Pitches (LilyPond snippets)

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Pitches

LilyPond snippets v2.25.27 (development-branch).

Pitches
- Adding ambitus per voice
- Adding an ottava marking to a single voice
- Aiken head thin variant noteheads
- Altering the length of beamed stems
- Ambitus
- Ambitus after key signature
- Ambitus with multiple voices
- Applying note head styles depending on the step of the scale
- Automatically changing the stem direction of the middle note based on the melody
- Changing ottava text
- Changing the ambitus gap
- Changing the interval of lines on the stave
- Clefs can be transposed by arbitrary amounts
- Coloring notes depending on their pitch
- Creating a sequence of notes on various pitches
- Creating custom key signatures
- Direction of merged ’fa’ shape note heads
- Force a cancellation natural before accidentals
- Forcing a clef symbol to be displayed
- Generating random notes
- Hiding accidentals on tied notes at the start of a new system
- Keep change clefs full sized
- Makam example
- Modifying the Ottava spanner slope
- Non-traditional key signatures
- Numbers as easy note heads
- Orchestra, choir and piano template
- Preventing extra naturals from being automatically added
- Preventing natural signs from being printed when the key signature changes
- Quoting another voice with transposition
- Separating key cancellations from key signature changes
- Transposing pitches with minimum accidentals ("Smart" transpose)
- Turkish Makam example
- Tweaking clef properties
- Using autochange with more than one voice
Rhythms
- Adding beams, slurs, ties etc. when using tuplet and non-tuplet rhythms
- Adding drum parts
- Adjusting grace note spacing
- Aligning bar numbers
- Alternative breve notes
- Appoggiatura or grace note before a bar line
- Automatic beam subdivisions
- Automatically change durations
- Beam endings in Score context
- Beam nibs
- Beams across line breaks
- Changing beam knee gap
- Changing form of multi-measure rests
- Changing the number of augmentation dots per note
- Changing the tempo without a metronome mark
- Changing the tuplet number
- Changing time signatures inside a polymetric section using \scaleDurations
- Chant or psalms notation
- Compound time signatures
- Conducting signs, measure grouping signs
- Consistently left-aligned bar numbers
- Controlling tuplet bracket visibility
- Cow and ride bell example
- Creating metronome marks in markup mode
- Engraving ties manually
- Engraving tremolos with floating beams
- Entering several tuplets using only one \tuplet command
- Forcing rehearsal marks to start from a given letter or number
- Generating custom flags
- Guitar strum rhythms
- Heavily customized polymetric time signatures
- High and Low woodblock example
- Making an object invisible with the ’transparent property
- Making slurs with complex dash structure
- Manually controlling beam positions
- Merging multi-measure rests in a polyphonic part
- Modifying tuplet bracket length
- Moving dotted notes in polyphony
- Multi-measure rest length control
- Multi-measure rest markup
- Non-default tuplet numbers
- Numbering single measure rests
- Partcombine and \autoBeamOff
- Percussion example
- Permitting line breaks within beamed tuplets
- Positioning grace note beams at the height of normal note beams
- Positioning grace notes with floating space
- Positioning multi-measure rests
- Positioning opposing fermatas on a bar line
- Preventing final mark from removing final tuplet
- Printing bar numbers at regular intervals
- Printing bar numbers for broken measures
- Printing bar numbers inside boxes or circles
- Printing bar numbers using modulo-bar-number-visible
- Printing bar numbers with changing regular intervals
- Printing metronome and rehearsal marks below the staff
- Printing music with different time signatures
- Printing the bar number for the first measure
- Printing tuplet brackets on the note head side
- Redefining grace note global defaults
- Removing bar numbers from a score
- Removing connecting bar lines on StaffGroup, PianoStaff, or GrandStaff
- Rest styles
- Reverting default beam endings
- Rhythmic slashes
- Skips in lyric mode
- Skips in lyric mode (2)
- Stemlets
- Strict beat beaming
- Subdividing beams
- Tam-tam example
- Tambourine example
- Three-sided box
- Time signature in brackets
- Time signature in parentheses
- Time signature printing only the numerator as a number (instead of the fraction)
- Tweaking grace layout within music
- User defined time signatures
- Using alternative flag styles
- Using grace note slashes with normal heads
- Using ties with arpeggios
Expressive marks
- Adding beams, slurs, ties etc. when using tuplet and non-tuplet rhythms
- Adding parentheses around an expressive mark or chordal note
- Adding timing marks to long glissandi
- Adjusting slur positions vertically
- Adjusting the shape of falls and doits
- Aligning the ends of hairpins to NoteColumn directions
- Alternative breve notes
- Asymmetric slurs
- Breathing signs
- Broken Crescendo Hairpin
- Caesura ("railtracks") with fermata
- Center text below hairpin dynamics
- Changing text and spanner styles for text dynamics
- Changing the appearance of a slur from solid to dotted or dashed
- Changing the breath mark symbol
- Changing the number of augmentation dots per note
- Combining dynamics with markup texts
- Contemporary glissando
- Controlling spanner visibility after a line break
- Controlling the vertical ordering of scripts
- Creating a delayed turn
- Creating arpeggios across notes in different voices
- Creating cross-staff arpeggios in a piano staff
- Creating cross-staff arpeggios in other contexts
- Creating double-digit fingerings
- Creating "real" parenthesized dynamics
- Creating slurs across voices
- Creating text spanners
- Dynamics custom text spanner postfix
- Dynamics text spanner postfix
- Glissandi can skip grobs
- Hairpins with different line styles
- Hiding the extender line for text dynamics
- Horizontally aligning custom dynamics (e.g. "sempre pp", "piu f", "subito p")
- Inserting a caesura
- Laissez vibrer ties
- Line arrows
- Making slurs with complex dash structure
- Modifying default values for articulation shorthand notation
- Moving slur positions vertically
- Moving the ends of hairpins
- Positioning arpeggios
- Positioning text markups inside slurs
- Printing hairpins in various styles
- Printing hairpins using al niente notation
- Printing metronome and rehearsal marks below the staff
- Setting hairpin behavior at bar lines
- Setting the minimum length of hairpins
- Showing the same articulation above and below a note or chord
- Snap-pizzicato or Bartok pizzicato
- Using a tick as the breath mark symbol
- Using arpeggioBracket to make divisi more visible
- Using double slurs for legato chords
- Using the whiteout property
- Vertical line as a baroque articulation mark
- Vertically aligning dynamics across multiple notes
Repeats
- Adding volta brackets to additional staves
- Centered measure numbers
- Changing the default bar lines
- Controlling the appearance of tremolo slashes
- Cross-staff tremolos
- Engraving tremolos with floating beams
- Isolated percent repeats
- Measure counter
- Numbering groups of measures
- Percent repeat count visibility
- Percent repeat counter
- Positioning segno and coda (with line break)
- Setting the double repeat default for volte
- Shortening volta brackets
- Volta below chords
- Volta brackets in multiple staves
- Volta text markup using repeatCommands
Simultaneous notes
- Additional voices to avoid collisions
- Changing \partCombine texts
- Changing a single note’s size in a chord
- Clusters
- Combining two parts on the same staff
- Displaying complex chords
- Forcing horizontal shift of notes
- Making an object invisible with the ’transparent property
- Moving dotted notes in polyphony
- Suppressing warnings for clashing note columns
- Two \partCombine pairs on one staff
Staff notation
- Adding ambitus per voice
- Adding an extra staff
- Adding an extra staff at a line break
- Adding indicators to staves which get split after a break
- Adding orchestral cues to a vocal score
- Adding timing marks to long glissandi
- Alternative bar numbering
- Ambitus after key signature
- Centered measure numbers
- Changing the default bar lines
- Changing the number of lines in a staff
- Changing the staff size
- Creating blank staves
- Creating custom key signatures
- Creating double-digit fingerings
- Cross-staff stems
- Display bracket with only one staff in a system
- Extending a TrillSpanner
- Extending glissandi across repeats
- Flat Ties
- Forcing measure width to adapt to MetronomeMark’s width
- Glissandi can skip grobs
- Incipit
- Inserting score fragments above a staff, as markups
- Let TabStaff print the topmost string at bottom
- Letter tablature formatting
- Making glissandi breakable
- Making some staff lines thicker than the others
- Measure counter
- Mensurstriche layout (bar lines between the staves)
- Modifying the Ottava spanner slope
- Nesting staves
- Non-traditional key signatures
- Numbering groups of measures
- Orchestra, choir and piano template
- Print ChordNames with same root and different bass as slash and bass-note
- Putting lyrics inside the staff
- Quoting another voice
- Quoting another voice with transposition
- Removing brace on first line of piano score
- Removing the first empty line
- Setting system separators
- Shape individual ties in chords
- Tick bar lines
- Time signature in brackets
- Time signature in parentheses
- Tweaking clef properties
- Two \partCombine pairs on one staff
- Use square bracket at the start of a staff group
- Using autochange with more than one voice
- Using marklines in a Frenched score
- Vertically aligned StaffGroups without connecting SystemStartBar
- Volta below chords
- Volta brackets in multiple staves
Editorial annotations
- Adding fingerings to a score
- Adding links to objects
- Adding markups in a tablature
- Allowing fingerings to be printed inside the staff
- Alternative bar numbering
- Analysis brackets above the staff
- Analysis brackets with labels
- Applying note head styles depending on the step of the scale
- Blanking staff lines using the \whiteout command
- Changing a single note’s size in a chord
- Changing the appearance of a slur from solid to dotted or dashed
- Coloring notes depending on their pitch
- Controlling the placement of chord fingerings
- Creating a delayed turn
- Creating blank staves
- Creating double-digit fingerings
- Default direction of stems on the center line of the staff
- Different font size settings for instrumentName and shortInstrumentName
- Drawing boxes around grobs
- Drawing circles around note heads
- Drawing circles around various objects
- Embedding native PostScript in a \markup block
- Grid lines: changing their appearance
- Grid lines: emphasizing rhythms and notes synchronization
- Hammer on and pull off
- Hammer on and pull off using chords
- Hammer on and pull off using voices
- Making some staff lines thicker than the others
- Marking notes of spoken parts with a cross on the stem (Sprechstimme)
- Measure counter
- Measure spanner
- Numbering groups of measures
- Positioning fingering indications precisely
- Positioning text markups inside slurs
- Printing text from right to left
- String number extender lines
- Using PostScript to generate special note head shapes
- Using the whiteout property
Text
- [OBSOLETE] Adding a QR code
- Adding markups in a tablature
- Adding the current date to a score
- Adjusting lyrics vertical spacing
- Aligning and centering instrument names
- Aligning syllables with melisma
- Blanking staff lines using the \whiteout command
- Center text below hairpin dynamics
- Changing ottava text
- Changing the default text font family
- Combining dynamics with markup texts
- Combining two parts on the same staff
- Creating "real" parenthesized dynamics
- Creating text spanners
- Demonstrating all headers
- Embedding native PostScript in a \markup block
- Formatting lyrics syllables
- How to put ties between syllables in lyrics
- Lyrics alignment
- Markup list
- Multi-measure rest markup
- Of the ubiquity of markup objects
- Outputting the version number
- Piano template with centered lyrics
- Printing bar numbers with changing regular intervals
- Printing marks on every staff
- Printing text from right to left
- Putting lyrics inside the staff
- Stand-alone two-column markup
- String number extender lines
- Three-sided box
- UTF-8
- Vocal ensemble template with lyrics aligned below and above the staves
- Volta text markup using repeatCommands
Vocal music
- Adding ambitus per voice
- Adding indicators to staves which get split after a break
- Adding orchestral cues to a vocal score
- Adjusting lyrics vertical spacing
- Aligning syllables with melisma
- Ambitus
- Ambitus after key signature
- Ambitus with multiple voices
- Ancient notation template – modern transcription of Gregorian music
- Anglican psalm template
- Arranging separate lyrics on a single line
- Changing stanza fonts
- Chant or psalms notation
- Forcing hyphens to be shown
- Formatting lyrics syllables
- How to put ties between syllables in lyrics
- Hymn template
- Lyrics alignment
- Marking notes of spoken parts with a cross on the stem (Sprechstimme)
- Obtaining 2.12 lyrics spacing in newer versions
- Orchestra, choir and piano template
- Piano template with melody and lyrics
- Putting lyrics inside the staff
- SATB Choir template - four staves
- Single staff template with notes, lyrics, and chords
- Single staff template with notes, lyrics, chords and frets
- Single staff template with notes and lyrics
- Skips in lyric mode
- Skips in lyric mode (2)
- Using arpeggioBracket to make divisi more visible
- Using tags to produce mensural and modern music from the same source
- Vertically aligning ossias and lyrics
- Vertically aligning stanza numbers of different staves
- Vertically centered common lyrics
- Vocal ensemble template
- Vocal ensemble template with automatic piano reduction
- Vocal ensemble template with lyrics aligned below and above the staves
- Vocal ensemble template with verse and refrain
Chords
- Adding a figured bass above or below the notes
- Adding bar lines to ChordNames context
- Adjusting figured bass alteration glyphs
- Changing chord separator
- Changing the chord names to German or semi-German notation
- Changing the positions of figured bass alterations
- Chord name exceptions
- chord name major7
- Chord names alternative
- Chords with stretched fingering for FretBoards and TabVoice
- Clusters
- Controlling the placement of chord fingerings
- Cross-staff chords - beaming problems workaround
- Customizing the chord grid style
- Customizing the no-chord symbol
- Displaying complex chords
- Manually break figured bass extenders for only some numbers
- Print ChordNames with same root and different bass as slash and bass-note
- Showing chords at changes
- Simple lead sheet
- Single staff template with notes, lyrics, and chords
- Single staff template with notes, lyrics, chords and frets
- Single staff template with notes and chords
- Vertically centering paired figured bass extenders
- Volta below chords
Keyboards
- Accordion-discant symbols
- Accordion register symbols
- Changing the text for sustain markings
- Clusters
- Controlling the placement of chord fingerings
- Creating slurs across voices
- Cross-staff chords - beaming problems workaround
- Cross-staff tremolos
- Fine-tuning pedal brackets
- Indicating cross-staff chords with arpeggio bracket
- Jazz combo template
- Laissez vibrer ties
- Piano template (simple)
- Piano template with centered lyrics
- Piano template with melody and lyrics
- Removing brace on first line of piano score
- Using autochange with more than one voice
- Vocal ensemble template with automatic piano reduction
Percussion
- Adding drum parts
- Cow and ride bell example
- Heavily customized polymetric time signatures
- High and Low woodblock example
- Jazz combo template
- Percussion beaters
- Percussion example
- Printing music with different time signatures
- Tam-tam example
- Tambourine example
Fretted strings
- Adding fingerings to a score
- Adding fingerings to tablatures
- Adding markups in a tablature
- Allowing fingerings to be printed inside the staff
- Automatic Fretboards Barre
- Changing fret orientations
- Chord glissando in tablature
- ChordChanges for FretBoards
- Chords with stretched fingering for FretBoards and TabVoice
- Controlling the placement of chord fingerings
- Customizing fretboard fret diagrams
- Customizing markup fret diagrams
- Defining predefined fretboards for other instruments
- Faking a hammer in tablatures
- Fingerings, string indications, and right-hand fingerings
- Flamenco notation
- Fret diagrams explained and developed
- Fretboards alternate tables
- Fretted-string harmonics in tablature
- Guitar slides
- Guitar strum rhythms
- Hammer on and pull off
- Hammer on and pull off using chords
- Hammer on and pull off using voices
- How to change fret diagram position
- Jazz combo template
- Laissez vibrer ties
- Let TabStaff print the topmost string at bottom
- Letter tablature formatting
- Open string harmonics in tablature
- Placement of right-hand fingerings
- Polyphony in tablature
- Slides in tablature
- Stem and beam behavior in tablature
- String number extender lines
Unfretted strings
- Creating slurs across voices
- Dotted harmonics
- Snap-pizzicato or Bartok pizzicato
- String quartet template (simple)
- String quartet template with separate parts
Winds
- Changing the size of woodwind diagrams
- Fingering symbols for wind instruments
- Flute slap notation
- Graphical and text woodwind diagrams
- Recorder fingering chart
- Woodwind diagrams key lists
- Woodwind diagrams listing
Ancient notation
- Adding a figured bass above or below the notes
- Ancient fonts
- Ancient notation template – modern transcription of Gregorian music
- Ancient time signatures
- Chant or psalms notation
- Custodes
- Incipit
- Mensurstriche layout (bar lines between the staves)
- Rest styles
- Using tags to produce mensural and modern music from the same source
- Vertical line as a baroque articulation mark
World music
- Arabic improvisation
- Makam example
- Printing text from right to left
- Turkish Makam example
Contexts and engravers
- Adding a figured bass above or below the notes
- Adding an extra staff
- Adding an extra staff at a line break
- Automatically changing the stem direction of the middle note based on the melody
- Centered measure numbers
- Changing MIDI output to one channel per voice
- Changing time signatures inside a polymetric section using \scaleDurations
- Chant or psalms notation
- Creating blank staves
- Creating custom key signatures
- Cross-staff stems
- Defining an engraver in Scheme: ambitus engraver
- Displaying a whole GrandStaff system if only one of its staves is alive
- Engravers one-by-one
- Mensurstriche layout (bar lines between the staves)
- Nesting staves
- Numbering groups of measures
- Print ChordNames with same root and different bass as slash and bass-note
- Removing bar numbers from a score
- Use square bracket at the start of a staff group
- Using marklines in a Frenched score
- Vocal ensemble template with lyrics aligned below and above the staves
- Vocal ensemble template with verse and refrain
Tweaks and overrides
- Adding an ottava marking to a single voice
- Adding links to objects
- Adding markups in a tablature
- Adding timing marks to long glissandi
- Adjusting grace note spacing
- Adjusting lyrics vertical spacing
- Adjusting slur positions vertically
- Altering the length of beamed stems
- Alternative bar numbering
- Analysis brackets above the staff
- Analysis brackets with labels
- Asymmetric slurs
- Breaking vertical alignment of dynamics and textscripts
- Caesura ("railtracks") with fermata
- Changing a single note’s size in a chord
- Changing beam thickness and spacing
- Changing form of multi-measure rests
- Changing properties for individual grobs
- Changing text and spanner styles for text dynamics
- Changing the default text font family
- Changing the staff size
- Changing the tempo without a metronome mark
- Changing the text for sustain markings
- Controlling spanner visibility after a line break
- Controlling the appearance of tremolo slashes
- Controlling the vertical ordering of scripts
- Controlling tuplet bracket visibility
- Creating a delayed turn
- Creating custom key signatures
- Creating double-digit fingerings
- Creating text spanners
- Cross-staff chords - beaming problems workaround
- Cross-staff stems
- Custodes
- Customizing fretboard fret diagrams
- Customizing markup fret diagrams
- Display bracket with only one staff in a system
- Displaying grob ancestry
- Dotted harmonics
- Drawing boxes around grobs
- Drawing circles around various objects
- Dynamics custom text spanner postfix
- Dynamics text spanner postfix
- Extending a TrillSpanner
- Extending glissandi across repeats
- Fine-tuning pedal brackets
- Flat Ties
- Force a cancellation natural before accidentals
- Forcing horizontal shift of notes
- Fret diagrams explained and developed
- Generating custom flags
- Glissandi can skip grobs
- Hairpins with different line styles
- Horizontally aligning custom dynamics (e.g. "sempre pp", "piu f", "subito p")
- How to change fret diagram position
- Inserting a caesura
- Keep change clefs full sized
- Line arrows
- Making an object invisible with the ’transparent property
- Making glissandi breakable
- Manually controlling beam positions
- Measure-centered bar numbers
- Mensurstriche layout (bar lines between the staves)
- Modifying the Ottava spanner slope
- Moving dotted notes in polyphony
- Moving slur positions vertically
- Nesting staves
- Overriding articulations by type
- Percent repeat count visibility
- Positioning arpeggios
- Positioning multi-measure rests
- Positioning text markups inside slurs
- Printing bar numbers inside boxes or circles
- Printing metronome and rehearsal marks below the staff
- Printing note names with and without an octave marker
- Printing tuplet brackets on the note head side
- Proportional strict notespacing
- Removing brace on first line of piano score
- Removing connecting bar lines on StaffGroup, PianoStaff, or GrandStaff
- Removing the first empty line
- Rest styles
- Rhythmic slashes
- Separating key cancellations from key signature changes
- Setting hairpin behavior at bar lines
- Setting system separators
- Shape individual ties in chords
- Showing the same articulation above and below a note or chord
- String number extender lines
- Suppressing warnings for clashing note columns
- Time signature in brackets
- Time signature in parentheses
- Time signature printing only the numerator as a number (instead of the fraction)
- Tuplet bracket and change staff
- Tweaking clef properties
- Tweaking grace layout within music
- Using alternative flag styles
- Using ly:grob-object to access grobs with \tweak
- Using PostScript to generate special note head shapes
- Using the \tweak command to tweak individual grobs
- Vertically aligned dynamics and textscripts
- Vertically aligning ossias and lyrics
- Vertically aligning stanza numbers of different staves
- Vertically centering paired figured bass extenders
Paper and layout
- Aligning and centering instrument names
- Arranging separate lyrics on a single line
- Book parts
- Changing the staff size
- Clip systems
- Creating blank staves
- Demonstrating all headers
- Setting system separators
- Table of contents
- Vertically aligned StaffGroups without connecting SystemStartBar
Titles
- Adding the current date to a score
- Aligning and centering instrument names
- Demonstrating all headers
- Outputting the version number
Spacing
- Adjusting lyrics vertical spacing
- Allowing fingerings to be printed inside the staff
- Breaking vertical alignment of dynamics and textscripts
- Page label
- Proportional strict notespacing
- Vertically aligned dynamics and textscripts
- Vertically aligning ossias and lyrics
MIDI
- Changing MIDI output to one channel per voice
- Changing the tempo without a metronome mark
- Creating custom dynamics in MIDI output
- Demo MidiInstruments
- Replacing default MIDI instrument equalization
Templates
- Ancient notation template – modern transcription of Gregorian music
- Anglican psalm template
- Hymn template
- Jazz combo template
- Orchestra, choir and piano template
- Piano template (simple)
- Piano template with centered lyrics
- Piano template with melody and lyrics
- SATB Choir template - four staves
- Score for diatonic accordion
- Single staff template with notes, lyrics, and chords
- Single staff template with notes, lyrics, chords and frets
- Single staff template with notes and chords
- Single staff template with notes and lyrics
- Single staff template with only notes
- String quartet template (simple)
- String quartet template with separate parts
- Vocal ensemble template
- Vocal ensemble template with automatic piano reduction
- Vocal ensemble template with lyrics aligned below and above the staves
- Vocal ensemble template with verse and refrain

Adding ambitus per voice
Adding an ottava marking to a single voice
Aiken head thin variant noteheads
Altering the length of beamed stems
Ambitus
Ambitus after key signature
Ambitus with multiple voices
Applying note head styles depending on the step of the scale
Automatically changing the stem direction of the middle note based on the melody
Changing ottava text
Changing the ambitus gap
Changing the interval of lines on the stave
Clefs can be transposed by arbitrary amounts
Coloring notes depending on their pitch
Creating a sequence of notes on various pitches
Creating custom key signatures
Direction of merged ’fa’ shape note heads
Force a cancellation natural before accidentals
Forcing a clef symbol to be displayed
Generating random notes
Hiding accidentals on tied notes at the start of a new system
Keep change clefs full sized
Makam example
Modifying the Ottava spanner slope
Non-traditional key signatures
Numbers as easy note heads
Orchestra, choir and piano template
Preventing extra naturals from being automatically added
Preventing natural signs from being printed when the key signature changes
Quoting another voice with transposition
Separating key cancellations from key signature changes
Transposing pitches with minimum accidentals ("Smart" transpose)
Turkish Makam example
Tweaking clef properties
Using autochange with more than one voice