The following table shows chord modifiers that can be used to generate
standard chord structures.
Type | Interval | Modifier | Example | Output |
Major | Major third, perfect fifth | 5 or nothing | c1:5 |
![[image of music]](../99/lily-064640e3.png) |
Minor | Minor third, perfect fifth | m or m5 | c1:m |
![[image of music]](../6f/lily-ea55891c.png) |
Augmented | Major third, augmented fifth | aug | c1:aug |
![[image of music]](../bc/lily-5357ec6a.png) |
Diminished | Minor third, diminished fifth | dim | c1:dim |
![[image of music]](../8b/lily-fc73b8fe.png) |
Dominant seventh | Major triad, minor seventh | 7 | c1:7 |
![[image of music]](../f5/lily-c99a86f9.png) |
Major seventh | Major triad, major seventh | maj7 or maj | c1:maj7 |
![[image of music]](../f2/lily-7a98e5fb.png) |
Minor seventh | Minor triad, minor seventh | m7 | c1:m7 |
![[image of music]](../f6/lily-c2d0a772.png) |
Diminished seventh | Diminished triad, diminished seventh | dim7 | c1:dim7 |
![[image of music]](../08/lily-e9d5302b.png) |
Augmented seventh | Augmented triad, minor seventh | aug7 | c1:aug7 |
![[image of music]](../dc/lily-7fd8054d.png) |
Half-diminished seventh | Diminished triad, minor seventh | m7.5- | c1:m7.5- |
![[image of music]](../dd/lily-d180b956.png) |
Minor-major seventh | Minor triad, major seventh | m7+ | c1:m7+ |
![[image of music]](../d3/lily-06b6c880.png) |
Major sixth | Major triad, sixth | 6 | c1:6 |
![[image of music]](../1d/lily-dddfb907.png) |
Minor sixth | Minor triad, sixth | m6 | c1:m6 |
![[image of music]](../c8/lily-c7a63d1c.png) |
Dominant ninth | Dominant seventh, major ninth | 9 | c1:9 |
![[image of music]](../43/lily-ecfbee0a.png) |
Major ninth | Major seventh, major ninth | maj9 | c1:maj9 |
![[image of music]](../82/lily-cba8897f.png) |
Minor ninth | Minor seventh, major ninth | m9 | c1:m9 |
![[image of music]](../ee/lily-43668dae.png) |
Dominant eleventh | Dominant ninth, perfect eleventh | 11 | c1:11 |
![[image of music]](../c9/lily-2886bde7.png) |
Major eleventh | Major ninth, perfect eleventh | maj11 | c1:maj11 |
![[image of music]](../d1/lily-fba5327f.png) |
Minor eleventh | Minor ninth, perfect eleventh | m11 | c1:m11 |
![[image of music]](../12/lily-e73001f2.png) |
Dominant thirteenth | Dominant ninth, major thirteenth | 13 | c1:13 |
![[image of music]](../2b/lily-0f62ff99.png) |
Dominant thirteenth | Dominant eleventh, major thirteenth | 13.11 | c1:13.11 |
![[image of music]](../04/lily-bd1a0d86.png) |
Major thirteenth | Major eleventh, major thirteenth | maj13.11 | c1:maj13.11 |
![[image of music]](../98/lily-12e7bc77.png) |
Minor thirteenth | Minor eleventh, major thirteenth | m13.11 | c1:m13.11 |
![[image of music]](../41/lily-c0cca72a.png) |
Suspended second | Major second, perfect fifth | sus2 | c1:sus2 |
![[image of music]](../74/lily-3ef084cf.png) |
Suspended fourth | Perfect fourth, perfect fifth | sus4 | c1:sus4 |
![[image of music]](../da/lily-830cf2ce.png) |
Power chord (two-voiced) | Perfect fifth | 1.5 | c1:5 |
![[image of music]](../53/lily-01f53920.png) |
Power chord (three-voiced) | Perfect fifth, octave | 1.5.8 | c1:5.8 |
![[image of music]](../72/lily-1db5ff88.png) |