrasing slurs. When
multiple regular slurs are needed in a single Voice
,
matching slur starts and ends need to be labelled by preceding
them with \=
followed by an identifying key (a symbol or
non-negative integer).
\fixed c' { <c~ f\=1( g\=2( >2 <c e\=1) a\=2) > }
Slurs can be solid, dotted, or dashed. Solid is the default slur style:
\relative { c'4( e g2) \slurDashed g4( e c2) \slurDotted c4( e g2) \slurSolid g4( e c2) }
Slurs can also be made half-dashed (the first half dashed, the second half solid) or half-solid (the first half solid, the second half dashed):
\relative { c'4( e g2) \slurHalfDashed g4( e c2) \slurHalfSolid c4( e g2) \slurSolid g4( e c2) }
Custom dash patterns for slurs can be defined:
\relative { c'4( e g2) \slurDashPattern #0.7 #0.75 g4( e c2) \slurDashPattern #0.5 #2.0 c4( e g2) \slurSolid g4( e c2) }
Predefined commands
\slurUp
,
\slurDown
,
\slurNeutral
,
\slurDashed
,
\slurDotted
,
\slurHalfDashed
,
\slurHalfSolid
,
\slurDashPattern
,
\slurSolid
.
Selected Snippets
Using double slurs for legato chords
Some composers write two slurs when they want legato
chords. This can be achieved by setting doubleSlurs
.
\relative c' { \set doubleSlurs = ##t <c e>4( <d f> <c e> <d f>) }
Positioning text markups inside slurs
Text markups need to have the outside-staff-priority
property
set to false in order to be printed inside slurs.
\relative c'' { \override TextScript.avoid-slur = #'inside \override TextScript.outside-staff-priority = ##f c2(^\markup { \halign #-10 \natural } d4.) c8 }
Making slurs with complex dash structure
Slurs can be made with complex dash patterns by defining the
dash-definition
property. dash-definition
is a list of
dash-elements
. A dash-element
is a list of parameters
defining the dash behavior for a segment of the slur.
The slur is defined in terms of the bezier parameter t which ranges
from 0 at the left end of the slur to 1 at the right end of the slur.
dash-element
is a list
(start-t stop-t dash-fraction dash-period)
. The region of the
slur from start-t
to stop-t
will have a fraction
dash-fraction
of each dash-period
black. dash-period
is defined in terms of staff
spaces. dash-fraction
is set to 1 for a solid slur.
\relative c' { \once \override Slur.dash-definition = #'((0 0.3 0.1 0.75) (0.3 0.6 1 1) (0.65 1.0 0.4 0.75)) c4( d e f) \once \override Slur.dash-definition = #'((0 0.25 1 1) (0.3 0.7 0.4 0.75) (0.75 1.0 1 1)) c4( d e f) }
See also
Music Glossary: slur.
Learning Manual: On the un-nestedness of brackets and ties.
Notation Reference: Direction and placement, Phrasing slurs.
Snippets: Expressive marks.
Internals Reference: Slur.
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Phrasing slurs
Phrasing slurs (or phrasing marks) that indicate a
musical sentence are written using the commands \(
and
\)
respectively:
\relative { c''4\( d( e) f( e2) d\) }
Typographically, a phrasing slur behaves almost exactly like a
normal slur. However, they are treated as different objects; a
\slurUp
will have no effect on a phrasing slur. Phrasing
may be manually placed above or below the staff; see
Direction and placement.
Simultaneous or overlapping phrasing slurs are entered using
\=
as with regular slurs, see Slurs.
Phrasing slurs can be solid, dotted, or dashed. Solid is the default style for phrasing slurs:
\relative { c'4\( e g2\) \phrasingSlurDashed g4\( e c2\) \phrasingSlurDotted c4\( e g2\) \phrasingSlurSolid g4\( e c2\) }
Phrasing slurs can also be made half-dashed (the first half dashed, the second half solid) or half-solid (the first half solid, the second half dashed):
\relative { c'4\( e g2\) \phrasingSlurHalfDashed g4\( e c2\) \phrasingSlurHalfSolid c4\( e g2\) \phrasingSlurSolid g4\( e c2\) }
Custom dash patterns for phrasing slurs can be defined:
\relative { c'4\( e g2\) \phrasingSlurDashPattern #0.7 #0.75 g4\( e c2\) \phrasingSlurDashPattern #0.5 #2.0 c4\( e g2\) \phrasingSlurSolid g4\( e c2\) }
Dash pattern definitions for phrasing slurs have the same structure as dash pattern definitions for slurs. For more information about complex dash patterns, see the snippets under Slurs.
Predefined commands
\phrasingSlurUp
,
\phrasingSlurDown
,
\phrasingSlurNeutral
,
\phrasingSlurDashed
,
\phrasingSlurDotted
,
\phrasingSlurHalfDashed
,
\phrasingSlurHalfSolid
,
\phrasingSlurDashPattern
,
\phrasingSlurSolid
.
See also
Learning Manual: On the un-nestedness of brackets and ties.
Notation Reference: Direction and placement, Slurs.
Snippets: Expressive marks.
Internals Reference: PhrasingSlur.
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Breath marks
The \breathe
command calls for the performer to shorten the
previous note to take a breath.
\fixed c'' { c2. \breathe d4 }
For a short break in sound that is not taken away from the previous note, see Caesuras.
Unlike other expressive marks, a breath mark is treated as a
separate music event; therefore, any expressive marks pertaining
to the preceding note, and any brackets indicating manual beams,
slurs, or phrasing slurs, must be placed before \breathe
.
\breathe
does not accept articulations itself, but
see Caesuras.
A breath mark ends an automatic beam; to override this, see Manual beams.
\fixed c'' { c8 \breathe d e f g2 }
The breathMarkType
context property controls which of
several predefined breath marks the \breathe
command
creates. See List of breath marks.
\fixed c'' { \set breathMarkType = #'tickmark c2. \breathe d4 }
See also
Music Glossary: breath mark.
Notation Reference: Caesuras, Divisiones.
Snippets: Expressive marks.
Internals Reference: BreathingEvent, BreathingSign, Breathing_sign_engraver.
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Falls and doits
Falls and doits can be added to notes using
the \bendAfter
command. The direction of the fall or doit
is indicated with a plus or minus (up or down). The number
indicates the pitch interval that the fall or doit will extend
beyond the main note.
\relative c'' { c2\bendAfter #+4 c2\bendAfter #-4 c2\bendAfter #+6.5 c2\bendAfter #-6.5 c2\bendAfter #+8 c2\bendAfter #-8 }
Selected Snippets
Adjusting the shape of falls and doits
The shortest-duration-space
property may be tweaked to adjust
the shape of falls and doits.
\relative c'' { \override Score.SpacingSpanner.shortest-duration-space = #4.0 c2-\bendAfter #5 c2-\bendAfter #-4.75 c2-\bendAfter #8.5 c2-\bendAfter #-6 }
See also
Snippets: Expressive marks.
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[ < Breath marks ] | [ Up : Expressive marks as curves ] | [ Expressive marks as lines > ] |