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3 Expressive marks

See also Expressive marks.

Adding parentheses around an expressive mark or chordal note  
Adding timing marks to long glissandi  
Adjusting slur positions vertically  
Adjusting the shape of falls and doits  
Aligning the ends of hairpins to NoteColumn directions  
Alternative breve notes  
Asymmetric slurs  
Breathing signs  
Broken crescendo hairpin  
Caesura (“railtracks”) with fermata  
Center text below hairpin dynamics  
Changing text and spanner styles for text dynamics  
Changing the appearance of a slur from solid to dotted or dashed  
Changing the breath mark symbol  
Changing the number of augmentation dots per note  
Combining dynamics with markup texts  
Combining dynamics with markup texts (2)  
Contemporary glissando  
Controlling spanner visibility after a line break  
Controlling the placement of chord fingerings  
Controlling the vertical ordering of scripts  
Creating “real” parenthesized dynamics  
Creating a delayed turn  
Creating arpeggios across notes in different voices  
Creating cross-staff arpeggios in a piano staff  
Creating cross-staff arpeggios in other contexts  
Creating double-digit fingerings  
Creating slurs across voices  
Creating text spanners  
Dynamics spanner with custom text  
Glissandi can skip grobs  
Hairpins with different line styles  
Hiding the extender line for text dynamics  
Horizontally aligning custom dynamics like “più f”  
Inserting a caesura  
Laissez vibrer ties  
Line arrows  
Making slurs with complex dash structure  
Modifying default values for articulation shorthand notation  
Moving slur positions vertically  
Moving the ends of hairpins  
Positioning arpeggios  
Positioning text markups inside slurs  
Printing hairpins in various styles  
Printing hairpins using al niente notation  
Printing metronome and rehearsal marks below the staff  
Setting hairpin behavior at bar lines  
Setting the minimum length of hairpins  
Showing the same articulation above and below a note or chord  
Snap pizzicato (“Bartok” pizzicato)  
Using a bracket to clarify divisi  
Using a tick as the breath mark symbol  
Using double slurs for legato chords  
Using the whiteout property  
Vertical line as a baroque articulation mark  
Vertically aligning dynamics across multiple notes  
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