LilyPond — Referència de la notació

Ocultar les alteracions sobre notes lligades al principi d’un sistema nou · Sol

Annexos

{
  \clef bass
  c4 d e f
  g4 a b c
  d4 e f g
}

{
  \clef treble
  c'4 e' g' c''
  c'4 g b c'
  \clef bass
  c,4 e, g, c
  c,4 g,, b,, c,
}

{
  \fixed c' {
    \clef treble
    c4 e g c'
    c4 g, b, c
  }
  \clef bass
  \fixed c, {
    c4 e g c'
    c4 g, b, c
  }
}

\relative altura_inicial expressió_musical

\relative {
  \clef bass
  c d e f
  g a b c
  d e f g
}

\relative {
  c'' g c f,
  c' a, e'' c
}

\relative {
  c f b e
  a d g c
}

\relative {
  c' d e f
  \relative {
    c'' d e f
  }
}

\new Staff {
  \relative c''' {
    \chordmode { c1 }
  }
  \chordmode { c1 }
}

\relative {
  d' e
  \transpose f g {
    d e
    \relative {
      d' e
    }
  }
}

\relative {
  c'
  <c e g>
  <c' e g'>
  <c, e, g''>
}

\relative {
  c''2 fis
  c2 ges
  b2 eisis
  b2 feses
}

\relative c'' { ais1 aes aisis aeses }

\relative c'' { a4 aes a2 }

\relative c'' { ceseh1 ces ceh c cih cis cisih }

\relative c'' { cis cis cis! cis? c c c! c? }

\relative c'' {
  cis1~ 1~
  \break
  cis
}

\relative c'' {
  \override Accidental.hide-tied-accidental-after-break = ##t
  cis1~ cis~
  \break
  cis
}

\relative c'' {
  aeses4 aes ais a
  \set Staff.extraNatural = ##f
  aeses4 aes ais a
}

\language "italiano"

\relative {
  do' re mi sib
}

\relative c'' { a2 as e es a ases e eses }

scm/define-note-names.scm
\relative {
  c''2 d='4 d
  e2 f
}

\relative {
  c''2 d
  \octaveCheck c'
  e2 f
}

\relative {
  c''4 f g f

  c4
  \octaveCheck c'
  f
  \octaveCheck c'
  g
  \octaveCheck c'
  f
}

\transpose nota_origen nota_destí expressió_musical

\transpose d e {
  \relative {
    \key d \major
    d'4 fis a d
  }
}

\transpose a c' {
  \relative {
    \key c \major
    c'4 d e g
  }
}

music = \relative { c' d e f }
\new Staff {
  \transpose c cis { \music }
  \transpose c des { \music }
}

musicaEnSiBemol = { e4 … }
\transpose c bes, \musicaEnSiBemol

musicaEnSiBemol = { e4 … }
\transpose f c' { \transpose c bes, \musicaEnSiBemol }

#(define (naturalize-pitch p)
   (let ((o (ly:pitch-octave p))
         (a (* 4 (ly:pitch-alteration p)))
         ;; alteration, a, in quarter tone steps,
         ;; for historical reasons
         (n (ly:pitch-notename p)))
     (cond
      ((and (> a 1) (or (eqv? n 6) (eqv? n 2)))
       (set! a (- a 2))
       (set! n (+ n 1)))
      ((and (< a -1) (or (eqv? n 0) (eqv? n 3)))
       (set! a (+ a 2))
       (set! n (- n 1))))
     (cond
      ((> a 2) (set! a (- a 4)) (set! n (+ n 1)))
      ((< a -2) (set! a (+ a 4)) (set! n (- n 1))))
     (if (< n 0) (begin (set! o (- o 1)) (set! n (+ n 7))))
     (if (> n 6) (begin (set! o (+ o 1)) (set! n (- n 7))))
     (ly:make-pitch o n (/ a 4))))

#(define (naturalize music)
   (let ((es (ly:music-property music 'elements))
         (e (ly:music-property music 'element))
         (p (ly:music-property music 'pitch)))
     (if (pair? es)
         (ly:music-set-property!
          music 'elements
          (map naturalize es)))
     (if (ly:music? e)
         (ly:music-set-property!
          music 'element
          (naturalize e)))
     (if (ly:pitch? p)
         (begin
           (set! p (naturalize-pitch p))
           (ly:music-set-property! music 'pitch p)))
     music))

naturalizeMusic =
#(define-music-function (m)
   (ly:music?)
   (naturalize m))

music = \relative c' { c4 d e g }

\score {
  \new Staff {
    \transpose c ais { \music }
    \naturalizeMusic \transpose c ais { \music }
    \transpose c deses { \music }
    \naturalizeMusic \transpose c deses { \music }
  }
  \layout { }
}

\inversion nota_pivot nota_destí expressió_musical

music = \relative { c' d e f }
\new Staff {
  \music
  \inversion d' d' \music
  \inversion d' ees' \music
}

music = \relative { c'8. ees16( fis8. a16 b8.) gis16 f8. d16 }

\new Staff {
  \music
  \retrograde \music
}

\modalTranspose nota_origen nota_destí escala motiu

diatonicScale = \relative { c' d e f g a b }
motif = \relative { c'8 d e f g a b c }

\new Staff {
  \motif
  \modalTranspose c f \diatonicScale \motif
  \modalTranspose c b, \diatonicScale \motif
}

pentatonicScale = \relative { ges aes bes des ees }
motif = \relative { ees'8 des ges,4 <ges' bes,> <ges bes,> }

\new Staff {
  \motif
  \modalTranspose ges ees' \pentatonicScale \motif
}

chromaticScale = \relative { c' cis d dis e f fis g gis a ais b }
motif = \relative { c'8 d e f g a b c }

\new Staff {
  \motif
  \transpose c f \motif
  \modalTranspose c f \chromaticScale \motif
}

\modalInversion nota-pivote nota-destino escala motivo

octatonicScale = \relative { ees' f fis gis a b c d }
motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }

\new Staff {
  \motif
  \modalInversion fis' fis' \octatonicScale \motif
}

scale = \relative { c' g' }
motive = \relative { c' c g' c, }

\new Staff {
  \motive
  \modalInversion c' g' \scale \motive
}

octatonicScale = \relative { ees' f fis gis a b c d }
motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }

\new Staff {
  \motif
  \retrograde \modalInversion c' c' \octatonicScale \motif
}

c'2 c'

\clef treble
c'2 c'
\clef alto
c'2 c'
\clef tenor
c'2 c'
\clef bass
c'2 c'

\clef treble
c'2 c'
\clef "treble_8"
c'2 c'
\clef "bass^15"
c'2 c'
\clef "alto_2"
c'2 c'
\clef "G_8"
c'2 c'
\clef "F^5"
c'2 c'

\clef "treble_(8)"
c'2 c'
\clef "bass^[15]"
c'2 c'

\clef treble { c'2 c' } \break
\clef bass { c'2 c' } \break
\clef alto
  \set Staff.explicitClefVisibility = #end-of-line-invisible
  { c'2 c' } \break
  \unset Staff.explicitClefVisibility
\clef bass { c'2 c' } \break

  \clef treble
  c'1
  \clef treble
  c'1
  \set Staff.forceClef = ##t
  c'1
  \clef treble
  c'1

  \clef "treble"
  c'1
  \clef "bass"
  c'1
  \clef "treble"
  c'1
  \override Staff.Clef.full-size-change = ##t
  \clef "bass"
  c'1
  \clef "treble"
  c'1
  \revert Staff.Clef.full-size-change
  \clef "bass"
  c'1
  \clef "treble"
  c'1

{
  % The default treble clef
  \key f \major
  c'1
  % The standard bass clef
  \set Staff.clefGlyph = #"clefs.F"
  \set Staff.clefPosition = #2
  \set Staff.middleCPosition = #6
  \set Staff.middleCClefPosition = #6
  \key g \major
  c'1
  % The baritone clef
  \set Staff.clefGlyph = #"clefs.C"
  \set Staff.clefPosition = #4
  \set Staff.middleCPosition = #4
  \set Staff.middleCClefPosition = #4
  \key f \major
  c'1
  % The standard choral tenor clef
  \set Staff.clefGlyph = #"clefs.G"
  \set Staff.clefPosition = #-2
  \set Staff.clefTransposition = #-7
  \set Staff.middleCPosition = #1
  \set Staff.middleCClefPosition = #1
  \key f \major
  c'1
  % A non-standard clef
  \set Staff.clefPosition = #0
  \set Staff.clefTransposition = #0
  \set Staff.middleCPosition = #-4
  \set Staff.middleCClefPosition = #-4
  \key g \major
  c'1 \break

  % The following clef changes do not preserve
  % the normal relationship between notes, key signatures
  % and clefs:

  \set Staff.clefGlyph = #"clefs.F"
  \set Staff.clefPosition = #2
  c'1
  \set Staff.clefGlyph = #"clefs.G"
  c'1
  \set Staff.clefGlyph = #"clefs.C"
  c'1
  \set Staff.clefTransposition = #7
  c'1
  \set Staff.clefTransposition = #0
  \set Staff.clefPosition = #0
  c'1

  % Return to the normal clef:

  \set Staff.middleCPosition = #0
  c'1
}

scm/parser-clef.scm
\new Staff \with {
  \override Clef.color = #blue
  \override ClefModifier.color = #red
}

\clef "treble_8" c'4

\key nota modo

\relative {
  \key g \major
  fis''1
  f
  fis
}

freygish = #`((0 . ,NATURAL) (1 . ,FLAT) (2 . ,NATURAL)
    (3 . ,NATURAL) (4 . ,NATURAL) (5 . ,FLAT) (6 . ,FLAT))

\relative {
  \key c \freygish c'4 des e f
  \bar "||" \key d \freygish d es fis g
}

\override Staff.KeySignature.flat-positions = #'((-5 . 5))
\override Staff.KeyCancellation.flat-positions = #'((-5 . 5))
\clef bass \key es \major es g bes d'
\clef treble \bar "||" \key es \major es' g' bes' d''

\override Staff.KeySignature.sharp-positions = #'(2)
\bar "||" \key b \major b' fis' b'2

\relative c' {
  \key d \major
  a4 b cis d
  \key g \minor
  a4 bes c d
  \set Staff.printKeyCancellation = ##f
  \key d \major
  a4 b cis d
  \key g \minor
  a4 bes c d
}

\include "arabic.ly"
\relative do' {
  \set Staff.keyAlterations = #`((0 . ,SEMI-FLAT)
                                 (1 . ,SEMI-FLAT)
                                 (2 . ,FLAT)
                                 (5 . ,FLAT)
                                 (6 . ,SEMI-FLAT))
%\set Staff.extraNatural = ##f
  re reb \dwn reb resd
  dod dob dosd \dwn dob |
  dobsb dodsd do do |
}

\relative a' {
  a2 b
  \ottava #-2
  a2 b
  \ottava #-1
  a2 b
  \ottava #0
  a2 b
  \ottava #1
  a2 b
  \ottava #2
  a2 b
}

{
  c'2
  \ottava #1
  \set Staff.ottavation = #"8"
  c''2
  \ottava #0
  c'1
  \ottava #1
  \set Staff.ottavation = #"Text"
  c''1
}

\layout {
  \context {
    \Staff
    \remove Ottava_spanner_engraver
  }
  \context {
    \Voice
    \consists Ottava_spanner_engraver
  }
}

{
  \clef bass
  << { <g d'>1~ q2 <c' e'> }
  \\
    {
      r2.
      \ottava -1
      <b,,, b,,>4 ~ |
      q2
      \ottava 0
      <c e>2
    }
  >>
}

\relative c'' {
  \override Staff.OttavaBracket.stencil = #ly:line-spanner::print
  \override Staff.OttavaBracket.bound-details =
    #`((left . ((Y . 0)
                (attach-dir . ,LEFT)
                (padding . 0)
                (stencil-align-dir-y . ,CENTER)))
       (right . ((Y . 5.0) ; Change the number here
                 (padding . 0)
                 (attach-dir . ,RIGHT)
                 (text . ,(make-draw-dashed-line-markup
                           (cons 0 -1.2))))))
  \override Staff.OttavaBracket.left-bound-info =
     #ly:horizontal-line-spanner::calc-left-bound-info-and-text
  \override Staff.OttavaBracket.right-bound-info =
     #ly:horizontal-line-spanner::calc-right-bound-info
  \ottava #1
  c1
  c'''1
}

\transposition pitch

\new GrandStaff <<
  \new Staff = "violin" {
    \relative c'' {
      \set Staff.instrumentName = "Vln"
      \set Staff.midiInstrument = "violin"
      % no estrictament necessari, però un bon recordatori
      \transposition c'

      \key c \major
      g4( c8) r c r c4
    }
  }
  \new Staff = "clarinet" {
    \relative c'' {
      \set Staff.instrumentName = \markup { Cl (B\flat) }
      \set Staff.midiInstrument = "clarinet"
      \transposition bes

      \key d \major
      a4( d8) r d r d4
    }
  }
>>

flute = \relative c'' {
  \key f \major
  \cueDuring "clarinet" #DOWN {
    R1 _\markup\tiny "clarinet"
    c4 f e d
    R1 _\markup\tiny "clarinet"
  }
}
clarinet = \relative c'' {
  \key aes \major
  \transposition a
  aes4 bes c des
  R1^\markup { muta in B\flat }
  \key g \major
  \transposition bes
  d2 g,
}
\addQuote "clarinet" \clarinet
<<
  \new Staff \with { instrumentName = "Flute" }
    \flute
  \new Staff \with { instrumentName = "Cl (A)" }
    \clarinet
>>

\new Staff <<
  \accidentalStyle voice
  { … }
>>

\accidentalStyle StaffGroup.voice

musicA = {
  <<
    \relative {
      cis''8 fis, bes4 <a cis>8 f bis4 |
      cis2. <c, g'>4 |
    }
    \\
    \relative {
      ais'2 cis, |
      fis8 b a4 cis2 |
    }
  >>
}

musicB = {
  \clef bass
  \new Voice {
    \voiceTwo \relative {
      <fis a cis>8[ <fis a cis>
      \change Staff = up
      cis' cis
      \change Staff = down
      <fis, a> <fis a>]
      \showStaffSwitch
      \change Staff = up
      dis'4 |
      \change Staff = down
      <fis, a cis>4 gis <f a d>2 |
    }
  }
}

\new PianoStaff {
  <<
    \context Staff = "up" {
      \accidentalStyle default
      \musicA
    }
    \context Staff = "down" {
      \accidentalStyle default
      \musicB
    }
  >>
}

\new PianoStaff {
  <<
    \context Staff = "up" {
      %%% canvieu la línia següent com desitgeu:
      \accidentalStyle Score.default
      \musicA
    }
    \context Staff = "down" {
      \musicB
    }
  >>
}

forget = #(define-music-function (music) (ly:music?) #{
  \accidentalStyle forget
  #music
  \accidentalStyle modern
#})
{
  \accidentalStyle modern
  \time 2/4
  \repeat volta 2 {
    c'2
  }
  \alternative {
     cis'
     \forget c'
  }
}

\layout {
  \context {
    \Voice
    \consists Ambitus_engraver
  }
}

\relative {
  aes' c e2
  cis,1
}

\new Staff <<
  \new Voice \with {
    \consists "Ambitus_engraver"
  } \relative c'' {
    \override Ambitus.X-offset = #2.0
    \voiceOne
    c4 a d e
    f1
  }
  \new Voice \with {
    \consists "Ambitus_engraver"
  } \relative c' {
    \voiceTwo
    es4 f g as
    b1
  }
>>

\new Staff \with {
  \consists "Ambitus_engraver"
  }
<<
  \new Voice \relative c'' {
    \voiceOne
    c4 a d e
    f1
  }
  \new Voice \relative c' {
    \voiceTwo
    es4 f g as
    b1
  }
>>

\layout {
  \context {
    \Voice
    \consists "Ambitus_engraver"
  }
}

\new Staff {
  \time 2/4
  % Default setting
  c'4 g''
}

\new Staff {
  \time 2/4
  \override AmbitusLine.gap = #0
  c'4 g''
}

\new Staff {
  \time 2/4
  \override AmbitusLine.gap = #1
  c'4 g''
}

\new Staff {
  \time 2/4
  \override AmbitusLine.gap = #1.5
  c'4 g''
}

\relative c'' {
  c4 b
  \override NoteHead.style = #'cross
  c4 b
  \revert NoteHead.style
  a b
  \override NoteHead.style = #'harmonic
  a b
  \revert NoteHead.style
  c4 d e f
}

\relative {
  c''4 b
  \xNotesOn
   a b c4 b
  \xNotesOff
  c4 d
}

\relative {
  c''4 b
  \xNote { e f }
  c b < g \xNote c f > b
}

\relative c'' {
  <c f\harmonic>2 <d a'\harmonic>4 <c g'\harmonic> f\harmonic
}

#(set-global-staff-size 26)
\relative c' {
  \easyHeadsOn
  c2 e4 f
  g1
  \easyHeadsOff
  c,1
}

#(define Ez_numbers_engraver
   (make-engraver
    (acknowledgers
     ((note-head-interface engraver grob source-engraver)
      (let* ((context (ly:translator-context engraver))
	     (tonic-pitch (ly:context-property context 'tonic))
	     (tonic-name (ly:pitch-notename tonic-pitch))
	     (grob-pitch
	      (ly:event-property (event-cause grob) 'pitch))
	     (grob-name (ly:pitch-notename grob-pitch))
	     (delta (modulo (- grob-name tonic-name) 7))
	     (note-names
	      (make-vector 7 (number->string (1+ delta)))))
	(ly:grob-set-property! grob 'note-names note-names))))))

#(set-global-staff-size 26)

\layout {
  ragged-right = ##t
  \context {
    \Voice
    \consists \Ez_numbers_engraver
  }
}

\relative c' {
  \easyHeadsOn
  c4 d e f
  g4 a b c \break

  \key a \major
  a,4 b cis d
  e4 fis gis a \break

  \key d \dorian
  d,4 e f g
  a4 b c d
}

\relative c'' {
  \aikenHeads
  c, d e f g2 a b1 c \break
  \sacredHarpHeads
  c,4 d e f g2 a b1 c \break
  \southernHarmonyHeads
  c,4 d e f g2 a b1 c \break
  \funkHeads
  c,4 d e f g2 a b1 c \break
  \walkerHeads
  c,4 d e f g2 a b1 c \break
}

\relative c'' {
  \key a \minor
  \aikenHeads
  a b c d e2 f g1 a \break
  \aikenHeadsMinor
  a,4 b c d e2 f g1 a \break
  \sacredHarpHeadsMinor
  a,2 b c d \break
  \southernHarmonyHeadsMinor
  a2 b c d \break
  \funkHeadsMinor
  a2 b c d \break
  \walkerHeadsMinor
  a2 b c d \break
}

fragment = {
  \key c \major
  c2 d
  e2 f
  g2 a
  b2 c
}

\new Staff {
  \transpose c d
  \relative c' {
    \set shapeNoteStyles = ##(do re mi fa
                               #f la ti)
    \fragment
  }

  \break

  \relative c' {
    \set shapeNoteStyles = ##(cross triangle fa #f
                               mensural xcircle diamond)
    \fragment
  }
}

\new Voice \with {
  \consists Pitch_squash_engraver
} \relative {
  e''8 e g a a16( bes) a8 g
  \improvisationOn
  e8 ~
  2 ~ 8 f4 f8 ~
  2
  \improvisationOff
  a16( bes) a8 g e
}

\relative {
  \time 8/1
  c''\longa c\breve c1 c2
  c4 c8 c16 c32 c64 c128 c128
}

\relative {
  \time 8/1
  \autoBeamOff
  c''\longa c\breve c1 c2
  c4 c8 c16 c32 c64 c128 c128
}

\relative { a' a a2 a a4 a a1 a }

\relative {
  \time 8/1
  c'' \longa \breve 1 2
  4 8 16 32 64 128 128
}

\relative { a'4 b c4. b8 a4. b4.. c8. }

\relative c'' {
  \time 4/2
  c\breve |
  \override Staff.NoteHead.style = #'altdefault
  b\breve
  \override Staff.NoteHead.style = #'baroque
  b\breve
  \revert Staff.NoteHead.style
  a\breve
}

\relative c' {
  c4.. a16 r2 |
  \override Dots.dot-count = #4
  c4.. a16 r2 |
  \override Dots.dot-count = #0
  c4.. a16 r2 |
  \revert Dots.dot-count
  c4.. a16 r2 |
}

\tuplet fracció { música }

\relative {
  a'2 \tuplet 3/2 { b4 4 4 }
  c4 c \tuplet 3/2 { b4 a g }
}

\relative {
  g'2 r8 \tuplet 3/2 8 { cis16 d e e f g g f e }
}

\relative {
  \tupletUp \tuplet 3/2 { c''8 d e }
  \tupletNeutral \tuplet 3/2 { c8 d e }
  \tupletDown \tuplet 3/2 { f,8 g a }
  \tupletNeutral \tuplet 3/2 { f8 g a }
}

\relative {
  \autoBeamOff
  c''4 \tuplet 5/4 { f8 e f \tuplet 3/2 { e[ f g] } } f4
}

\relative c' {
  \time 2/4
  \tupletSpan 4
  \tuplet 3/2 { c8^"\\tupletSpan 4" c c c c c }
  \tupletSpan \default
  \tuplet 3/2 { c8^"\\tupletSpan \\default" c c c c c }
  \tuplet 3/2 4 { c8^"\\tuplet 3/2 4 {...}" c c c c c }
}

\relative c'' {
  \tuplet 3/2 { c8 c c }
  \tuplet 3/2 { c8 c c }
  \override TupletNumber.text = #tuplet-number::calc-fraction-text
  \tuplet 3/2 { c8 c c }
  \omit TupletNumber
  \tuplet 3/2 { c8 c c }
}

\relative c'' {
  \once \override TupletNumber.text =
    #(tuplet-number::non-default-tuplet-denominator-text 7)
  \tuplet 3/2  { c4. c4. c4. c4. }
  \once \override TupletNumber.text =
    #(tuplet-number::non-default-tuplet-fraction-text 12 7)
  \tuplet 3/2  { c4. c4. c4. c4. }
  \once \override TupletNumber.text =
    #(tuplet-number::append-note-wrapper
      (tuplet-number::non-default-tuplet-fraction-text 12 7)
      (ly:make-duration 3 0))
  \tuplet 3/2  { c4. c4. c4. c4. }
  \once \override TupletNumber.text =
    #(tuplet-number::append-note-wrapper
      tuplet-number::calc-denominator-text
      (ly:make-duration 2 0))
  \tuplet 3/2  { c8 c8 c8 c8 c8 c8 }
  \once \override TupletNumber.text =
    #(tuplet-number::append-note-wrapper
      tuplet-number::calc-fraction-text
      (ly:make-duration 2 0))
  \tuplet 3/2  { c8 c8 c8 c8 c8 c8 }
  \once \override TupletNumber.text =
    #(tuplet-number::fraction-with-notes
      (ly:make-duration 2 1) (ly:make-duration 3 0))
  \tuplet 3/2  { c4. c4. c4. c4. }
  \once \override TupletNumber.text =
    #(tuplet-number::non-default-fraction-with-notes 12
      (ly:make-duration 3 0) 4 (ly:make-duration 2 0))
  \tuplet 3/2  { c4. c4. c4. c4. }
}

music = \relative c'' {
  \tuplet 3/2 { c16[ d e } f8]
  \tuplet 3/2 { c8 d e }
  \tuplet 3/2 { c4 d e }
}

\new Voice {
  \relative c' {
    \override Score.TextMark.non-musical = ##f
    \textMark "default" \music
    \override TupletBracket.bracket-visibility = #'if-no-beam
    \textMark \markup \typewriter "'if-no-beam" \music
    \override TupletBracket.bracket-visibility = ##t
    \textMark \markup \typewriter "#t" \music
    \override TupletBracket.bracket-visibility = ##f
    \textMark \markup \typewriter "#f" \music
    \omit TupletBracket
    \textMark \markup \typewriter "omit" \music
  }
}

\layout {
  \context {
    \Voice
    % Permit line breaks within tuplets
    \remove "Forbid_line_break_engraver"
    % Allow beams to be broken at line breaks
    \override Beam.breakable = ##t
  }
}
\relative c'' {
  a8
  \repeat unfold 5 { \tuplet 3/2 { c[ b a] } }
  % Insert a manual line break within a tuplet
  \tuplet 3/2 { c[ b \bar "" \break a] }
  \repeat unfold 5 { \tuplet 3/2 { c[ b a] } }
  c8
}

\relative {
  \time 2/4
  % Altera les duracions a tresets
  a'4*2/3 gis a
  % Duracions normals
  a4 a
  % Duplica la duració de l'acord
  <a d>4*2
  % Duració de negra, sembla de corxera
  b16*4 c4
}

\relative {
  \time 2/4
  % Duracions normals
  <c'' a>4 c8 a
  % Escala la música per *2/3
  \scaleDurations 2/3 {
    <c a f>4. c8 a f
  }
  % Escala la música per *2
  \scaleDurations 2/1 {
    <c' a>4 c8 b
  }
}

{ a'2~ 4~ 16 r r8 }

{ a'2~ 4~ 16 r r8 }

\relative {
  r8^"sí" c'~ 2 r4 |
  r8^"no" c2~ 8 r4
}

\relative c' {
  <c e g>2~ 2 |
  <c e g>4~ <c e g c>
    <c~ e g~ b> <c e g b> |
}

\relative {
  \repeat volta 2 { c'' g <c e>2~ }
  \alternative {
    % Primera alternativa: la nota següent es lliga normalment
    { <c e>2. r4 }
    % Segona alternativa: la nota següent té una lligadura repetida
    { <c e>2\repeatTie d4 c }
  }
}

<c' f' g'>1\laissezVibrer

\relative c' {
  \tieDotted
  c2~ 2
  \tieDashed
  c2~ 2
  \tieHalfDashed
  c2~ 2
  \tieHalfSolid
  c2~ 2
  \tieSolid
  c2~ 2
}

\relative c' {
  \tieDashPattern #0.3 #0.75
  c2~ 2
  \tieDashPattern #0.7 #1.5
  c2~ 2
  \tieSolid
  c2~ 2
}

\relative {
  \override Tie.layer = #-2
  \override Staff.TimeSignature.layer = #-1
  \override Staff.KeySignature.layer = #-1
  \override Staff.TimeSignature.whiteout = ##t
  \override Staff.KeySignature.whiteout = ##t
  b'2 b~
  \time 3/4
  \key a \major
  b r4
}

\relative c' {
  \set tieWaitForNote = ##t
  \grace { c16[ ~ e ~ g] ~ } <c, e g>2
  \repeat tremolo 8 { c32 ~ c' ~ } <c c,>1
  e8 ~ c ~ a ~ f ~ <e' c a f>2
  \tieUp
  c8 ~ a
  \tieDown
  \tieDotted
  g8 ~ c g2
}

\relative c' {
  <c e g>2~ <c e g>
  \override TieColumn.tie-configuration =
    #'((0.0 . 1) (-2.0 . 1) (-4.0 . 1))
  <c e g>2~ <c e g>
  \override TieColumn.tie-configuration =
    #'((0 . 1) (-2 . 1) (-4 . 1))
  <c e g>2~ <c e g>
}

\new Staff {
  % Aquestes dues línies sols son per embellir aquest exemple
  \time 16/1
  \omit Staff.TimeSignature
  % Imprimeix un silenci de maxima, igual a quatre breves
  r\maxima
  % Imprimeix un silenci de longa, igual a dos breves
  r\longa
  % Imprimeix un silenci de breve
  r\breve
  r1 r2 r4 r8 r16 r32 r64 r128
}

\relative { a'4\rest d4\rest }

\new Staff \relative c {
  \omit Score.TimeSignature
  \cadenzaOn

  \override Staff.Rest.style = #'mensural
  r\maxima^\markup \typewriter { mensural }
  r\longa r\breve r1 r2 r4 r8 r16 s32 s64 s128 s128
  \bar ""
  \break

  \override Staff.Rest.style = #'neomensural
  r\maxima^\markup \typewriter { neomensural }
  r\longa r\breve r1 r2 r4 r8 r16 s32 s64 s128 s128
  \bar ""
  \break

  \override Staff.Rest.style = #'classical
  r\maxima^\markup \typewriter { classical }
  r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 s128
  \bar ""
  \break

  \override Staff.Rest.style = #'z
  r\maxima^\markup \typewriter { z-style }
  r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 s128
  \bar ""
  \break

  \override Staff.Rest.style = #'default
  r\maxima^\markup \typewriter { default }
  r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 s128
}

\relative c'' {
  c4 c s c |
  s2 c |
}

<<
  {
    a'2 \skip2 a'2 a'2
  }
  \new Lyrics {
    \lyricmode {
      foo2 \skip 1 bla2
    }
  }
>>

<<
  {
    \repeat unfold 8 { a'4 }
  }
  {
    a'4 \skip 2 a' |
    s2 a'
  }
>>

{ s1 s s }

% Això és entrada valida, però no fa res
{ \skip 1 \skip1 \skip 1 }

% Compassos de silencis contrets a un compàs únic
\compressMMRests {
  R1*4
  R1*24
  R1*4
  b'2^"Tutti" b'4 a'4
}

\compressMMRests {
  \time 2/4
  R1 | R2 |
  \time 3/4
  R2. | R2.*2 |
  \time 13/8
  R1*13/8 | R1*13/8*12 |
  \time 10/8
  R4*5*4 |
}

\time 4/4
R1 |
\time 6/4
R1*3/2 |
\time 8/4
R1*2 |

% Default behavior
\time 3/4 r2. | R2.*2 |
\time 2/4 R2 |
\time 4/4
% Rest measures contracted to single measure
\compressMMRests {
  r1 | R1*17 | R1*4 |
}
% Rest measures expanded again
\time 3/4
R2.*2 |

\compressMMRests {
  \time 3/4
  R2.*10^\markup { \italic "ad lib." }
}

\relative c'' {
  \compressMMRests {
    R1*2 | R1*5 | R1*9
    \override MultiMeasureRest.expand-limit = #3
    R1*2 | R1*5 | R1*9
  }
}

\relative c'' {
  % Multi-measure rests by default are set under the fourth line
  R1
  % They can be moved using an override
  \override MultiMeasureRest.staff-position = #-2
  R1
  \override MultiMeasureRest.staff-position = #0
  R1
  \override MultiMeasureRest.staff-position = #2
  R1
  \override MultiMeasureRest.staff-position = #3
  R1
  \override MultiMeasureRest.staff-position = #6
  R1
  \revert MultiMeasureRest.staff-position
  \break

  % In two Voices, odd-numbered voices are under the top line
  << { R1 } \\ { a1 } >>
  % Even-numbered voices are under the bottom line
  << { a1 } \\ { R1 } >>
  % Multi-measure rests in both voices remain separate
  << { R1 } \\ { R1 } >>

  % Separating multi-measure rests in more than two voices
  % requires an override
  << { R1 } \\ { R1 } \\
     \once \override MultiMeasureRest.staff-position = #0
     { R1 }
  >>

  % Using compressed bars in multiple voices requires another override
  % in all voices to avoid multiple instances being printed
  \compressMMRests
  <<
   \revert MultiMeasureRest.direction
    { R1*3 }
    \\
   \revert MultiMeasureRest.direction
    { R1*3 }
  >>
}

\relative c' {
  \compressMMRests {
    \textLengthOn
    <>^\markup { [MAJOR GENERAL] }
    R1*19
    <>_\markup { \italic { Cue: ... it is yours } }
    <>^\markup { A }
    R1*30^\markup { [MABEL] }
    \textLengthOff
    c4^\markup { CHORUS } d f c
  }
}

\time 2/4 c''2
\time 3/4 c''2.

\relative c'' {
  \time 2/4
  c2 c
  \break
  c c
  \break
  \time 4/4
  c c c c
}

\relative c'' {
  % Estil predeterminat
  \time 4/4 c1
  \time 2/2 c1
  % Canvia a estil numèric
  \numericTimeSignature
  \time 4/4 c1
  \time 2/2 c1
  % Torna al estil predeterminat
  \defaultTimeSignature
  \time 4/4 c1
  \time 2/2 c1
}

scm/time-signature-settings.scm
\score {
  \new Staff {
    \relative {
      \time 2,2,3 7/8
      \repeat unfold 7 { c'8 } |
      \time 3,2,2 7/8
      \repeat unfold 7 { c8 } |
    }
  }
}

\score {
  \new Staff {
    \relative c' {
      \overrideTimeSignatureSettings
        4/4        % timeSignatureFraction
        1/4        % baseMomentFraction
        3,1        % beatStructure
        #'()       % beamExceptions
      \time 4/4
      \repeat unfold 8 { c8 } |
    }
  }
}

\score{
  \relative {
    \repeat unfold 8 { c'8 } |
    \overrideTimeSignatureSettings
      4/4        % timeSignatureFraction
      1/4        % baseMomentFraction
      3,1        % beatStructure
      #'()       % beamExceptions
    \time 4/4
    \repeat unfold 8 { c8 } |
    \revertTimeSignatureSettings 4/4
    \time 4/4
    \repeat unfold 8 { c8 } |
  }
}

\score {
  \new StaffGroup <<
     \new Staff {
        \overrideTimeSignatureSettings
          4/4        % timeSignatureFraction
          1/4        % baseMomentFraction
          3,1        % beatStructure
          #'()       % beamExceptions
        \time 4/4
        \repeat unfold 8 {c''8}
     }
     \new Staff {
        \overrideTimeSignatureSettings
          4/4        % timeSignatureFraction
          1/4        % baseMomentFraction
          1,3        % beatStructure
          #'()       % beamExceptions
        \time 4/4
        \repeat unfold 8 {c''8}
     }
  >>
  \layout {
    \context {
      \Score
      \remove Timing_translator
    }
    \context {
      \Staff
      \consists Timing_translator
    }
  }
}

\relative c'' {
  \time 3/4
  c4 c c
  % Change the style permanently
  \override Staff.TimeSignature.style = #'single-digit
  \time 2/4
  c4 c
  \time 3/4
  c4 c c
  % Revert to default style:
  \revert Staff.TimeSignature.style
  \time 2/4
  c4 c
  % single-digit style only for the next time signature
  \once \override Staff.TimeSignature.style = #'single-digit
  \time 5/4
  c4 c c c c
  \time 2/4
  c4 c
}

scm/time-signature-settings.scm
\relative {
  \tempo 4 = 120
  c'2 d
  e4. d8 c2
}

\relative {
  \tempo 4 = 40 - 46
  c'4. e8 a4 g
  b,2 d4 r
}

\relative {
  \tempo "Allegretto"
    c''4 e d c
    b4. a16 b c4 r4
}

\relative {
  \tempo "Allegro" 4 = 160
  g'4 c d e
  d4 b g2
}

\relative {
  \tempo \markup { \italic Faster } 4 = 132
  a'8-. r8 b-. r gis-. r a-. r
}

\relative {
  \tempo "" 8 = 96
  d''4 g e c
}

\compressMMRests {
  \markLengthOn
  \tempo "Molto vivace"
  R1*12
  \tempo "Meno mosso"
  R1*16
  \markLengthOff
  \tempo "Tranquillo"
  R1*20
}

\layout {
  indent = 0
  ragged-right = ##f
}

{
  % Metronome marks below the staff
  \override Score.MetronomeMark.direction = #DOWN
  \tempo 8. = 120
  c''1

  % Rehearsal marks below the staff
  \override Score.RehearsalMark.direction = #DOWN
  \mark \default
  c''1
}

\score {
  \new Staff \relative c' {
    \tempo 4 = 160
    c4 e g b
    c4 b d c
    \set Score.tempoHideNote = ##t
    \tempo 4 = 96
    d,4 fis a cis
    d4 cis e d
  }
  \layout { }
  \midi { }
}

\relative c' {
  \tempo \markup {
    \concat {
      (
      \smaller \general-align #Y #DOWN \note {16.} #1
      " = "
      \smaller \general-align #Y #DOWN \note {8} #1
      )
    }
  }
  c1
  c4 c' c,2
}

\partial duración

\relative {
  \time 3/4
  \partial 4.
  r4 e'8 | a4 c8 b c4 |
}

\relative {
  \set Score.barNumberVisibility = #all-bar-numbers-visible
  \override Score.BarNumber.break-visibility =
            #end-of-line-invisible
  \time 9/8
  d''4.~ 4 d8 d( c) b | c4.~ 4. \bar "||"
  \time 12/8
  \partial 4.
  c8( d) e | f2.~ 4 f8 a,( c) f |
}

\relative {
  \set Score.barNumberVisibility = #all-bar-numbers-visible
  \override Score.BarNumber.break-visibility =
            #end-of-line-invisible
  \time 6/8
  \partial 8
  e'8 | a4 c8 b[ c b] |
  \partial 4
  r8 e,8 | a4 \bar "||"
  \partial 4
  r8 e8 | a4
  c8 b[ c b] |
}

\relative c'' {
  c4 d e d
  \cadenzaOn
  c4 c d8[ d d] f4 g4.
  \cadenzaOff
  \bar "|"
  d4 e d c
}

\relative c'' {
  % Mostra tots els números de barra
  \override Score.BarNumber.break-visibility = #all-visible
  c4 d e d
  \cadenzaOn
  c4 c d8[ d d] f4 g4.
  \cadenzaOff
  \bar "|"
  d4 e d c
}

\relative c'' {
  c4 d e d
  \cadenzaOn
  cis4 d cis d
  \bar "|"
  % El primer cis s'imprimeix sense alteració fins i tot si està després de un \bar
  cis4 d cis! d
  \cadenzaOff
  \bar "|"
}

\relative {
  \repeat unfold 8 { c''8 }
  \cadenzaOn
  cis8 c c c c
  \bar"|"
  c8 c c
  \cadenzaOff
  \repeat unfold 8 { c8 }
}

\bar ""

\relative <<
  \new Staff {
    \time 3/4
    c'4 c c |
    c4 c c |
  }
  \new Staff {
    \time 3/4
    \set Staff.timeSignatureFraction = 9/8
    \scaleDurations 2/3 {
      \repeat unfold 3 { c8[ c c] }
      \repeat unfold 3 { c4 c8 }
    }
  }
  \new Staff {
    \time 3/4
    \set Staff.timeSignatureFraction = 10/8
    \scaleDurations 3/5 {
      \repeat unfold 2 { c8[ c c] }
      \repeat unfold 2 { c8[ c] } |
      c4. c \tuplet 3/2 { c8[ c c] } c4
    }
  }
>>

\layout {
  \context {
    \Score
    \remove Timing_translator
  }
  \context {
    \Staff
    \consists Timing_translator
  }
}

% Ara cada pentagrama té la seva pròpia indicació de temps

\relative <<
  \new Staff {
    \time 3/4
    c'4 c c |
    c4 c c |
  }
  \new Staff {
    \time 2/4
    c4 c |
    c4 c |
    c4 c |
  }
  \new Staff {
    \time 3/8
    c4. |
    c8 c c |
    c4. |
    c8 c c |
  }
>>

\compoundMeter #'(llista de llistes)

\relative {
  \compoundMeter #'((2 2 2 8))
  \repeat unfold 6 c'8 \repeat unfold 12 c16
}

\relative {
  \compoundMeter #'((1 4) (3 8))
  \repeat unfold 5 c'8 \repeat unfold 10 c16
}

\relative {
  \compoundMeter #'((1 2 3 8) (3 4))
  \repeat unfold 12 c'8
}

\new Voice \with {
  \remove Note_heads_engraver
  \consists Completion_heads_engraver
  \remove Rest_engraver
  \consists Completion_rest_engraver
}
\relative {
  c'2. c8 d4 e f g a b c8 c2 b4 a g16 f4 e d c8. c2 r1*2
}

\new Voice \with {
  \remove Note_heads_engraver
  \consists Completion_heads_engraver
} \relative {
  \time 9/8 g\breve. d''4. \bar "||"
  \set completionUnit = #(ly:make-moment 3 8)
  g\breve. d4.
}

\new Voice \with {
  \remove Note_heads_engraver
  \consists Completion_heads_engraver
} \relative {
  \time 2/4 r4
  \tuplet 3/2 {g'4 a b}
  \scaleDurations 2/3 {g a b}
  g4*2/3 a b
  \tuplet 3/2 {g4 a b}
  r4
}

<<
  \new RhythmicStaff {
    \new Voice = "myRhythm" \relative {
      \time 4/4
      c'4 e8 f g2
      r4 g g f
      g1
    }
  }
  \new Lyrics {
    \lyricsto "myRhythm" {
      This is my song
      I like to sing
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      c1 f g c
    }
  }
  \new Voice \with {
    \consists Pitch_squash_engraver
  } \relative c'' {
    \improvisationOn
    c4 c8 c c4 c8 c
    f4 f8 f f4 f8 f
    g4 g8 g g4 g8 g
    c4 c8 c c4 c8 c
  }
>>

\include "predefined-guitar-fretboards.ly"
<<
  \new ChordNames {
    \chordmode {
      c1 | f | g | c
    }
  }
  \new FretBoards {
    \chordmode {
      c1 | f | g | c
    }
  }
  \new Voice \with {
    \consists "Pitch_squash_engraver"
  } {
    \relative c'' {
      \improvisationOn
      c4 c8 c c4 c8 c
      f4 f8 f f4 f8 f
      g4 g8 g g4 g8 g
      c4 c8 c c4 c8 c
    }
  }
  \new Voice = "melody" {
    \relative c'' {
      c2 e4 e4
      f2. r4
      g2. a4
      e4 c2.
    }
  }
  \new Lyrics {
    \lyricsto "melody" {
      This is my song.
      I like to sing.
    }
  }
>>

\relative c'' {
  \time 2/4 c8 c c c
  \time 6/8 c8 c c c8. c16 c8
}

\relative c' {
  c4 c8 c8. c16 c8. c16 c8
  \autoBeamOff
  c4 c8 c8. c16 c8.
  \autoBeamOn
  c16 c8
}

\relative c'' {
  \override Beam.breakable = ##t
  c8 c[ c] c[ c] c[ c] c[ \break
  c8] c[ c] c[ c] c[ c] c
}

{
  f8 f''8 f8 f''8
  \override Beam.auto-knee-gap = #6
  f8 f''8 f8 f''8
}

{
  %\set Staff.autoBeaming = ##f % turns off all autobeaming
  \partCombine
  {
    \autoBeamOff % applies to split up stems
    \repeat unfold 4 a'16
    %\autoBeamOff % applies to combined up stems
    \repeat unfold 4 a'8
    \repeat unfold 4 a'16
  }
  {
    \autoBeamOff % applies to down stems
    \repeat unfold 4 f'8
    \repeat unfold 8 f'16 |
  }
}

scm/auto-beam.scm
\set Timing.beamExceptions = #'()

\relative c'' {
  \time 5/16
  c16^"default" c c c c |
  % beamExceptions no és probable que es defineixi per a un tempo 5/16
  % però els desactivarem igual per assegurar-nos
  \set Timing.beamExceptions = #'()
  \set Timing.beatStructure = 2,3
  c16^"(2+3)" c c c c |
  \set Timing.beatStructure = 3,2
  c16^"(3+2)" c c c c |
}

\relative {
  \time 4/4
  a'8^"default" a a a a a a a
  % Desactiva beamExceptions perquè sí que està
  % definit per a un tempo 4/4
  \set Timing.beamExceptions = #'()
  \set Timing.baseMoment = #(ly:make-moment 1/4)
  \set Timing.beatStructure = 1,1,1,1
  a8^"changed" a a a a a a a
}

\new Staff {
  \time 7/8
  % No cal beamExceptions
  % atès que no està definit per al tempo 7/8
  \set Staff.beatStructure = 2,3,2
  <<
    \new Voice = one {
      \relative {
        a'8 a a a a a a
      }
    }
    \new Voice = two {
      \relative {
        \voiceTwo
        \set Voice.beatStructure = 1,3,3
        f'8 f f f f f f
      }
    }
  >>
}

\time 7/8
% ritme 3-1-1-2
% Canvi aplicat a Voice per defecte -- no funciona correctament
% A causa de veus autogenerades, totes les pulsacions estaran a
% baseMoment (1 . 8)
\set beatStructure = 3,1,1,2
<< \relative {a'8 a a a16 a a a a8 a} \\ \relative {f'4. f8 f f f} >>

% Funciona correctament amb el context Staff especificat
\set Staff.beatStructure = 3,1,1,2
<< \relative {a'8 a a a16 a a a a8 a} \\ \relative {f'4. f8 f f f} >>

\time 5/8
% No cal desactivar beamExceptions
% atès que no està definit per al tempo 5/8
\set Timing.baseMoment = #(ly:make-moment 1/16)
\set Timing.beatStructure = 7,3
\repeat unfold 10 { a'16 }

scm/time-signature-settings.scm
\relative c'' {
  \time 3/16
  \set Timing.beatStructure = 2,1
  \set Timing.beamExceptions =
    \beamExceptions { 32[ 32] 32[ 32] 32[ 32] }
  c16 c c |
  \repeat unfold 6 { c32 } |
}

\relative a' {
  \time 6/8
  \repeat unfold 6 { a8 }
  % grup (4 + 2)
  \set Timing.beatStructure = 4,2
  \repeat unfold 6 { a8 }
  % torna al comportament predeterminat
  \time 6/8
  \repeat unfold 6 { a8 }
}

scm/time-signature-settings.scm
\time 4/4
\set Timing.baseMoment = #(ly:make-moment 1/8)
\set Timing.beatStructure = 3,3,2
% Això no barrarà (3 3 2) degut a beamExceptions
\repeat unfold 8 {c''8} |
% Això barrarà (3 3 2) perquè eliminem beamExceptions
\set Timing.beamExceptions = #'()
\repeat unfold 8 {c''8}

\time 3/4
% per defecte barrem a (6) degut a beamExceptions
\repeat unfold 6 {a'8} |
% Això barrarà (1 1 1) degut a baseMoment i beatStructure predeterminats
\set Timing.beamExceptions = #'()
\repeat unfold 6 {a'8}

\relative a' {
  \time 3/4
  r4. a8 a a |
  \set Timing.beamHalfMeasure = ##f
  r4. a8 a a |
}

scm/time-signature-settings.scm
\relative c'' {
  c32[ c c c c c c c]
  \set subdivideBeams = ##t
  c32[ c c c c c c c]

  % Set beam sub-group length to an eighth note
  \set baseMoment = #(ly:make-moment 1/8)
  \set beatStructure = 2,2,2,2
  c32[ c c c c c c c]

  % Set beam sub-group length to a sixteenth note
  \set baseMoment = #(ly:make-moment 1/16)
  \set beatStructure = 4,4,4,4
  c32[ c c c c c c c]

  % Shorten beam by 1/32
  \set baseMoment = #(ly:make-moment 1/8)
  \set beatStructure = 2,2,2,2
  c32[ c c c c c c] r32

  % Shorten beam by 3/32
  \set baseMoment = #(ly:make-moment 1/8)
  \set beatStructure = 2,2,2,2
  c32[ c c c c] r16.
  r2
}

\relative c'' {
  \time 6/8
  a8. a16 a a
  \set strictBeatBeaming = ##t
  a8. a16 a a
}

\score {
  \new Voice \relative c'' {
    \time 9/8
    g8 g d d g g a( bes g) |
    \set Timing.beatStructure = 2,2,2,3
    g8 g d d g g a( bes g) |
    \time 4,5 9/8
    g8 g d d g g a( bes g) |
    \time 5/8
    a4. g4 |
  }
  \layout {
    \context {
      \Staff
      \consists "Measure_grouping_engraver"
    }
  }
}

\relative c'' {
  \time 5/4
  % Set default beaming for all staves
  \set Score.baseMoment = #(ly:make-moment 1/8)
  \set Score.beatStructure = 3,4,3
  <<
    \new Staff {
      c8 c c c c c c c c c
    }
    \new Staff {
      % Modify beaming for just this staff
      \set Staff.beatStructure = 6,4
      c8 c c c c c c c c c
    }
    \new Staff {
      % Inherit beaming from Score context
      <<
        {
          \voiceOne
          c8 c c c c c c c c c
        }
        % Modify beaming for this voice only
        \new Voice {
          \voiceTwo
          \set Voice.beatStructure = 6,4
          a8 a a a a a a a a a
        }
      >>
    }
  >>
}

scm/time-signature-settings.scm
<<
  \new Staff {
    \time 3/4
    \set Timing.baseMoment = #(ly:make-moment 1/8)
    \set Timing.beatStructure = 1,5
    \set Timing.beamExceptions = #'()
    \repeat unfold 6 { a'8 }
  }
  \new Staff {
    \repeat unfold 6 { a'8 }
  }
>>

<<
  \new Staff {
    \overrideTimeSignatureSettings
      3/4               % timeSignatureFraction
      1/8               % baseMomentFraction
      1,5               % beatStructure
      #'()		% beamExceptions
    \time 3/4
    \repeat unfold 6 { a'8 }
  }
  \new Staff {
    \time 3/4
    \repeat unfold 6 { a'8 }
  }
>>

\relative { r4 r8[ g' a r] r g[ | a] r }

\relative { c''8^[ d e] c,_[ d e f g] }

\relative {
  \time 2/4
  c''8 c\noBeam c c
}

\relative {
  c''4 d8[
  \grace { e32 d c d }
  e8] e[ e
  \grace { f16 }
  e8 e]
}

\relative a' {
  a8[ r16 f g a]
  a8[ r16
  \set stemLeftBeamCount = #2
  \set stemRightBeamCount = #1
  f16
  \set stemLeftBeamCount = #1
  g16 a]
}

\score {
  <<
    % Example 1
    \new RhythmicStaff {
      \set stemLeftBeamCount = #0
      c16[]
      r8.
    }
    % Example 2
    \new RhythmicStaff {
      r8.
      \set stemRightBeamCount = #0
      16[]
    }
    % Example 3
    \new RhythmicStaff {
      16 16
      \set stemRightBeamCount = #2
      16 r r
      \set stemLeftBeamCount = #2
      16 16 16
    }
    % Example 4
    \new RhythmicStaff {
      16 16
      \set stemRightBeamCount = #2
      16 r16
      16[]
      r16
      \set stemLeftBeamCount = #2
      16 16
    }
  >>
}

\relative c' {
  \override Beam.grow-direction = #LEFT
  \featherDurations 2/1
  { c16[ c c c c c c c] }
  \override Beam.grow-direction = #RIGHT
  \featherDurations 2/3
  { c32[ d e f] }
  % retorna a barres sense ploma
  \override Beam.grow-direction = #'()
  { g32[ a b c] }
}

\relative { e'4 d c2 \bar "|." }

\bar ""

\relative {
  f'1 \bar "|"
  f1 \bar "."
  g1 \bar "||"
  a1 \bar ".|"
  b1 \bar ".."
  c1 \bar "|.|"
  d1 \bar "|."
  e1
}

\relative {
  f'1 \bar ";"
  g1 \bar "!"
  a1
}

\relative {
  f'1 \bar ".|:"
  g1 \bar ":..:"
  a1 \bar ":|.|:"
  b1 \bar ":|.:"
  c1 \bar ":.|.:"
  d1 \bar "[|:"
  e1 \bar ":|][|:"
  f1 \bar ":|]"
  g1 \bar ":|."
  a1
}

f'1 \bar "'" g'1

f'1 \bar "k"

\fixed c' {
  c4 4 4 4
  \bar "S"
  d4 4 4 4 \break
  \bar "S"
  e4 4 4 4
  \bar "S-|"
  f4 4 4 4 \break
  \bar "S-|"
  g4 4 4 4
  \bar "S-||"
  a4 4 4 4 \break
  \bar "S-||"
  b4 4 4 4
  \bar "S-S"
  c'4 4 4 4 \break
  \bar "S-S"
  d'1
}

\fixed c' {
  c4 4 4 4
  \bar ".|:"
  d4 4 4 4 \break
  \bar ".|:"
  e4 4 4 4
  \bar ".|:-|"
  f4 4 4 4 \break
  \bar ".|:-|"
  g4 4 4 4
  \bar ".|:-||"
  a4 4 4 4 \break
  \bar ".|:-||"
  b4 4 4 4
  \bar ".|:-|."
  c'4 4 4 4 \break
  \bar ".|:-|."
  d'4 4 4 4
}

\fixed c' {
  g,4 4 4 4
  \bar ":|.S"
  a,4 4 4 4 \break
  \bar ":|.S"
  b,4 4 4 4
  \bar ":|.S-S"
  c4 4 4 4 \break
  \bar ":|.S-S"
  d4 4 4 4
  \bar "S.|:-S"
  e4 4 4 4 \break
  \bar "S.|:-S"
  f4 4 4 4
  \bar "S.|:"
  g4 4 4 4 \break
  \bar "S.|:"
  a4 4 4 4
  \bar "S.|:-|"
  b4 4 4 4 \break
  \bar "S.|:-|"
  c'4 4 4 4
  \bar "S.|:-||"
  d'4 4 4 4 \break
  \bar "S.|:-||"
  e'4 4 4 4
  \bar ":|.S.|:"
  f'4 4 4 4 \break
  \bar ":|.S.|:"
  g'4 4 4 4
  \bar ":|.S.|:-S"
  a'4 4 4 4 \break
  \bar ":|.S.|:-S"
  b'1
}

\defineBarLine tipus_de_barra #'(final començament extensió)

\defineBarLine ":" #'("" ":" "")
\defineBarLine "=" #'("=" "" "")
\defineBarLine "[" #'("" "[" "")
\defineBarLine "]" #'("]" "" "")

\new Staff {
  s1 \bar "|"
  s1 \bar "."
  s1 \bar "!"
  s1 \bar ";"
  s1 \bar ":"
  s1 \bar "k"
  s1 \bar "S"
  s1 \bar "="
  s1 \bar "["
  s1 \bar "]"
  s1 \bar ""
}

\defineBarLine "||-dashedSpan" #'("||" "" "!!")

\new StaffGroup <<
  \new Staff \relative c'' {
    c1 \bar "||"
    c1 \bar "||-dashedSpan"
    c1
  }
  \new Staff \relative c'' {
    c1
    c1
    c1
  }
>>

\defineBarLine ":|.-wrong" #'(":|." "" "|.")
\defineBarLine ":|.-right" #'(":|." "" " |.")

\new StaffGroup <<
  \new Staff \relative c'' {
    c1 \bar ":|.-wrong"
    c1 \bar ":|.-right"
    c1
  }
  \new Staff \relative c'' {
    c1
    c1
    c1
  }
>>

scm/bar-line.scm
<<
  \new StaffGroup <<
    \new Staff \relative {
      e'4 d
      \bar "||"
      f4 e
    }
    \new Staff \relative { \clef bass c'4 g e g }
  >>
  \new Staff \relative { \clef bass c'2 c2 }
>>

scm/bar-line.scm
\relative c' {
  c1 c c c
  \break
  \set Score.currentBarNumber = #50
  c1 c c c
}

\relative c' {
  \override Score.BarNumber.break-visibility = ##(#t #t #t)
  \set Score.currentBarNumber = #11
  % Permet que s'imprimeixi el número del primer compàs
  \bar ""
  c1 | c | c | c |
  \break
  c1 | c | c | c |
}

\layout {
  indent = 0
  ragged-right = ##t
}

\relative c' {
  \set Score.barNumberVisibility = #all-bar-numbers-visible
  c1 | d | e | f \break
  g1 | e | d | c
}

\relative c' {
  \override Score.BarNumber.break-visibility = #end-of-line-invisible
  \set Score.currentBarNumber = #11
  % Print a bar number every second measure
  \set Score.barNumberVisibility = #(every-nth-bar-number-visible 2)
  c1 | c | c | c | c
  \break
  c1 | c | c | c | c
}

\relative c' {
  \override Score.BarNumber.break-visibility = #end-of-line-invisible
  \context Score \applyContext #(set-bar-number-visibility 4)
  \repeat unfold 10 c'1
  \context Score \applyContext #(set-bar-number-visibility 2)
  \repeat unfold 10 c
}

\relative c' {
  % Prevent bar numbers at the end of a line and permit them elsewhere
  \override Score.BarNumber.break-visibility = #end-of-line-invisible
  \set Score.barNumberVisibility = #(every-nth-bar-number-visible 4)

  % Increase the size of the bar number by 2
  \override Score.BarNumber.font-size = #2

  % Draw a box round the following bar number(s)
  \override Score.BarNumber.stencil
    = #(make-stencil-boxer 0.1 0.25 ly:text-interface::print)
  \repeat unfold 5 { c1 }

  % Draw a circle round the following bar number(s)
  \override Score.BarNumber.stencil
    = #(make-stencil-circler 0.1 0.25 ly:text-interface::print)
  \repeat unfold 4 { c1 } \bar "|."
}

\relative c'{
  \set Score.alternativeNumberingStyle = #'numbers
  \repeat volta 3 { c4 d e f | }
    \alternative {
      { c4 d e f | c2 d \break }
      { f4 g a b | f4 g a b | f2 a | \break }
      { c4 d e f | c2 d }
    }
  c1 \break
  \set Score.alternativeNumberingStyle = #'numbers-with-letters
  \repeat volta 3 { c,4 d e f | }
    \alternative {
      { c4 d e f | c2 d \break }
      { f4 g a b | f4 g a b | f2 a | \break }
      { c4 d e f | c2 d }
    }
  c1
}

\relative c' {
  \set Score.currentBarNumber = #111
  \override Score.BarNumber.break-visibility = #all-visible
  % Increase the size of the bar number by 2
  \override Score.BarNumber.font-size = #2
  % Print a bar number every second measure
  \set Score.barNumberVisibility = #(every-nth-bar-number-visible 2)
  c1 | c1
  % Center-align bar numbers
  \override Score.BarNumber.self-alignment-X = #CENTER
  c1 | c1
  % Left-align bar numbers
  \override Score.BarNumber.self-alignment-X = #LEFT
  c1 | c1
}

\layout {
  \context {
    \Score
    \omit BarNumber
    % or:
    %\remove "Bar_number_engraver"
  }
}

\relative c'' {
  c4 c c c \break
  c4 c c c
}

\time 3/4 c2 e4 | g2 |

\lyricmode {
  \time 2/4
  Twin -- kle | Twin -- kle |
}

"|" = \bar "||"
{
  c'2 c' |
  c'2 c'
  c'2 | c'
  c'2 c'
}

\barNumberCheck #123

\relative c'' {
  c1 \mark \default
  c1 \mark \default
  c1 \mark \default
  c1 \mark \default
}

\relative c'' {
  c1 \mark \default
  c1 \mark \default
  c1 \mark #8
  c1 \mark \default
  c1 \mark \default
}

\set Score.rehearsalMarkFormatter = #format-mark-alphabet
\set Score.rehearsalMarkFormatter = #format-mark-box-alphabet
\set Score.rehearsalMarkFormatter = #format-mark-circle-alphabet

\relative c'' {
  \set Score.rehearsalMarkFormatter = #format-mark-box-alphabet
  c1 \mark \default
  c1 \mark \default
  c1 \mark #8
  c1 \mark \default
  c1 \mark \default
}

\relative c'' {
  \set Score.rehearsalMarkFormatter = #format-mark-numbers
  c1 \mark \default
  c1 \mark \default
  \set Score.rehearsalMarkFormatter = #format-mark-box-numbers
  c1 \mark \default
  \set Score.rehearsalMarkFormatter = #format-mark-circle-numbers
  c1 \mark \default
  \set Score.rehearsalMarkFormatter = #format-mark-circle-letters
  c1
}

scm/translation-functions.scm
\mark "A1"

\mark \markup{ \box A1 }

\relative c' {
  c1 \mark \markup { \musicglyph "scripts.segno" }
  c1 \mark \markup { \musicglyph "scripts.coda" }
  c1 \mark \markup { \musicglyph "scripts.ufermata" }
  c1
}

scm/translation-functions.scm
scm/translation-functions.scm
\relative {
  c''4 \grace b16 a4(
  \grace { b16 c16 } a2)
}

\relative {
  \acciaccatura d''8 c4
  \appoggiatura e8 d4
  \acciaccatura { g16 f } e2
  \slashedGrace a,8 g4
  \slashedGrace b16 a4(
  \slashedGrace b8 a2)
}

<<
  \new Staff \relative { e''2 \grace { c16 d e f } e2 }
  \new Staff \relative { c''2 \grace { g8 b } c2 }
>>

\relative { c''1 \afterGrace d1 { c16[ d] } c1 }

<<
  \new Staff \relative {
    c''1 \afterGrace d1 { c16[ d] } c1
  }
  \new Staff \relative {
    #(define afterGraceFraction (cons 15 16))
    c''1 \afterGrace d1 { c16[ d] } c1
  }
  \new Staff \relative {
    #(define afterGraceFraction (cons 1 2))
    c''1 \afterGrace d1 { c16[ d] } c1
  }
>>

\new Voice \relative {
  <<
    { d''1^\trill_( }
    { s2 s4. \grace { c16 d } }
  >>
  c1)
}

\new Voice \relative {
  \acciaccatura {
    \stemDown
    f''16->
    \stemNeutral
  }
  g4 e c2
}

\relative c'' {
  \override Flag.stroke-style = #"grace"
  c8( d2) e8( f4)
}

\relative c'' {
  \new Staff {
    $(remove-grace-property 'Voice 'Stem 'direction)
    $(add-grace-property 'Voice 'NoteHead 'style 'cross)
    \new Voice {
       \acciaccatura { f16 } g4
       \grace { d16 e } f4
       \appoggiatura { f,32 g a } e2
    }
  }
}

ly/grace-init.ly
startAcciaccaturaMusic = {
  <>(
  \override Flag.stroke-style = #"grace"
  \slurDashed
}

stopAcciaccaturaMusic = {
  \revert Flag.stroke-style
  \slurSolid
  <>)
}

\relative c'' {
  \acciaccatura d8 c1
}

\relative c'' {
  <<
    \override Score.SpacingSpanner.strict-grace-spacing = ##t
    \new Staff \new Voice {
      \afterGrace c4 { c16[ c8 c16] }
      c8[ \grace { b16 d } c8]
      c4 r
    }
    \new Staff {
      c16 c c c c c c c c4 r
    }
  >>
}

ly/grace-init.ly
<<
  \new Staff \relative { e''4 \section \grace c16 d2. }
  \new Staff \relative { c''4 \section d2. }
>>

<<
  \new Staff \relative { e''4 \section \grace c16 d2. }
  \new Staff \relative { c''4 \section \grace s16 d2. }
>>

c'8 \acciaccatura { c'8[ d' e' f' g'] }

c'8 \acciaccatura { c'16[ d' e' f' g'] }

c'8 \acciaccatura { \scaleDurations 1/2 { c'8[ d' e' f' g'] } }

MyCadenza = \relative {
  c'4 d8 e f g g4
  f2 g4 g
}

\new GrandStaff <<
  \new Staff {
    \MyCadenza c'1
    \MyCadenza c'1
  }
  \new Staff {
    #(mmrest-of-length MyCadenza)
    c'1
    #(skip-of-length MyCadenza)
    c'1
  }
>>

\new Voice \relative {
  \set Timing.measureLength = #(ly:make-moment 5/4)
  c'1 c4 |
  c1 c4 |
  c4 c
  \set Timing.measurePosition = #(ly:make-moment 5/8)
  b4 b b8 |
  c4 c1 |
}

nota\nom

\relative {
  c''4\staccato c\mordent b2\turn
  c1\fermata
}

\relative {
  c''4-^ c-+ c-- c-!
  c4-> c-. c2-_
}

scm/script.scm
ly/script-init.ly
\relative c'' { c1-+ }

dashPlus = \trill

\relative c'' { c1-+ }

\relative c''' {
  \once \override TextScript.script-priority = #-100
  a2^\prall^\markup { \sharp }

  \once \override Script.script-priority = #-100
  a2^\prall^\markup { \sharp }
}

\relative c'' {
  \after 2*2/3 \turn c2( d4) r |
  \after 4 \turn c4.( d8)
  \after 4
  {
    \once \set suggestAccidentals = ##t
    \once \override AccidentalSuggestion.outside-staff-priority = ##f
    \once \override AccidentalSuggestion.avoid-slur = #'inside
    \once \override AccidentalSuggestion.font-size = -3
    \once \override AccidentalSuggestion.script-priority = -1
    \once \hideNotes
    cis8\turn \noBeam
  }
  d4.( e8)
}

scm/script.scm
\relative c'' {
  c2\ppp c\mp
  c2\rfz c^\mf
  c2_\spp c^\ff
}

\relative c'' {
  c2\< c\!
  d2\< d\f
  e2\< e\>
  f2\> f\!
  e2\> e\mp
  d2\> d\>
  c1\!
}

\relative {
  c''1\< | c4 a c\< a | c4 a c\! a\< | c4 a c a\!
}

\relative {
  c''1\< | c4 a c\mf a | c1\< | c4 a c\ffff a
}

\relative {
  c''4\< c\! d\> e\!
  << f1 { s4 s4\< s4\> s4\! } >>
}

\relative {
  c''2 b4 a
  g1\espressivo
}

\relative {
  g'8\cresc a b c b c d e\mf |
  f8\decresc e d c e\> d c b |
  a1\dim ~ |
  a2. r4\! |
}

\relative c'' {
  \crescTextCresc
  c4\< d e f\! |
  \dimTextDecresc
  g4\> e d c\! |
  \dimTextDecr
  e4\> d c b\! |
  \dimTextDim
  d4\> c b a\! |
  \crescHairpin
  \dimHairpin
  c4\< d\! e\> d\! |
}

<<
  \new Staff \relative {
    c'2 d4 e |
    c4 e e,2 |
    g'4 a g a |
    c1 |
  }
  \new Dynamics {
    s1\< |
    s1\f |
    s2\dim s2-"rit." |
    s1\p |
  }
>>

\relative c'' {
  e4\< e2.
  e1\!
  \override Hairpin.to-barline = ##f
  e4\< e2.
  e1\!
}

<<
  {
    \after 4 \< \after 2 \> \after 2. \! f'1
    \override Hairpin.minimum-length = #8
    \after 4 \< \after 2 \> \after 2. \! f'1
  }
  {
    \repeat unfold 8 c'4
  }
>>

\relative c'' {
  \override Hairpin.circled-tip = ##t
  c2\< c\!
  c4\> c\< c2\!
}

\relative c'' {
  \override Hairpin.stencil = #flared-hairpin
  a4\< a a a\f
  a4\p\< a a a\ff
  a4\sfz\< a a a\!
  \override Hairpin.stencil = #constante-hairpin
  a4\< a a a\f
  a4\p\< a a a\ff
  a4\sfz\< a a a\!
  \override Hairpin.stencil = #flared-hairpin
  a4\> a a a\f
  a4\p\> a a a\ff
  a4\sfz\> a a a\!
  \override Hairpin.stencil = #constante-hairpin
  a4\> a a a\f
  a4\p\> a a a\ff
  a4\sfz\> a a a\!
}

music = \relative c' {
  a'2\p b\f
  e4\p f\f\> g, b\p
  c2^\markup { \huge gorgeous } c^\markup { \huge fantastic }
}

{
  \music
  \break
  \override DynamicLineSpanner.staff-padding = #3
  \textLengthOn
  \override TextScript.staff-padding = #1
  \music
}

\relative c'' {
  \override DynamicTextSpanner.style = #'none
  \crescTextCresc
  c1\< | d | b | c\!
}

\relative c'' {
  \set crescendoText = \markup { \italic { cresc. poco } }
  \set crescendoSpanner = #'text
  \override DynamicTextSpanner.style = #'dotted-line
  a2\< a
  a2 a
  a2 a
  a2 a\mf
}

moltoF = \markup { molto \dynamic f }

\relative {
  <d' e>16_\moltoF <d e>
  <d e>2..
}

roundF = \markup {
    \center-align \concat { \bold { \italic ( }
           \dynamic f \bold { \italic ) } } }
boxF = \markup { \bracket { \dynamic f } }
\relative {
  c'1_\roundF
  c1_\boxF
}

sfzp = #(make-dynamic-script "sfzp")
\relative {
  c'4 c c\sfzp c
}

roundF = \markup { \center-align \concat {
           \normal-text { \bold { \italic ( } }
           \dynamic f
           \normal-text { \bold { \italic ) } } } }
boxF = \markup { \bracket { \dynamic f } }
mfEspress = \markup { \center-align \line {
              \hspace #3.7 mf \normal-text \italic espress. } }
roundFdynamic = #(make-dynamic-script roundF)
boxFdynamic = #(make-dynamic-script boxF)
mfEspressDynamic = #(make-dynamic-script mfEspress)
\relative {
  c'4_\roundFdynamic\< d e f
  g,1~_\boxFdynamic\>
  g1
  g'1~\mfEspressDynamic
  g1
}

moltoF = #(make-dynamic-script
            (markup #:normal-text "molto"
                    #:dynamic "f"))
\relative {
  <d' e>16 <d e>
  <d e>2..\moltoF
}

moltoF = \tweak DynamicText.self-alignment-X #LEFT
         #(make-dynamic-script
            (markup #:normal-text "molto"
                    #:dynamic "f"))
\relative {
  <d' e>16 <d e>
  <d e>2..\moltoF <d e>1
}

\relative {
  f''4( g a) a8 b(
  a4 g2 f4)
  <c e>2( <b d>2)
}

\fixed c' {
  <c~ f\=1( g\=2( >2 <c e\=1) a\=2) >
}

\relative {
  c'4( e g2)
  \slurDashed
  g4( e c2)
  \slurDotted
  c4( e g2)
  \slurSolid
  g4( e c2)
}

\relative {
  c'4( e g2)
  \slurHalfDashed
  g4( e c2)
  \slurHalfSolid
  c4( e g2)
  \slurSolid
  g4( e c2)
}

\relative {
  c'4( e g2)
  \slurDashPattern #0.7 #0.75
  g4( e c2)
  \slurDashPattern #0.5 #2.0
  c4( e g2)
  \slurSolid
  g4( e c2)
}

\relative c' {
  \set doubleSlurs = ##t
  <c e>4( <d f> <c e> <d f>)
}

\relative c'' {
  \override TextScript.avoid-slur = #'inside
  \override TextScript.outside-staff-priority = ##f
  c2(^\markup { \halign #-10 \natural } d4.) c8
}

\relative c' {
  \once \override
    Slur.dash-definition = #'((0 0.3 0.1 0.75)
                                (0.3 0.6 1 1)
                                (0.65 1.0 0.4 0.75))
  c4( d e f)
  \once \override
    Slur.dash-definition = #'((0 0.25 1 1)
                                (0.3 0.7 0.4 0.75)
                                (0.75 1.0 1 1))
  c4( d e f)
}

\relative {
  c''4\( d( e) f(
  e2) d\)
}

\relative {
  c'4\( e g2\)
  \phrasingSlurDashed
  g4\( e c2\)
  \phrasingSlurDotted
  c4\( e g2\)
  \phrasingSlurSolid
  g4\( e c2\)
}

\relative {
  c'4\( e g2\)
  \phrasingSlurHalfDashed
  g4\( e c2\)
  \phrasingSlurHalfSolid
  c4\( e g2\)
  \phrasingSlurSolid
  g4\( e c2\)
}

\relative {
  c'4\( e g2\)
  \phrasingSlurDashPattern #0.7 #0.75
  g4\( e c2\)
  \phrasingSlurDashPattern #0.5 #2.0
  c4\( e g2\)
  \phrasingSlurSolid
  g4\( e c2\)
}

{ c''2. \breathe d''4 }

\relative { c''8 \breathe d e f g2 }

\relative c'' {
  c2
  \override BreathingSign.text =
    \markup { \musicglyph "scripts.rvarcomma" }
  \breathe
  d2
}

\relative c'' {
  c2
  \breathe
  d2
  \override BreathingSign.Y-offset = #2.6
  \override BreathingSign.text =
    \markup { \musicglyph "scripts.tickmark" }
  c2
  \breathe
  d2
}

\relative c'' {
  \override BreathingSign.text = \markup {
    \musicglyph "scripts.caesura.straight"
  }
  c8 e4. \breathe g8. e16 c4

  \override BreathingSign.text = \markup {
    \musicglyph "scripts.caesura.curved"
  }
  g8 e'4. \breathe g8. e16 c4
}

\relative c'' {
  c2\bendAfter #+4
  c2\bendAfter #-4
  c2\bendAfter #+6.5
  c2\bendAfter #-6.5
  c2\bendAfter #+8
  c2\bendAfter #-8
}

\relative c'' {
  \override Score.SpacingSpanner.shortest-duration-space = #4.0
  c2-\bendAfter #5
  c2-\bendAfter #-4.75
  c2-\bendAfter #8.5
  c2-\bendAfter #-6
}

\relative {
  g'2\glissando g'
  c2\glissando c,
  \afterGrace f,1\glissando f'16
}

\new PianoStaff <<
  \new Staff = "right" {
    e'''2\glissando
    \change Staff = "left"
    a,,4\glissando
    \change Staff = "right"
    b''8 r |
  }
  \new Staff = "left" {
    \clef bass
    s1
  }
>>

.ly
\relative {
  <c' e>1\glissando g' |
  <c, e>1\glissando |
  <g' b> |
  \break
  \set glissandoMap = #'((0 . 1) (1 . 0))
  <c, g'>1\glissando |
  <d a'> |
  \set glissandoMap = #'((0 . 0) (0 . 1) (0 . 2))
  c1\glissando |
  <d f a> |
  \set glissandoMap = #'((2 . 0) (1 . 0) (0 . 1))
  <f d a'>1\glissando |
  <c c'> |
}

\relative c'' {
  \time 3/4
  \override Glissando.style = #'zigzag
  c4 c
  \cadenzaOn
  c4\glissando
  \hideNotes
  c,,4
  \unHideNotes
  \cadenzaOff
  \bar "|"
}

glissandoSkipOn = {
  \override NoteColumn.glissando-skip = ##t
  \hide NoteHead
  \override NoteHead.no-ledgers = ##t
}

glissandoSkipOff = {
  \revert NoteColumn.glissando-skip
  \undo \hide NoteHead
  \revert NoteHead.no-ledgers
}

\relative c'' {
  r8 f8\glissando
  \glissandoSkipOn
  f4 g a a8\noBeam
  \glissandoSkipOff
  a8

  r8 f8\glissando
  \glissandoSkipOn
  g4 a8
  \glissandoSkipOff
  a8 |

  r4 f\glissando \<
  \glissandoSkipOn
  a4\f \>
  \glissandoSkipOff
  b8\! r |
}

glissandoSkipOn = {
  \override NoteColumn.glissando-skip = ##t
  \hide NoteHead
  \override NoteHead.no-ledgers = ##t
}

\relative c'' {
  \override Glissando.breakable = ##t
  \override Glissando.after-line-breaking = ##t
  f1\glissando |
  \break
  a4 r2. |
  f1\glissando
  \once \glissandoSkipOn
  \break
  a2 a4 r4 |
}

repeatGliss = #(define-music-function (grace)
  (ly:pitch?)
  #{
    % the next two lines ensure the glissando is long enough
    % to be visible
    \once \override Glissando.springs-and-rods
      = #ly:spanner::set-spacing-rods
    \once \override Glissando.minimum-length = #3.5
    \once \hideNotes
    \grace $grace \glissando
  #})

\score {
  \relative c'' {
    \repeat volta 3 { c4 d e f\glissando }
    \alternative {
      { g2 d }
      { \repeatGliss f g2 e }
      { \repeatGliss f e2 d }
    }
  }
}

music =  \relative c' {
  \voiceOne
  \repeat volta 2 {
    g a b c\glissando
  }
  \alternative {
    { d1 }
    { \repeatGliss c \once \omit StringNumber e1\2 }
  }
}

\score {
  \new StaffGroup <<
    \new Staff <<
      \new Voice { \clef "G_8" \music }
    >>
    \new TabStaff  <<
      \new TabVoice { \clef "moderntab" \music }
    >>
  >>
}

\relative { <c' e g c>1\arpeggio }

\relative {
  <c' e g c>2\arpeggio

  \arpeggioArrowUp
  <c e g c>2\arpeggio

  \arpeggioArrowDown
  <c e g c>2\arpeggio

  \arpeggioNormal
  <c e g c>2\arpeggio
}

\relative {
  <c' e g c>2

  \arpeggioBracket
  <c e g c>2\arpeggio

  \arpeggioParenthesis
  <c e g c>2\arpeggio

  \arpeggioParenthesisDashed
  <c e g c>2\arpeggio

  \arpeggioNormal
  <c e g c>2\arpeggio
}

\new PianoStaff \relative c'' <<
  \set PianoStaff.connectArpeggios = ##t
  \new Staff {
    <c e g c>4\arpeggio
    <g c e g>4\arpeggio
    <e g c e>4\arpeggio
    <c e g c>4\arpeggio
  }
  \new Staff {
    \clef bass
    \repeat unfold 4 {
      <c,, e g c>4\arpeggio
    }
  }
>>

\score {
  \new ChoirStaff {
    \set Score.connectArpeggios = ##t
    <<
      \new Voice \relative c' {
        <c e>2\arpeggio
        <d f>2\arpeggio
        <c e>1\arpeggio
      }
      \new Voice \relative c {
        \clef bass
        <c g'>2\arpeggio
        <b g'>2\arpeggio
        <c g'>1\arpeggio
      }
    >>
  }
  \layout {
    \context {
      \Score
      \consists "Span_arpeggio_engraver"
    }
  }
}

\new Staff \with {
  \consists "Span_arpeggio_engraver"
}
\relative c' {
  \set Staff.connectArpeggios = ##t
  <<
    { <e' g>4\arpeggio <d f> <d f>2 }
    \\
    { <d, f>2\arpeggio <g b>2 }
  >>
}

\relative {
  d''1\startTrillSpan
  d1
  c2\stopTrillSpan
  r2
}

\relative {
  d''1\startTrillSpan
  \break
  d1
  c2\stopTrillSpan
  r2
}

\relative {
  d''1\startTrillSpan
  d1
  b1\startTrillSpan
  d2\stopTrillSpan
  r2
}

\relative {
  d''1~\afterGrace
  d1\startTrillSpan { c32[ d]\stopTrillSpan }
  c2 r2
}

\relative {
  \pitchedTrill
  d''2\startTrillSpan fis
  d2
  c2\stopTrillSpan
  r2
}

\relative {
  \pitchedTrill
  eis''4\startTrillSpan fis
  eis4\stopTrillSpan
  \pitchedTrill
  eis4\startTrillSpan cis
  eis4\stopTrillSpan
  \pitchedTrill
  eis4\startTrillSpan fis
  eis4\stopTrillSpan
  \pitchedTrill
  eis4\startTrillSpan fis!
  eis4\stopTrillSpan
}

\repeat volta nombre_de_repeticions expressió_musical

\relative {
  \repeat volta 2 { c''4 d e f }
  c2 d
  \repeat volta 2 { d4 e f g }
}

\relative {
  \repeat volta 2 { \bar ".|:" c''4 d e f }
  c2 d
  \repeat volta 2 { d4 e f g }
}

\repeat volta nombre_de_repeticions expressió_musical
\alternative {
  { expressió_musical }
}

\relative {
  \repeat volta 2 { c''4 d e f | }
  \alternative {
    { c2 e | }
    { f2 g | }
  }
  c1
}

\relative {
  \repeat volta 4 { c''4 d e f | }
  \alternative {
    { c2 e | }
    { f2 g | }
  }
  c1
}

\relative {
  \repeat volta 3 { c''4 d e f | }
  \alternative {
    { c2 e | }
    { f2 g | }
    { a2 g | }
  }
  c1
}

c'4 e g
\repeat volta 4 {
  e4 |
  c2 e |
  g4 g g
}
  g4 |
  a2 a |
  g1 |

\partial 4
\repeat volta 4 {
  e'4 |
  c2 e |
  g4 g g
}
  g4 |
  a2 a |
  g1 |

\relative {
  c''1
  \repeat volta 2 { c4 d e f~ }
  \alternative {
    { f2 d }
    { f2\repeatTie f, }
  }
}

\relative {
  e'1
  \inStaffSegno
  f2 g a b
  c1_"D.S." \bar "|."
}

\relative {
  e'1
  \repeat volta 2 {
    \inStaffSegno  % inicia repetició
    f2 g a b
  }
  c1_"D.S." \bar "|."
}

\relative {
  e'1
  \repeat volta 2 {
    f2 g a b
    \inStaffSegno  % finalitza repetició
  }
  f2 g a b
  c1_"D.S." \bar "|."
}

\relative {
  e'1
  \repeat volta 2 {
    f2 g a b
  }
  \inStaffSegno  % doble repetició
  \repeat volta 2 {
    f2 g a b
  }
  c1_"D.S." \bar "|."
}

\defineBarLine ":|.S[" #'(":|." "S[" "")
\defineBarLine "]" #'("]" "" "")
\relative {
  e'1
  \repeat volta 2 {
    f2 g a b
    \once \set Score.endRepeatSegnoBarType = ":|.S["
    \inStaffSegno
  }
  f2 g \bar "]" a b
  c1_"D.S." \bar "|."
}

\relative c'' {
  \time 3/4
  c4 c c
  \set Score.voltaSpannerDuration = #(ly:make-moment 3/4)
  \repeat volta 5 { d4 d d }
  \alternative {
    {
      e4 e e
      f4 f f
    }
    { g4 g g }
  }
}

<<
  \new Staff { \repeat volta 2 { c'1 } \alternative { c' } }
  \new Staff { \repeat volta 2 { c'1 } \alternative { c' } }
  \new Staff \with { \consists "Volta_engraver" } { c'2 g' e' a' }
  \new Staff { \repeat volta 2 { c'1 } \alternative { c' } }
>>

\relative c'' {
  \repeat volta 2 { c1 }
  \set Score.doubleRepeatBarType = #":..:"
  \repeat volta 2 { c1 }
  \set Score.doubleRepeatBarType = #":|.|:"
  \repeat volta 2 { c1 }
  \set Score.doubleRepeatBarType = #":|.:"
  \repeat volta 2 { c1 }
}

\relative c'{
  \set Score.alternativeNumberingStyle = #'numbers
  \repeat volta 3 { c4 d e f | }
    \alternative {
      { c4 d e f | c2 d \break }
      { f4 g a b | f4 g a b | f2 a | \break }
      { c4 d e f | c2 d }
    }
  c1 \break
  \set Score.alternativeNumberingStyle = #'numbers-with-letters
  \repeat volta 3 { c,4 d e f | }
    \alternative {
      { c4 d e f | c2 d \break }
      { f4 g a b | f4 g a b | f2 a | \break }
      { c4 d e f | c2 d }
    }
  c1
}

ly/engraver-init.ly
\repeat …
\repeat …
\alternative

\relative {
  c''1
  \set Score.repeatCommands = #'(start-repeat)
  d4 e f g
  c1
}

\relative {
  c''1
  d4 e f g
  \set Score.repeatCommands = #'(end-repeat)
  c1
}

\relative {
  f''4 g a b
  \set Score.repeatCommands = #'((volta "2"))
  g4 a g a
  \set Score.repeatCommands = #'((volta #f))
  c1
}

\relative {
  f''4 g a b
  \set Score.repeatCommands = #'((volta "2, 5") end-repeat)
  g4 a g a
  c1
  \set Score.repeatCommands = #'((volta #f) (volta "95") end-repeat)
  b1
  \set Score.repeatCommands = #'((volta #f))
}

voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
\relative {
  c''1
  \set Score.repeatCommands =
    #(list(list 'volta voltaAdLib) 'start-repeat)
  c4 b d e
  \set Score.repeatCommands = #'((volta #f) (volta "4.") end-repeat)
  f1
  \set Score.repeatCommands = #'((volta #f))
}

\repeat unfold número_de_repeticions expressió_musical

\relative {
  \repeat unfold 2 { c''4 d e f }
  c1
}

\repeat unfold 2 { a'4 b c }

a'4 b c | a'4 b c

\relative {
  \repeat unfold 2 { c''4 d e f }
  \alternative {
    { c2 g' }
    { c,2 b }
  }
  c1
}

\relative {
  \repeat unfold 4 { c''4 d e f }
  \alternative {
    { c2 g' }
    { c,2 b }
    { e2 d }
   }
  c1
}

\relative {
  \repeat unfold 2 { c''4 d e f }
  \alternative {
    { c2 g' }
    { c,2 b }
    { e2 d }
  }
  c1
}

\relative {
  \repeat unfold 2 {
    \repeat unfold 2 { c''4 d e f }
    \alternative {
      { c2 g' }
      { c,2 b }
    }
  }
  c1
}

\repeat percent número expressió_musical

\relative c'' {
  \repeat percent 4 { c128 d e f }
  \repeat percent 4 { c64 d e f }
  \repeat percent 5 { c32 d e f }
  \repeat percent 4 { c16 d e f }
  \repeat percent 4 { c8 d }
  \repeat percent 4 { c4 }
  \repeat percent 2 { c2 }
}

\relative c'' {
  \repeat percent 2 { c4 d e f }
  \repeat percent 2 { c2 d }
  \repeat percent 2 { c1 }
}

\relative {
  \repeat percent 3 { c''4 d e f | c2 g' }
}

\relative {
  \repeat percent 4 { c''8. <d f>16 }
  \repeat percent 2 { \tuplet 3/2 { r8 c d } e4 }
}

\relative c'' {
  \set countPercentRepeats = ##t
  \repeat percent 4 { c1 }
}

\relative c'' {
  \set countPercentRepeats = ##t
  \set repeatCountVisibility = #(every-nth-repeat-count-visible 5)
  \repeat percent 10 { c1 } \break
  \set repeatCountVisibility = #(every-nth-repeat-count-visible 2)
  \repeat percent 6 { c1 d1 }
}

makePercent =
#(define-music-function (note) (ly:music?)
   "Make a percent repeat the same length as NOTE."
   (make-music 'PercentEvent
               'length (ly:music-length note)))

\relative c'' {
  \makePercent s1
}

\repeat percent 3 { \time 5/4 c2. 2 \time 4/4 2 2 }

<<
  \repeat percent 3 { c2. 2 2 2 }
  \repeat unfold 3 { \time 5/4 s4*5 \time 4/4 s1 }
>>

\relative c'' {
  \repeat tremolo 8 { c16 d }
  \repeat tremolo 6 { c16 d }
  \repeat tremolo 2 { c16 d }
}

\repeat tremolo 4 c'16

\relative {
  c''2:8 c:32
  c: c:
}

\new PianoStaff <<
  \new Staff = "up" \relative c'' {
    \key a \major
    \time 3/8
    s4.
  }
  \new Staff = "down" \relative c'' {
    \key a \major
    \time 3/8
    \voiceOne
    \repeat tremolo 6 {
      <a e'>32
      {
        \change Staff = "up"
        \voiceTwo
        <cis a' dis>32
      }
    }
  }
>>

\relative {
  <a' c e>1 <a c e>2 <f a c e>4 <a c>8. <g c e>16
}

\relative {
  <a' c e>1\fermata <a c e>2-> <f a c e>4\prall <a c>8.^! <g c e>16-.
}

\relative {
  <a' c\prall e>1 <a-> c-^ e>2 <f-. a c-. e-.>4
  <a-+ c-->8. <g\fermata c e\turn>16
}

\relative {
  <a'\f c( e>1 <a c) e>\f <a\< c e>( <a\! c e>)
  <a c e>\< <a c e> <a c e>\!
}

\relative {
  \grace { g'8( a b }
  <> ) \p \< -. -\markup \italic "sempre staccato"
  \repeat unfold 4 { c4 e }  c1\f
}

\relative {
  <a' c e>1 <f a c> <a c e> <f' a c> <b, e b,>
}

\relative {
  <a' c e>1 q <f a c>2 q
}

\relative {
  <a' c e>1\p^"text" q2\<( q8)[-! q8.]\! q16-1-2-3 q8\prall
}

\relative {
  <a' c e>1 c'4 q2 r8 q8 |
  q2 c, |
}

\relative {
  <a'-. c\prall e>1\sfz c'4 q2 r8 q8 |
  q2 c, |
}

\relative {
  \chordRepeats #'(articulation-event)
  { <a'-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
  q2 c, |
}

\relative {
  \chordRepeats #'(articulation-event)
  \relative
  { <a'-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
  q2 c'' |
}

ly/chord-repetition-init.ly
\new Voice {  % veu única explícita
  << \relative { a'4 b g2 }
     \relative { d'4 g c,2 } >>
}

\relative {
  % single first note
  a' << \relative { a'4 b g }
       \relative { d'4 g c, } >>
}

\relative {
  <a' c>4-.  <>-. << c a >>  << { c-. <c a> } { a s-. } >>
}

% no single first note
<< \relative { a'4 b g2 }
   \relative { d'4 g2 c,4 } >>

Advertiment: aquesta veu requereix un ajust de \voiceXx o \shiftXx

\override NoteColumn.ignore-collision = ##t

\relative \makeClusters { <g' b>2 <c g'> }

\new Staff <<
  \new Voice = "primera"
    \relative { \voiceOne r8 r16 g'' e8. f16 g8[ c,] f e16 d }
  \new Voice= "segona"
    \relative { \voiceTwo d''16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>

<< { \voiceOne … }
  \new Voice { \voiceTwo … }
>> \oneVoice

\relative <<
  \new Voice = "melodia" {
    a'4
    <<
      {
        \voiceOne
        g f
      }
      \new Voice {
        \voiceTwo
        d2
      }
    >>
    \oneVoice
    e4
  }
  \new Lyrics \lyricsto "melodia" {
  This is my song.
  }
>>

<<
  \relative { r8 r16 g'' e8. f16 g8[ c,] f e16 d }
  \\
  \relative { d''16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>

<<
  \relative { r8 g'' g  g g f16 ees f8 d }
  \\
  \relative { ees'8 r ees r d r d r }
  \\
  \relative { d''8 s c s bes s a s }
>>

Veu 1: la més aguda
Veu 2: la més greu
Veu 3: la segona més aguda
Veu 4: la segona més greu
Veu 5: la tercera més aguda
Veu 6: la tercera més greu
etc.

\new Staff <<
  \time 2/4
  { f''2 }  % 1: més alta
  \\
  { c'2  }  % 2: més baixa
  \\
  { d''2 }  % 3: segona més alta
  \\
  { e'2  }  % 4: segona més baixa
  \\
  { b'2  }  % 5: tercera més alta
  \\
  { g'2  }  % 6: tercera més baixa
>>

\new Voice <<
  \relative { e''4 f8 d e16 f g8 d4 }
  \relative { c''4 d8 b c16 d e8 b4 }
>>

<<
  \relative { \voiceOneStyle d''4 c2 b4 }
  \\
  \relative { \voiceTwoStyle e'2 e }
  \\
  \relative { \voiceThreeStyle b2. c4 }
  \\
  \relative { \voiceFourStyle g'2 g }
>>

<<
  \relative {
    c''8 d e d c d c4
    g'2 fis
  } \\
  \relative {
    c''2 c8. b16 c4
    e,2 r
  } \\
  \relative {
    \oneVoice
    s1
    e'8 a b c d2
  }
>>

<<
  \relative {
    \mergeDifferentlyHeadedOn
    c''8 d e d c d c4
    g'2 fis
  } \\
  \relative {
    c''2 c8. b16 c4
    e,2 r
  } \\
  \relative {
    \oneVoice
    s1
    e'8 a b c d2
  }
>>

<<
  \relative {
    \mergeDifferentlyHeadedOn
    \mergeDifferentlyDottedOn
    c''8 d e d c d c4
    g'2 fis
  } \\
  \relative {
    c''2 c8. b16 c4
    e,2 r
  } \\
  \relative {
    \oneVoice
    s1
    e'8 a b c d2
  }
>>

<<
  \relative {
    \mergeDifferentlyHeadedOn
    \mergeDifferentlyDottedOn
    c''8 d e d c d c4
    \shiftOn
    g'2 fis
  } \\
  \relative {
    c''2 c8. b16 c4
    e,2 r
  } \\
  \relative {
    \oneVoice
    s1
    e'8 a b c d2
  }
>>

\new Staff \relative {
  %% abbreviated entry
  <<
    { f''2  }  % 1: highest
    \\
    { g,2 }  % 2: lowest
    \\
    { d'2 }  % 3: upper middle
    \\
    { b2  }  % 4: lower middle
  >>
  %% internal expansion of the above
  <<
    \new Voice = "1" { \voiceOne   \shiftOff f'2 }
    \new Voice = "2" { \voiceTwo   \shiftOff g,2 }
    \new Voice = "3" { \voiceThree \shiftOn  d'2 } % shifts right
    \new Voice = "4" { \voiceFour  \shiftOn  b2  } % shifts left
  >>
}

voiceFive = #(context-spec-music (make-voice-props-set 4) 'Voice)

\relative c'' {
  \time 3/4
  \key d \minor
  \partial 2
  <<
    \new Voice  {
      \voiceOne
      a4. a8
      e'4 e4. e8
      f4 d4. c8
    }
    \new Voice {
      \voiceTwo
      d,2
      d4 cis2
      d4 bes2
    }
    \new Voice {
      \voiceThree
      f'2
      bes4 a2
      a4 s2
    }
    \new Voice {
      \voiceFive
      s2
      g4 g2
      f4 f2
    }
  >>
}

\relative c' <<
  {
    <d g>2 <d g>
  }
  \\
  {
    <b f'>2
    \once \override NoteColumn.force-hshift = #1.7
    <b f'>2
  }
>>

\mergeDifferentlyHeadedOn
<< \relative { c'16 a' b a } \\ \relative { c'2 } >>
\override NoteColumn.ignore-collision = ##t
<< \relative { c'16 a' b a } \\ \relative { c'2 } >>

\partCombine expressió_musical_1 expressió_musical_2

instrumentOne = \relative {
  c'4 d e f |
  R1 |
  d'4 c b a |
  b4 g2 f4 |
  e1 |
}

instrumentTwo = \relative {
  R1 |
  g'4 a b c |
  d4 c b a |
  g4 f( e) d |
  e1 |
}

<<
  \new Staff \instrumentOne
  \new Staff \instrumentTwo
  \new Staff \partCombine \instrumentOne \instrumentTwo
>>

instrumentOne = \relative {
  a4 b c d |
  e f g a |
  b c d e |
}

instrumentTwo = \relative {
  c'4 c c c |
  c c c c |
  c c c c |
}

<<
  \new Staff \partCombine \instrumentOne \instrumentTwo
  \new Staff \partCombine #'(2 . 3) \instrumentOne \instrumentTwo
>>

\partCombine
  \relative … expresión_musical_1
  \relative … expresión_musical_2

instrumentOne = \relative c' {
  \partCombineApart c2^"apart" e |
  \partCombineAutomatic e2^"auto" e |
  \partCombineChords e'2^"chord" e |
  \partCombineAutomatic c2^"auto" c |
  \partCombineApart c2^"apart" \once \partCombineChords e^"chord once" |
  c2 c |
}
instrumentTwo = \relative {
  c'2 c |
  e2 e |
  a,2 c |
  c2 c' |
  c2 c |
  c2 c |
}

<<
  \new Staff { \instrumentOne }
  \new Staff { \instrumentTwo }
  \new Staff { \partCombine \instrumentOne \instrumentTwo }
>>

%% Combining pedal notes with clef changes

musicUp = \relative c'' {
  \time 4/4
  a4 c4.( g8) a4 |
  g4 e' g,( a8 b) |
  c b a2.
}

musicDown = \relative c'' {
  g4 e4.( d8) c4 |
  r2 g'4( f8 e) |
  d2 \stemDown a
}

\score {
    <<
    \new Staff \with { instrumentName = "Standard polyphony" }

      << \musicUp \\ \musicDown >>

    \new Staff \with {
      instrumentName = "PartCombine without text"
      printPartCombineTexts = ##f
    }

    \partCombine \musicUp \musicDown

    \new Staff \with { instrumentName = "PartCombine with text" }
      \partCombine \musicUp \musicDown
    >>
  \layout {
    indent = 6.0\cm
    \context {
      \Score
      \override SystemStartBar.collapse-height = #30
    }
  }
}

\new Staff <<
  \set Staff.soloText = #"girl"
  \set Staff.soloIIText = #"boy"
  \set Staff.aDueText = #"together"
  \partCombine
    \relative c'' {
      g4 g r r
      a2 g
    }
    \relative c'' {
      r4 r a( b)
      a2 g
    }
>>

\parallelMusic voiceA,voiceB,voiceC {
  % Bar 1
  r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
  r16 e'8.~   4              r16 e'8.~   4              |
  c'2                        c'2                        |

  % Bar 2
  r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
  r16 d'8.~   4              r16 d'8.~   4              |
  c'2                        c'2                        |

}
\new StaffGroup <<
  \new Staff << \voiceA \\ \voiceB >>
  \new Staff { \clef bass \voiceC }
>>

\parallelMusic voiceA,voiceB,voiceC {
  % Bar 1
  r8 g16 c e g, c e r8 g,16 c e g, c e  |
  r16 e8.~ 4        r16 e8.~  4         |
  c2                c                   |

  % Bar 2
  r8 a,16 d f a, d f r8 a,16 d f a, d f |
  r16 d8.~  4        r16 d8.~  4        |
  c2                 c                  |

 }
\new StaffGroup <<
  \new Staff << \relative c'' \voiceA \\ \relative c' \voiceB >>
  \new Staff \relative c' { \clef bass \voiceC }
>>

global = {
  \key g \major
  \time 2/4
}

\parallelMusic voiceA,voiceB,voiceC,voiceD {
  % Compàs 1
  a8    b     c   d     |
  d4          e         |
  c16 d e fis d e fis g |
  a4          a         |

  % Compàs 2
  e8      fis  g     a   |
  fis4         g         |
  e16 fis g  a fis g a b |
  a4           a         |

  % Compàs 3 ...
}

\score {
  \new PianoStaff <<
     \new Staff {
       \global
       <<
         \relative c'' \voiceA
         \\
         \relative c'  \voiceB
       >>
     }
     \new Staff {
       \global \clef bass
       <<
         \relative c \voiceC
         \\
         \relative c \voiceD
       >>
     }
  >>
}

\new Staff \relative { c''4 d e f }

\new DrumStaff {
  \drummode { cymc hh ss tomh }
}

\new RhythmicStaff { c4 d e f }

\new TabStaff \relative { c''4 d e f }

\new GregorianTranscriptionStaff \relative { c''4 d e f e d }

<<
  \new Staff \relative { c''1 c }
  \new Staff \relative { c''1 c }
>>

\new StaffGroup <<
  \new Staff \relative { c''1 c }
  \new Staff \relative { c''1 c }
>>

\new ChoirStaff <<
  \new Staff \relative { c''1 c }
  \new Staff \relative { c''1 c }
>>

\new GrandStaff <<
  \new Staff \relative { c''1 c }
  \new Staff \relative { c''1 c }
>>

\new PianoStaff <<
  \set PianoStaff.instrumentName = "Piano"
  \new Staff \relative { c''1 c }
  \new Staff \relative { \clef bass c1 c }
>>

\score {
  \new StaffGroup { <<
  \set StaffGroup.systemStartDelimiter = #'SystemStartSquare
    \new Staff { c'4 d' e' f' }
    \new Staff { c'4 d' e' f' }
  >> }
}

\score {
  \new StaffGroup <<
    % Must be lower than the actual number of staff lines
    \override StaffGroup.SystemStartBracket.collapse-height = #4
    \override Score.SystemStartBar.collapse-height = #4
    \new Staff {
      c'1
    }
  >>
}
\score {
  \new PianoStaff <<
    \override PianoStaff.SystemStartBrace.collapse-height = #4
    \override Score.SystemStartBar.collapse-height = #4
    \new Staff {
      c'1
    }
  >>
}

\layout {
  \context {
    \Staff
    measureBarType = "-span|"
  }
}

music = \fixed c'' {
  c1
  d2 \section e2
  f1 \fine
}

\new StaffGroup <<
  \new Staff \music
  \new Staff \music
>>

\new StaffGroup <<
  \new Staff \relative { c''2 c | c2 c }
  \new StaffGroup <<
    \new Staff \relative { g'2 g | g2 g }
    \new StaffGroup \with {
      systemStartDelimiter = #'SystemStartSquare
    }
    <<
      \new Staff \relative { e'2 e | e2 e }
      \new Staff \relative { c'2 c | c2 c }
    >>
  >>
>>

\new StaffGroup
\relative c'' <<
  \override StaffGroup.SystemStartSquare.collapse-height = #4
  \set StaffGroup.systemStartDelimiterHierarchy
    = #'(SystemStartSquare (SystemStartBrace (SystemStartBracket a
                             (SystemStartSquare b)  ) c ) d)
  \new Staff { c1 }
  \new Staff { c1 }
  \new Staff { c1 }
  \new Staff { c1 }
  \new Staff { c1 }
>>

\book {
  \score {
    \new StaffGroup <<
      \new Staff {
        \relative {
          c''4 c c c
          \break
          c4 c c c
        }
      }
      \new Staff {
        \relative {
          c''4 c c c
          \break
          c4 c c c
        }
      }
    >>
  }
  \paper {
    system-separator-markup = \slashSeparator
    % les ordres següents sols calen per al format d'aquesta documentació
    paper-width = 100\mm
    paper-height = 100\mm
    tagline = ##f
  }
}

\relative {
  \stopStaff f''4 d \startStaff g, e
  f'4 d \stopStaff g, e
  f'4 d \startStaff g, e
}

\relative {
  f''4 d \stopStaff
  \override Staff.StaffSymbol.line-count = #2
  \startStaff g, e |

  f'4 d \stopStaff
  \revert Staff.StaffSymbol.line-count
  \startStaff g, e |
}

\relative {
  f''4 d \stopStaff
  \override Staff.StaffSymbol.line-positions = #'(1 3 5 -1 -3)
  \startStaff g, e |
  f'4 d \stopStaff
  \override Staff.StaffSymbol.line-positions = #'(8 6.5 -6 -8 -0.5)
  \startStaff g, e |
}

\new Staff \with {
  \override StaffSymbol.thickness = #3
} \relative {
  f''4 d g, e
}

\new Staff \with {
  \override StaffSymbol.thickness = #2
  \override StaffSymbol.ledger-line-thickness = #'(0.5 . 0.4)
} \relative {
  f'''4 a, a,, f
}

\new Staff \with {
  \override StaffSymbol.ledger-positions = #'(-3 -2 -1 2 5 6)
} \relative {
  f'''4 a, a,, f
}

\new Staff \with {
  \override StaffSymbol.ledger-extra = #4
} \relative {
  f'''4 a, d, f,
}

\relative d' {
  \override Staff.StaffSymbol.line-positions = #'(-8 0 2 4)
  d4 e f g
  \stopStaff
  \startStaff
  \override Staff.StaffSymbol.ledger-positions = #'(-8 -6 (-4 -2) 0)
  d4 e f g
}

\new Staff \with {
  \override StaffSymbol.staff-space = #1.5
} \relative {
  f'''4 d, g, e,
}

{
  \override Staff.StaffSymbol.line-positions =
    #'(-4 -2 -0.2 0 0.2 2 4)
  d'4 e' f' g'
}

\new Staff \relative {
  c''4 b d c
  <<
    { c4 b d c }
    \new Staff { e4 d f e }
  >>
  c4 b c2
}

\new Staff = "main" \relative {
  c''4 b d c
  <<
    { c4 b d c }

    \new Staff \with {
      \remove Time_signature_engraver
      alignAboveContext = "main"
      \magnifyStaff #2/3
      firstClef = ##f
    }
    { e4 d f e }
  >>
  c4 b c2
}

<<
  \new Staff = "ossia" \with {
    \remove Time_signature_engraver
    \hide Clef
    \magnifyStaff #2/3
  }
  { \stopStaff s1*6 }

  \new Staff \relative {
    c'4 b c2
    <<
      { e4 f e2 }
      \context Staff = "ossia" {
        \startStaff e4 g8 f e2 \stopStaff
      }
    >>
    g4 a g2 \break
    c4 b c2
    <<
      { g4 a g2 }
      \context Staff = "ossia" {
        \startStaff g4 e8 f g2 \stopStaff
      }
    >>
    e4 d c2
  }
>>

<<
  \new Staff = "ossia" \with {
    \remove Time_signature_engraver
    \hide Clef
    \magnifyStaff #2/3
    \RemoveAllEmptyStaves
  } \relative {
    R1*3
    c''4 e8 d c2
  }
  \new Staff \relative {
    c'4 b c2
    e4 f e2
    g4 a g2 \break
    c4 b c2
    g4 a g2
    e4 d c2
  }
>>

\paper {
  ragged-right = ##t
}

\relative c' <<
  \new Staff = "1" { c4 c s2 }
  \new Staff = "2" { c4 c s2 }
  \new Staff = "3" { c4 c s2 }
  { \skip 2
    <<
      \lyrics {
        \set alignBelowContext = #"1"
        lyrics4 below
      }
      \new Staff \with {
        alignAboveContext = #"3"
        fontSize = #-2
        \override StaffSymbol.staff-space = #(magstep -2)
        \remove "Time_signature_engraver"
      } {
        \tuplet 6/4 {
          \override TextScript.padding = #3
          c8[^"ossia above" d e d e f]
        }
      }
    >>
  }
>>

\new Staff \with {
  \remove Staff_symbol_engraver
}
\relative { a''8 f e16 d c b a2 }

\layout {
  \context {
    \Staff
    \RemoveEmptyStaves
  }
}

\relative <<
  \new Staff {
    e'4 f g a \break
    b1 \break
    a4 b c2
  }
  \new Staff {
    c,4 d e f \break
    R1 \break
    f4 g c,2
  }
>>

\omit StaffSymbol
\override NoteHead.no-ledgers = ##t

\new Staff \with {
  instrumentName = "Violin "
  shortInstrumentName = "Vln. "
} \relative {
  c'4.. g'16 c4.. g'16 \break | c1 |
}

\new Staff \with {
  instrumentName = \markup {
    \column { "Clarinetti"
      \line { "in B" \smaller \flat }
    }
  }
} \relative {
  c''4 c,16 d e f g2
}

<<
  \new Staff \with {
    instrumentName = "Flute"
  } \relative {
    f''2 g4 f
}
  \new Staff \with {
    instrumentName = \markup {
      \center-column { "Clarinet"
        \line { "in B" \smaller \flat }
      }
    }
  } \relative { c''4 b c2 }
>>

<<
  \new Staff \with {
    instrumentName = "Alto Flute in G"
    shortInstrumentName = "Flt."
  } \relative {
    f''2 g4 f \break
    g4 f g2
  }
  \new Staff \with {
    instrumentName = "Clarinet"
    shortInstrumentName = "Clar."
  } \relative {
    c''4 b c2 \break
    c2 b4 c
  }
>>

\layout {
  indent = 3.0\cm
  short-indent = 1.5\cm
}

prepPiccolo = <>^\markup \italic { muta in Piccolo }

setPiccolo = {
  \set Staff.instrumentName = "Piccolo"
  \set Staff.shortInstrumentName = "Picc."
  \set Staff.midiInstrument = "piccolo"
  <>^\markup \bold { Piccolo }
  \transposition c''
}

prepFlute = <>^\markup \italic { muta in Flauto }

setFlute = {
  \set Staff.instrumentName = "Flute"
  \set Staff.shortInstrumentName = "Flt."
  \set Staff.midiInstrument = "flute"
  <>^\markup \bold { Flute }
  \transposition c'
}

\new Staff \with {
  instrumentName = "Flute"
  shortInstrumentName = "Flt."
  midiInstrument = "flute"
}
\relative {
  g'1 g g g \break
  g1 g \prepPiccolo R R \break
  \setPiccolo
  g1 g g g \break
  g1 g \prepFlute R R \break
  \setFlute
  g1 g g g
}

fluteNotes = \relative {
  a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}

oboeNotes = \relative {
  c''4 cis c b \quoteDuring "flute" { s1 }
}

\addQuote "flute" { \fluteNotes }

\score {
  <<
    \new Staff \with { instrumentName = "Flute" } \fluteNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
}

fluteNotes = \relative {
  a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}

oboeNotes = \relative {
  c''4 cis c b \quoteDuring "flute" { e4 r8 ais b4 a }
}

\addQuote "flute" { \fluteNotes }

\score {
  <<
    \new Staff \with { instrumentName = "Flute" } \fluteNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
}

fluteNotes = \relative {
  \repeat volta 2 { a'4 gis g gis }
}

oboeNotesDW = \relative {
  \repeat volta 2 \quoteDuring "incorrecte" { s1 }
}

oboeNotesW = \relative {
  \repeat volta 2 \quoteDuring "correcte" { s1 }
}

\addQuote "incorrecte" { \fluteNotes }

\addQuote "correcte" { \unfoldRepeats \fluteNotes }

\score {
  \unfoldRepeats
  <<
    \new Staff \with { instrumentName = "Flute" }
    \fluteNotes
    \new Staff \with { instrumentName = "Oboe (incorrecte)" }
    \oboeNotesDW
    \new Staff \with { instrumentName = "Oboe (correcte)" }
    \oboeNotesW
  >>
}

clarinetNotes = \relative c'' {
  \transposition bes
  \key d \major
  b4 ais a ais | cis4^"citat" r8 bis\p b4( f)
}

oboeNotes = \relative {
  c''4 cis c b \quoteDuring "clarinet" { s1 }
}

\addQuote "clarinet" { \clarinetNotes }

\score {
  <<
    \new Staff \with { instrumentName = "Clarinet" } \clarinetNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
}

fluteNotes = \relative {
  a'2 g2 |
  b4\<^"quoted" r8 ais a4\f( c->)
 }

oboeNotes = \relative {
  c''2. b4 |
  \quoteDuring "flute" { s1 }
}

\addQuote "flute" { \fluteNotes }

\score {
  <<
    \set Score.quotedEventTypes = #'(note-event articulation-event
                                     crescendo-event rest-event
                                     slur-event dynamic-event)
    \new Staff \with { instrumentName = "Flute" } \fluteNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
 }

scm/define-event-classes.scm
\relative {
  R1
  <<
    { e'2\rest r4. e8 }
    \new CueVoice {
      \stemUp d'8^"flute" c d e fis2
    }
  >>
  d,4 r a r
}

\relative {
  \clef "bass"
  R1
  <<
    { e'2\rest r4. \cueClefUnset e,8 }
    \new CueVoice {
      \cueClef "treble" \stemUp d''8^"flute" c d e fis2
    }
  >>
  d,,4 r a r
}

\relative {
  \clef "bass"
  R1
  \cueClef "treble"
  d''8^"flute" c d e fis2
  \cueClefUnset
  d,,4 r a r
}

\cueDuring #nom_de_la_cita #direcció #música

\cueDuringWithClef #nom_de_la_cita #direcció #clau #música

fluteNotes = \relative {
  r2. c''4 | d8 c d e fis2 | g2 d |
}

oboeNotes = \relative c'' {
  R1
  <>^\markup \tiny { flute }
  \cueDuring "flute" #UP { R1 }
  g2 c,
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \oboeNotes
}

oboeNotes = \relative {
  r2 r8 d''16(\f f e g f a)
  g8 g16 g g2.
}
\addQuote "oboe" { \oboeNotes }

\new Voice \relative c'' {
  \set Score.quotedCueEventTypes = #'(note-event rest-event tie-event
                                      beam-event tuplet-span-event
                                      dynamic-event slur-event)
  \cueDuring "oboe" #UP { R1 }
  g2 c,
}

fluteNotes = \relative {
  r2. c''4 d8 c d e fis2 g2 d2
}

bassoonNotes = \relative c {
  \clef bass
  R1
  \clef treble
  <>^\markup \tiny { flute }
  \cueDuring "flute" #UP { R1 }
  \clef bass
  g4. b8 d2
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \bassoonNotes
}

fluteNotes = \relative {
  r2. c''4 d8 c d e fis2 g2 d2
}

bassoonNotes = \relative c {
  \clef bass
  R1
  <>^\markup { \tiny "flute" }
  \cueDuringWithClef "flute" #UP "treble" { R1 }
  g4. b8 d2
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \bassoonNotes
}

piccoloNotes = \relative {
  \clef "treble^8"
  R1
  c'''8 c c e g2
  c4 g g2
}

bassClarinetNotes = \relative c' {
  \key d \major
  \transposition bes,
  d4 r a r
  \transposedCueDuring "piccolo" #UP d { R1 }
  d4 r a r
}

\addQuote "piccolo" { \piccoloNotes }

<<
  \new Staff \piccoloNotes
  \new Staff \bassClarinetNotes
>>

fluteNotes = \relative {
  r2. c''4 d8 c d e fis2 g2 d2
}

bassoonNotes = \relative c {
  \clef bass
  R1
  \tag #'part {
    \clef treble
    <>^\markup \tiny { flute }
  }
  \cueDuring "flute" #UP { R1 }
  \tag #'part \clef bass
  g4. b8 d2
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \bassoonNotes
}

\new StaffGroup <<
  \new Staff {
    \fluteNotes
  }
  \new Staff {
    \removeWithTag #'part { \killCues { \bassoonNotes } }
  }
>>

\new Staff <<
  \new Voice \relative {
    \voiceOne
    <e' e'>4 <f f'>8. <g g'>16 <f f'>8 <e e'>4 r8
  }
  \new Voice \relative {
    \voiceTwo
    \magnifyMusic 0.63 {
      \override Score.SpacingSpanner.spacing-increment = #(* 1.2 0.63)
      r32 c'' a c a c a c r c a c a c a c
      r c a c a c a c a c a c a c a c
    }
  }
>>

\new Staff <<
  \key fis \minor
  \mergeDifferentlyDottedOn
  \new Voice \relative {
    \voiceOne
    \magnifyMusic 0.63 {
      \override Score.SpacingSpanner.spacing-increment = #(* 1.2 0.63)
      \once \normalsize cis'32( cis' gis b a fis \once \normalsize d d'
      \once \normalsize cis, cis' gis b a gis \once \normalsize fis fis'
      \once \normalsize fis, fis' ais, cis b gis \once \normalsize eis eis'
      \once \normalsize a, a' bis, d cis b \once \normalsize gis gis')
    }
  }
  \new Voice \relative {
    \voiceTwo
    cis'8. d16 cis8. fis16 fis8. eis16 a8. gis16
  }
>>

\relative {
  % resize a note head
  <f' \tweak font-size -4 b e>-5
  % resize a fingering
  bes-\tweak font-size 0 -3
  % resize an accidental
  \once \override Accidental.font-size = -4 bes!-^
  % resize an articulation
  \once \override Script.font-size = 4 bes!-^
}

\relative {
  \time 3/4
  d''4---5 c8( b a g) |
  \set fontSize = -6
  e'4-- c!8-4( b a g) |
  \set fontSize = 0
  fis4---3 e8( d) fis4 |
  g2.
}

\set fontSize = #(magnification->font-size 0.75)

% the default font-size for NoteHead is 0
% the default font-size for Fingering is -5
c''4-3

\set fontSize = -3
% the effective font size for NoteHead is now -3
% the effective font size for Fingering is now -8
c''4-3

\override Fingering.font-size = 0
% the effective font size for Fingering is now -3
c''4-3

\relative c'' {
  \teeny
  c4.-> d8---3
  \tiny
  c4.-> d8---3
  \small
  c4.-> d8---3
  \normalsize
  c4.-> d8---3
  \large
  c4.-> d8---3
  \huge
  c4.-> d8---3
}

ly/music-functions-init.ly
ly/property-init.ly
\magnifyMusic mag {
  \newSpacingSection
  \override Score.SpacingSpanner.spacing-increment = #(* 1.2 mag)
  [music]
  \newSpacingSection
  \revert Score.SpacingSpanner.spacing-increment
}

\relative { c''4-1 d-2 f-4 e-3 }

\relative {
  c''4-1 d-2 f\finger \markup \tied-lyric "4~3" c\finger "2 - 3"
}

\relative { <a'_\thumb a'-3>2 <b_\thumb b'-3> }

\relative {
  <c''-1 e-2 g-3 b-5>2 <d-1 f-2 a-3 c-5>
}

\relative c' {
  \set fingeringOrientations = #'(left)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(down)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(down right up)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(up)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(left)
  <c-1>2
  \set fingeringOrientations = #'(down)
  <e-3>2
  \set stringNumberOrientations = #'(up left down)
  <f\3 a\2 c\1>1
  \set strokeFingerOrientations = #'(down right up)
  <c\rightHandFinger #1 e\rightHandFinger #2 c'\rightHandFinger #4 >
}

\relative c' {
  <c-1 e-2 g-3 b-5>2
  \override Fingering.staff-padding = #'()
  <c-1 e-2 g-3 b-5>4 g'-0
  a8[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = ##f
  a[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = ##t
  a[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = #only-if-beamed
  a[-1 b]-2 g-0 r
}

\relative {
  c''4 d
  \hideNotes
  e4 f
  \unHideNotes
  g a
  \hideNotes
  b
  \unHideNotes
  c
}

\relative c'' {
  e8(\p f g a)--
  \hideNotes
  e8(\p f g a)--
}

\override NoteHead.color = #red
c''4 c''
\override NoteHead.color = #(x11-color 'LimeGreen)
d''
\override Stem.color = #blue
e''

\new Staff \with {
  instrumentName = \markup {
    \with-color #(x11-color 'red) "Clarinet"
    }
  }
  \relative c'' {
  \override Staff.StaffSymbol.color = #(x11-color 'SlateBlue2)
  gis8 a
  \override Beam.color = #(x11-color "medium turquoise")
  gis a
  \override Accidental.color = #(x11-color 'DarkRed)
  gis a
  \override NoteHead.color = #(x11-color "LimeGreen")
  gis a
  % això és un absurd deliberadament; noteu que les barres romanen negres
  \override Stem.color = #(x11-color 'Boggle)
  b2 cis
}

\new Staff \with {
  instrumentName = \markup {
    \with-color #(x11-color 'red) "Clarinet"
    }
  }
\relative c'' {
  \override Staff.StaffSymbol.color = #(x11-color 'SlateBlue2)
  \override Stem.color = #(rgb-color 0 0 0)
  gis8 a
  \override Stem.color = #(rgb-color 1 1 1)
  gis8 a
  \override Stem.color = #(rgb-color 0 0 0.5)
  gis4 a
}

\relative {
  c''2 \parenthesize d
  c2 \parenthesize <c e g>
  c2 <c \parenthesize e g>
}

\relative {
  c''2-\parenthesize -. d
  c2 \parenthesize r
}

\relative c'' {
  a4 b c b
  \override Stem.neutral-direction = #up
  a4 b c b
  \override Stem.neutral-direction = #down
  a4 b c b
}

\relative c'' {
  \time 3/4
  a8 b g f b g |
  \set suspendMelodyDecisions = ##t
  a  b g f b g |
  \unset suspendMelodyDecisions
  c  b d c b c |
}

\layout {
  \context {
    \Voice
    \consists "Melody_engraver"
    \autoBeamOff
  }
}

\new Voice \with { \consists Balloon_engraver }
\relative c'' {
  \balloonGrobText #'Stem #'(3 . 4) \markup { "Sóc una plica" }
  a8
  \balloonGrobText #'Rest #'(-4 . -4) \markup { "Sóc un silenci" }
  r
  <c, g'-\balloonText #'(-2 . -2) \markup { "Sóc un cap" } c>2.
}

\new Voice \with { \consists Balloon_engraver }
\relative c'' {
  \balloonGrobText #'Stem #'(3 . 4) \markup { "Sóc una plica" }
  a8
  \balloonGrobText #'Rest #'(-4 . -4) \markup { "Sóc un silenci" }
  r
  \balloonLengthOn
  <c, g'-\balloonText #'(-2 . -2) \markup { "Sóc un cap" } c>2.
}

\layout {
  \context {
    \Staff
    \consists Grid_point_engraver
    gridInterval = #(ly:make-moment 1/4)
  }
  \context {
    \Score
    \consists Grid_line_span_engraver
  }
}

\score {
  \new ChoirStaff <<
    \new Staff \relative {
      \stemUp
      c''4. d8 e8 f g4
    }
    \new Staff \relative {
      \clef bass
      \stemDown
      c4 g' f e
    }
  >>
}

\score {
  \new ChoirStaff <<
    \new Staff {
      \relative c'' {
        \stemUp
        c'4. d8 e8 f g4
      }
    }
    \new Staff {
      \relative c {
        % this moves them up one staff space from the default position
        \override Score.GridLine.extra-offset = #'(0.0 . 1.0)
        \stemDown
        \clef bass
        \once \override Score.GridLine.thickness = #5.0
        c4
        \once \override Score.GridLine.thickness = #1.0
        g'4
        \once \override Score.GridLine.thickness = #3.0
        f4
        \once \override Score.GridLine.thickness = #5.0
        e4
      }
    }
  >>
  \layout {
    \context {
      \Staff
      % set up grids
      \consists "Grid_point_engraver"
      % set the grid interval to one quarter note
      gridInterval = #(ly:make-moment 1/4)
    }
    \context {
      \Score
      \consists "Grid_line_span_engraver"
      % this moves them to the right half a staff space
      \override NoteColumn.X-offset = #-0.5
    }
  }
}

\layout {
  \context {
    \Voice
    \consists Horizontal_bracket_engraver
  }
}
\relative {
  c''2\startGroup
  d\stopGroup
}

\layout {
  \context {
    \Voice
    \consists Horizontal_bracket_engraver
  }
}
\relative {
  c''4\startGroup\startGroup
  d4\stopGroup
  e4\startGroup
  d4\stopGroup\stopGroup
}

\layout {
  \context {
    \Voice
    \consists "Horizontal_bracket_engraver"
  }
}

\relative c'' {
  \once \override HorizontalBracket.direction = #UP
  c2\startGroup
  d2\stopGroup
}

\paper { tagline = ##f }

\layout {
  \context {
    \Voice
    \consists "Horizontal_bracket_engraver"
    \override HorizontalBracket.direction = #UP
  }
}

{
  \once\override HorizontalBracketText.text = "a"
    c''\startGroup d''\stopGroup
    \once\override HorizontalBracketText.text = "a'"
    e''\startGroup d''\stopGroup |
  c''-\tweak HorizontalBracketText.text
        \markup \bold \huge "b" \startGroup
     -\tweak HorizontalBracketText.text "a" \startGroup
    d''\stopGroup
    e''-\tweak HorizontalBracketText.text "a'" \startGroup
    d''\stopGroup\stopGroup |
  c''-\tweak HorizontalBracketText.text foo \startGroup
    d'' e'' f'' | \break
  g'' a'' b'' c'''\stopGroup
}

\relative { a'8^"pizz." g f e a4-"scherz." f }

\relative {
  a'8^\markup { \italic pizz. } g f e
  a4_\markup { \tiny scherz. \bold molto } f }

\relative {
  a'8^"pizz." g f e
  \textLengthOn
  a4_"scherzando" f
}

\override Score.PaperColumn.keep-inside-line = ##f

\relative {
  \override TextSpanner.bound-details.left.text = "rit."
  b'1\startTextSpan
  e,\stopTextSpan
}

\relative {
  \override TextSpanner.bound-details.left.text =
    \markup { \upright "rit." }
  b'1\startTextSpan c
  e,\stopTextSpan
}

% Some sample text dynamic spanners, to be used as postfix operators
crpoco =
#(make-music 'CrescendoEvent
             'span-direction START
             'span-type 'text
             'span-text "cresc. poco a poco")

\relative c' {
  c4\cresc d4 e4 f4 |
  g4 a4\! b4\crpoco c4 |
  c4 d4 e4 f4 |
  g4 a4\! b4\< c4 |
  g4\dim a4 b4\decresc c4\!
}

% Two functions for (de)crescendo spanners where you can explicitly
% give the spanner text.
mycresc =
#(define-music-function (mymarkup) (markup?)
   (make-music 'CrescendoEvent
               'span-direction START
               'span-type 'text
               'span-text mymarkup))
mydecresc =
#(define-music-function (mymarkup) (markup?)
   (make-music 'DecrescendoEvent
               'span-direction START
               'span-type 'text
               'span-text mymarkup))

\relative c' {
  c4-\mycresc "custom cresc" c4 c4 c4 |
  c4 c4 c4 c4 |
  c4-\mydecresc "custom decresc" c4 c4 c4 |
  c4 c4\! c4 c4
}

\relative {
  \mark "Verse"
  c'2 g'
  \bar "||"
  \mark "Chorus"
  g2 c,
  \bar "|."
}

\relative {
  <c' e>1
  \mark \markup { \italic { colla parte } }
  <d f>2 <e g>
  <c f aes>1
}

\relative {
  <bes' f>2 <aes d>
  \mark \markup { \musicglyph "scripts.ufermata" }
  <e g>1
}

\relative c'' {
  \mark "Allegro"
  c1 c
  \mark "assai" \break
  c  c
}

\score {
  <<
    \new Staff { \mark \default c''1 \textMark "molto" c'' }
    \new Staff { \mark \default c'1 \textMark "molto" c' }
  >>
  \layout {
    \context {
      \Score
      \remove Mark_engraver
      \remove Text_mark_engraver
      \remove Staff_collecting_engraver
    }
    \context {
      \Staff
      \consists Mark_engraver
      \consists Text_mark_engraver
      \consists Staff_collecting_engraver
    }
  }
}

\markup {
  Tomorrow, and tomorrow, and tomorrow...
}

\score {
  c'1
}
\markup {
  Tomorrow, and tomorrow, and tomorrow...
}
\score {
  c'1
}

\markup {
  \fill-line {
    \hspace #1
    \column {
      \line { O sacrum convivium }
      \line { in quo Christus sumitur, }
      \line { recolitur memoria passionis ejus, }
      \line { mens impletur gratia, }
      \line { futurae gloriae nobis pignus datur. }
      \line { Amen. }
    }
    \hspace #2
    \column \italic {
      \line { O sacred feast }
      \line { in which Christ is received, }
      \line { the memory of His Passion is renewed, }
      \line { the mind is filled with grace, }
      \line { and a pledge of future glory is given to us. }
      \line { Amen. }
    }
    \hspace #1
  }
}

\relative {
  a'1-\markup intenso
  a2^\markup { poco \italic più forte  }
  c e1
  d2_\markup { \italic "string. assai" }
  e
  b1^\markup { \bold { molto \italic  agitato } }
  c
}

\relative {
  a'1^"\italic markup..."
  a_\markup { \italic "... imprimeix lletres \"cursives\" !" }
  a a
}

\relative c'' {
  c1^\markup { \center-column { a bbb c } }
  c1^\markup { \center-column { a { bbb c } } }
  c1^\markup { \center-column { a \line { bbb c } } }
  c1^\markup { \center-column { a "bbb c" } }
}

allegro = \markup { \bold \large Allegro }

{
  d''8.^\allegro
  d'16 d'4 r2
}

scm/markup.scm
\relative {
  d''1^\markup {
    \bold { Più mosso }
    \italic { non troppo \underline Vivo }
  }
  r2 r4 r8
  d,_\markup { \italic quasi \smallCaps Tromba }
  f1 d2 r
}

\relative b' {
  b1_\markup { \huge Sinfonia }
  b1^\markup { \teeny da }
  b1-\markup { \normalsize camera }
}

\relative b' {
  b1_\markup { \larger Sinfonia }
  b1^\markup { \smaller da }
  b1-\markup { \magnify #0.6  camera }
}

\relative b' {
  b1_\markup { \fontsize #-2 Sinfonia }
  b1^\markup { \fontsize #1 da }
  b1-\markup { \fontsize #3 camera }
}

\relative b' {
  b1_\markup { \abs-fontsize #20 Sinfonia }
  b1^\markup { \abs-fontsize #8 da }
  b1-\markup { \abs-fontsize #14 camera }
}

\markup \fontsize #6 \bold { Sinfonia da camera }
\markup \fontsize #6 \bold { "Sinfonia da camera" }

\markup {
  \column {
    \line { 1 \super st movement }
    \line { 1 \normal-size-super st movement
      \sub { (part two) }  }
  }
}

\markup {
  \column {
    \line { Act \number 1 }
    \line { \sans { Scene I. } }
    \line { \typewriter { Verona. An open place. } }
    \line { Enter \roman Valentine and Proteus. }
  }
}

\markup {
  \column {
    \line {
      \concat { 1 \super st }
      movement
    }
    \line {
      \concat { \dynamic p , }
      \italic { con dolce espressione }
    }
  }
}

scm/define-markup-commands.scm
\relative {
  d''1-\markup { poco }
  f
  d-\markup { \left-align poco }
  f
  d-\markup { \center-align { poco } }
  f
  d-\markup { \right-align poco }
}

\relative {
  a'1-\markup { \halign #-1 poco }
  e'
  a,-\markup { \halign #0 poco }
  e'
  a,-\markup { \halign #0.5 poco }
  e'
  a,-\markup { \halign #2 poco }
}

\relative {
  d'2^\markup {
    Acte I
    \raise #2 { Scène 1 }
  }
  a'
  g_\markup {
    \null
    \lower #4 \bold { Très modéré }
  }
  a
  d,^\markup {
    \raise #4 \italic { Une forêt. }
  }
  a'4 a g2 a
}

\relative {
  d'2^\markup {
    Acte I
    \translate #'(-1 . 2) "Scène 1"
  }
  a'
  g_\markup {
    \null
    \general-align #Y #3.2 \bold "Très modéré"
  }
  a
  d,^\markup {
    \null
    \translate-scaled #'(-1 . 2) \teeny "Une forêt."
  }
  a'4 a g2 a
}

\markup {
  \column {
    a
    "b c"
    \line { d e f }
  }
  \hspace #10
  \center-column {
    a
    "b c"
    \line { d e f }
  }
}

\markup {
  \fill-line {
    \line { William S. Gilbert }
    \center-column {
      \huge \smallCaps "The Mikado"
      or
      \smallCaps "The Town of Titipu"
    }
    \line { Sir Arthur Sullivan }
  }
}
\markup {
  \fill-line { 1885 }
}

\markup {
  \column {
    \line  \smallCaps { La vida breve }
    \line \bold { Acto I }
    \wordwrap \italic {
      (La escena representa el corral de una casa de
      gitanos en el Albaicín de Granada.  Al fondo una
      puerta por la que se ve el negro interior de
      una Fragua, iluminado por los rojos resplandores
      del fuego.)
    }
    \hspace #0

    \line \bold { Acto II }
    \override #'(line-width . 50)
    \justify \italic {
      (Calle de Granada.  Fachada de la casa de Carmela
      y su hermano Manuel con grandes ventanas abiertas
      a través de las que se ve el patio
      donde se celebra una alegre fiesta)
    }
  }
}

scm/define-markup-commands.scm
\markup \fill-line {
  \center-column {
    \circle Jack
    \box "in the box"
    \null
    \line {
      Erik Satie
      \hspace #3
      \bracket "1866 - 1925"
    }
    \null
    \rounded-box \bold Prelude
  }
}

\markup \fill-line {
  \center-column {
    \box "Charles Ives (1874 - 1954)"
    \null
    \box \pad-markup #2 "THE UNANSWERED QUESTION"
    \box \pad-x #8 "A Cosmic Landscape"
    \null
  }
}
\markup \column {
  \line {
    \hspace #10
    \box \pad-to-box #'(-5 . 20) #'(0 . 5)
      \bold "Largo to Presto"
  }
  \pad-around #3
      "String quartet keeps very even time,
Flute quartet keeps very uneven time."
}

\markup {
  \combine
    \draw-circle #4 #0.4 ##f
    \filled-box #'(-4 . 4) #'(-0.5 . 0.5) #1
  \hspace #5

  \center-column {
    \triangle ##t
    \combine
      \draw-line #'(0 . 4)
      \arrow-head #Y #DOWN ##f
  }
}

c'1^\markup {
  \combine
    \epsfile #X #10 "./context-example.eps"
    \with-dimensions #'(0 . 6) #'(0 . 10)
    \postscript "
      -2 3 translate
      2.7 2 scale
      newpath
      2 -1 moveto
      4 -2 4 1 1 arct
      4 2 3 3 1 arct
      0 4 0 3 1 arct
      0 0 1 -1 1 arct
      closepath
      stroke"
  }
c'

scm/define-markup-commands.scm
scm/stencil.scm
a'2 a'^\markup {
  \note {4} #1
  =
  \note-by-number #1 #1 #1.5
}
b'1_\markup {
  \natural \semiflat \flat
  \sesquiflat \doubleflat
}
\glissando
a'1_\markup {
  \natural \semisharp \sharp
  \sesquisharp \doublesharp
}
\glissando b'

\relative {
  g1 bes
  ees\finger \markup \tied-lyric "4~1"
  fis_\markup { \dynamic rf }
  bes^\markup {
    \beam #8 #0.1 #0.5
  }
  cis
  d-\markup {
    \markalphabet #8
    \markletter #8
  }
}

\relative {
  c''2
  c'^\markup { \musicglyph "eight" }
  c,4
  c,8._\markup { \musicglyph "clefs.G_change" }
  c16
  c2^\markup { \musicglyph "timesig.neomensural94" }
}

\relative {
  c''1^\markup {
    \fret-diagram-terse "x;x;o;2;3;2;"
  }
  c^\markup {
    \harp-pedal "^-v|--ov^"
  }
  c
  c^\markup {
    \combine
      \musicglyph "accordion.discant"
      \combine
	\raise #0.5 \musicglyph "accordion.dot"
	\raise #1.5 \musicglyph "accordion.dot"
  }
}

\relative {
  c'4 d^\markup {
    \score {
      \relative { c'4 d e f }
      \layout { }
    }
  }
  e f |
  c d e f
}

scm/define-markup-commands.scm
scm/fret-diagrams.scm
scm/harp-pedals.scm
\markuplist {
  \justified-lines {
    Un text molt llarg de línies justificades.
    ...
  }
  \wordwrap-lines {
    Un altre paràgraf molt llarg.
    ...
  }
  ...
}

scm/define-markup-commands.scm
a'1^\markup {
  \vcenter {
    \override #'(font-encoding . fetaBraces)
    \lookup "brace120"
    \override #'(font-encoding . fetaText)
    \column { 1 3 sf }
    \override #'(font-encoding . fetaMusic)
    \lookup "noteheads.s0petrucci"
  }
}

\override Score.RehearsalMark.font-family = #'typewriter
\mark \markup "Ouverture"
\override Voice.TextScript.font-shape = #'italic
\override Voice.TextScript.font-series = #'bold
d''2.^\markup "Allegro"
\override Voice.TextScript.font-size = #-3
c''4^smaller

\markup {
  \column {
    \line {
      \override #'(font-shape . italic)
      \override #'(font-size . 4)
      Idomeneo,
    }
    \line {
      \override #'(font-family . typewriter)
      {
        \override #'(font-series . bold)
        re
        di
      }
      \override #'(font-family . sans)
      Creta
    }
  }
}

\override Staff.TimeSignature.font-name = "Bitstream Charter"
\override Staff.TimeSignature.font-size = #2
\time 3/4

a'1_\markup {
  \override #'(font-name . "Bitstream Vera Sans,sans-serif, Oblique Bold")
    { Vera Oblique Bold }
}

lilypond -dshow-available-fonts

\paper  {
  #(define fonts
    (make-pango-font-tree "Linux Libertine O"
                          "Nimbus Sans, Nimbus Sans L"
                          "DejaVu Sans Mono"
                          (/ staff-height pt 20)))
}

\relative c'{
  c1-\markup {
    roman,
    \sans sans,
    \typewriter typewriter. }
}

\lyricmode { Three4 blind mice,2 three4 blind mice2 }

\lyricmode { la la la}

\lyricmode { la la la }

\relative { d''8 c16 a bes8 f ees' d c4 }
\addlyrics { „Schad’ um das schö -- ne grü -- ne Band, }

\relative { \time 3/4 e'4 e4. e8 d4 e d c2. }
\addlyrics { "\"I" am so lone -- "ly,\"" said she }

mel = \relative c'' { c4 c c c }
lyr = \lyricmode {
  Lyrics \markup { \italic can } \markup { \with-color #red contain }
  \markup { \fontsize #8 \bold Markup! }
}

<<
  \new Voice = melody \mel
  \new Lyrics \lyricsto melody \lyr
>>

\new Lyrics \lyricmode { … }

<<
  \new Staff <<
    \time 2/4
    \new Voice = "una" \relative {
      \voiceOne
      c''4 b8. a16 g4. r8 a4 ( b ) c2
    }
    \new Voice = "dos" \relative {
      \voiceTwo
       s2 s4. f'8 e4 d c2
    }
  >>

% agafa les duracions i l'alineació de les notes a «una»

  \new Lyrics \lyricsto "una" {
    Life is __ _ love, live __ life.
  }

% agafa les duracions i l'alineació de les notes a «una» inicialment
% després canvia a «dos»
  \new Lyrics \lyricsto "una" {
    No more let
    \set associatedVoice = "dos" % s'ha d'establir una síl·laba més aviat
    sins and sor -- rows grow.
  }
>>

<<
  \new Voice = "one" \relative {
    \time 2/4
    c''4 b8. a16 g4. f8 e4 d c2
  }

% usa la duració explícita prèvia de 2:
  \new Lyrics \lyricmode {
    Joy to the earth!
  }

% duració explícita, establerta a un ritme diferent
  \new Lyrics \lyricmode {
    Life4 is love,2. live4 life.2
  }
>>

<<
  \new Voice = "melodia" \relative {
    a'1 a4. a8 a2
  }
  \new Lyrics \lyricsto "melodia" {
    These are the words
  }
>>

{ MÚSICA }
\addlyrics { LLETRA }

\new Voice = "blabla" { MÚSICA }
\new Lyrics \lyricsto "blabla" { LLETRA }

{
  \time 3/4
  \relative { c'2 e4 g2. }
  \addlyrics { play the game }
}

{
  \time 3/4
  \relative { c'2 e4 g2. }
  \addlyrics { play the game }
  \addlyrics { speel het spel }
  \addlyrics { joue le jeu }
}

\set associatedVoice = "lala"

<<
  \new Staff <<
    \time 2/4
    \new Voice = "una" \relative {
      \voiceOne
      c''4 b8. a16 g4. r8 a4 ( b ) c2
    }
    \new Voice = "dos" \relative {
      \voiceTwo
       s2 s4. f'8 e8 d4. c2
    }
  >>
% agafa les duracions i l'alineació de les notes de «una» inicialment
% després canvia a «dos»
  \new Lyrics \lyricsto "una" {
    No more let
    \set associatedVoice = "dos"  % s'ha d'establir una síl·laba prèviament
    sins and sor -- rows grow.
  }
>>

<<
  \new Voice = "melodia" \relative {
    c''2 a f f e e
  }
  \new Lyrics \lyricmode {
    c4. -- a -- f -- f -- e2. -- e
  }
>>

<<
  \new Staff {
    \relative {
      c''2 c2
      d1
    }
  }
  \new Lyrics {
    \lyricmode {
      I2 like4. my8 cat!1
    }
  }
  \new Staff {
    \relative {
      c'8 c c c c c c c
      c8 c c c c c c c
    }
  }
>>

<<
  \new Voice = "melodia" \relative {
    \time 3/4
    c'2 e4 g2 f
  }
  \new Lyrics \lyricmode {
    \override LyricText.self-alignment-X = #LEFT
    play1 a4 game4
  }
>>

{
  \relative {
    \autoBeamOff
    r8 b' c fis, fis c' b e,
  }
  \addlyrics
  {
    \override LyricHyphen.minimum-distance = #1.0 % Assegura que els guionets són visibles
    Che_in ques -- ta_e_in quel -- l'al -- tr'on -- da
  }
  \addlyrics { "Che in" ques -- "ta e in" quel -- l'al -- tr'on -- da }
  \addlyrics { Che~in ques -- ta~e~in quel -- l'al -- tr'on -- da }
}

<<
  \new Voice = "melodia" \relative {
    \time 3/4
    f''4 g2 ~ |
    4 e2 ~ |
    8
  }
  \new Lyrics \lyricsto "melodia" {
    Ky -- ri -- e __
  }
>>

<<
  \new Voice = "melodia" \relative {
    \time 3/4
    f''4 g8 ( f e f )
    e8 ( d e2 )
  }
  \new Lyrics \lyricsto "melodia" {
    Ky -- ri -- e __
  }
>>

<<
  \new Voice = "melodia" \relative {
    \time 3/4
    \autoBeamOff
    f''4 g8[ f e f]
    e2.
  }
  \new Lyrics \lyricsto "melodia" {
    Ky -- ri -- e
  }
>>

<<
  \new Voice = "melodia" \relative {
    \time 3/4
    f''4 g8
    \melisma
    f e f
    \melismaEnd
    e2.
  }
  \new Lyrics \lyricsto "melodia" {
    Ky -- ri -- e
  }
>>

<<
  \new Voice = "melodia" \relative {
    \time 3/4
    f''4 g8 f e f
    e8 d e2
  }
  \new Lyrics \lyricsto "melodia" {
    Ky -- ri -- _ _ _ e __ _ _
  }
>>

<<
  \new Voice = "melodia" \relative {
    \time 3/4
    \set melismaBusyProperties = #'()
    c'4 d ( e )
    g8 [ f ] f4 ~ 4
  }
  \new Lyrics \lyricsto "melodia" {
    Ky -- ri -- e e -- le -- i -- son
  }
>>

<<
  \new Voice = "melodia" \relative {
    \time 3/4
    \set melismaBusyProperties = #'()
    c'4 d ( e )
    g8 [ f ] ~ 4 ~ f
  }
  \new Lyrics \lyricsto "melodia" {
    Ky -- ri -- _ e __ _ _ _
  }
>>

musicOne = \relative {
  c''4 b8. a16 g4. f8 e4 d c2
}
verseOne = \lyricmode {
  Joy to the world, the Lord is come.
}
\score {
  <<
    \new Voice = "one" {
      \time 2/4
      \musicOne
    }
    \new Lyrics \lyricsto "one" {
      \verseOne
    }
  >>
}

sopranoMusic = \relative { c''4 c c c }
contraltoMusic = \relative { a'4 a a a }
sopranoWords = \lyricmode { Sop -- ra -- no words }
contraltoWords = \lyricmode { Con -- tral -- to words }

\score {
  \new ChoirStaff <<
    \new Staff {
      \new Voice = "sopranos" {
        \sopranoMusic
      }
    }
    \new Lyrics = "sopranos"
    \new Lyrics = "contraltos"
    \new Staff {
      \new Voice = "contraltos" {
        \contraltoMusic
      }
    }
    \context Lyrics = "sopranos" {
      \lyricsto "sopranos" {
        \sopranoWords
      }
    }
    \context Lyrics = "contraltos" {
      \lyricsto "contraltos" {
        \contraltoWords
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \new Voice = "melodia" {
        \relative { c''4 c c c }
      }
    }
    \new Lyrics {
      \lyricsto "melodia" {
        Here are the words
      }
    }
  >>
}

\score {
  <<
    \new Staff = "staff" {
      \new Voice = "melody" {
        \relative { c''4 c c c }
      }
    }
    \new Lyrics \with { alignAboveContext = "staff" } {
      \lyricsto "melody" {
        Here are the words
      }
    }
  >>
}

\score {
  <<
    \new Lyrics = "lyrics" \with {
      % lyrics above a staff should have this override
      \override VerticalAxisGroup.staff-affinity = #DOWN
    }
    \new Staff {
      \new Voice = "melody" {
        \relative { c''4 c c c }
      }
    }
    \context Lyrics = "lyrics" {
      \lyricsto "melody" {
        Here are the words
      }
    }
  >>
}

\score {
  \new ChoirStaff <<
    \new Staff {
      \new Voice = "sopranos" {
        \relative { c''4 c c c }
      }
    }
    \new Lyrics = "sopranos"
    \new Lyrics = "contraltos" \with {
      % lyrics above a staff should have this override
      \override VerticalAxisGroup.staff-affinity = #DOWN
    }
    \new Staff {
      \new Voice = "contraltos" {
        \relative { a'4 a a a }
      }
    }
    \context Lyrics = "sopranos" {
      \lyricsto "sopranos" {
        Sop -- ra -- no words
      }
    }
    \context Lyrics = "contraltos" {
      \lyricsto "contraltos" {
        Con -- tral -- to words
      }
    }
  >>
}

global = {
  \key d \major
  \time 3/4
}

sopMusic = \relative c' {
  % VERSE ONE
  fis4 fis fis | \break
  fis4. e8 e4
}

altoMusic = \relative c' {
  % VERSE ONE
  d4 d d |
  d4. b8 b4 |
}

tenorMusic = \relative c' {
  a4 a a |
  b4. g8 g4 |
}

bassMusic = \relative c {
  d4 d d |
  g,4. g8 g4 |
}

words = \lyricmode {
  Great is Thy faith -- ful -- ness,
}

\score {
  \new ChoirStaff <<
    \new Lyrics = sopranos
    \new Staff = women <<
      \new Voice = "sopranos" {
        \voiceOne
        \global \sopMusic
      }
      \new Voice = "altos" {
        \voiceTwo
        \global \altoMusic
      }
    >>
    \new Lyrics = "altos"
    \new Lyrics = "tenors"
    \new Staff = men <<
      \clef bass
      \new Voice = "tenors" {
        \voiceOne
        \global \tenorMusic
      }
      \new Voice = "basses" {
        \voiceTwo  \global \bassMusic
      }
    >>
    \new Lyrics = basses
    \context Lyrics = sopranos \lyricsto sopranos \words
    \context Lyrics = altos \lyricsto altos \words
    \context Lyrics = tenors \lyricsto tenors \words
    \context Lyrics = basses \lyricsto basses \words
  >>
  \layout {
    \context {
      \Lyrics
      \override VerticalAxisGroup.staff-affinity = ##f
      \override VerticalAxisGroup.staff-staff-spacing =
        #'((basic-distance . 0)
	   (minimum-distance . 2)
	   (padding . 2))
    }
    \context {
      \Staff
      \override VerticalAxisGroup.staff-staff-spacing =
        #'((basic-distance . 0)
	   (minimum-distance . 2)
	   (padding . 2))
    }
  }
}

\relative c' {
  c c c c
  \override Lyrics.LyricSpace.minimum-distance = #1.0
  c c c c
}
\addlyrics {
  longtext longtext longtext longtext
  longtext longtext longtext longtext
}

\score {
  \relative {
  c' c c c
  c c c c
  }
  \addlyrics {
  longtext longtext longtext longtext
  longtext longtext longtext longtext
  }
  \layout {
    \context {
      \Lyrics
      \override LyricSpace.minimum-distance = #1.0
    }
  }
}

\layout { ragged-right = ##f }
\relative c'' {
  c1
  c1
  c1
}
\addlyrics {
  \once \override LyricText.self-alignment-X = #LEFT
  "This is left-aligned"
  \once \override LyricText.self-alignment-X = #CENTER
  "This is centered"
  \once \override LyricText.self-alignment-X = #1
  "This is right-aligned"
}

\override Score.PaperColumn.keep-inside-line = ##f

\layout {
  \context {
    \Lyrics
      \consists Bar_engraver
      \consists Separating_line_group_engraver
      \hide BarLine
  }
}

\score {
  <<
    \new Staff {
      \new Voice = "melody" {
        \relative {
          a'4 a a a
          \repeat volta 2 { b4 b b b }
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Not re -- peat -- ed.
        \repeat volta 2 { Re -- peat -- ed twice. }
      }
    }
  >>
}

\score {
  \unfoldRepeats {
    <<
      \new Staff {
        \new Voice = "melody" {
          \relative {
            a'4 a a a
            \repeat volta 2 { b4 b b b }
          }
        }
      }
      \new Lyrics {
        \lyricsto "melody" {
          Not re -- peat -- ed.
          \repeat volta 2 { Re -- peat -- ed twice. }
        }
      }
    >>
  }
}

\score {
  <<
    \new Staff {
      \new Voice = "melody" {
        \relative {
          a'4 a a a
          \repeat unfold 2 { b4 b b b }
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Not re -- peat -- ed.
        The first time words.
        Sec -- ond time words.
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \new Voice = "melody" {
        \relative {
          a'4 a a a
          \repeat volta 2 { b4 b b b }
        }
      }
    }
    \new Lyrics \lyricsto "melody" {
      Not re -- peat -- ed.
      <<
	{ The first time words. }
	\new Lyrics {
	  \set associatedVoice = "melody"
	  Sec -- ond time words.
	}
      >>
    }
  >>
}

\score {
  <<
    \new Staff {
      \new Voice = "singleVoice" {
        \relative {
	  a'4 a a a
	  \repeat volta 3 { b4 b b b }
          c4 c c c
	}
      }
    }
    \new Lyrics \lyricsto "singleVoice" {
      Not re -- peat -- ed.
      <<
        { The first time words.	}
	\new Lyrics {
	  \set associatedVoice = "singleVoice"
	  Sec -- ond time words.
	}
	\new Lyrics {
	  \set associatedVoice = "singleVoice"
	  The third time words.
	}
      >>
      The end sec -- tion.
    }
  >>
}

\score {
  <<
    \new Staff {
      \new Voice = "melody" {
        \relative {
	  a'4 a a a
	  \repeat volta 3 { b4 b b b }
          c4 c c c
	}
      }
    }
    \new Lyrics = "firstVerse" \lyricsto "melody" {
      Not re -- peat -- ed.
      <<
        { The first time words.	}
	\new Lyrics = "secondVerse"
        \with { alignBelowContext = "firstVerse" } {
	  \set associatedVoice = "melody"
	  Sec -- ond time words.
	}
	\new Lyrics = "thirdVerse"
        \with { alignBelowContext = "secondVerse" } {
	  \set associatedVoice = "melody"
	  The third time words.
	}
      >>
      The end sec -- tion.
    }
    \new Voice = "harmony" {
      \relative {
        f'4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \time 2/4
      \new Voice = "melody" {
        \relative {
          a'4 a a a
          \repeat volta 2 { b4 b }
          \alternative { { b b } { b c } }
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Not re -- peat -- ed.
        \repeat volta 2 { Re -- peat -- }
        \alternative { { ed twice. } { ed twice. } }
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \time 2/4
      \new Voice = "melody" {
        \relative {
          \repeat volta 2 { b'4 b }
          \alternative { { b b } { b c } }
          c4 c
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        The first time words.
        \repeat unfold 2 { \skip 1 }
        End here.
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Sec -- ond
        \repeat unfold 2 { \skip 1 }
        time words.
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \time 2/4
      \new Voice = "melody" {
        \relative {
          \set melismaBusyProperties = #'()
          \repeat volta 2 { b'4 b ~}
          \alternative { { b b } { b \repeatTie c } }
          \unset melismaBusyProperties
          c4 c
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        \repeat volta 2 { Here's a __ }
        \alternative {
          { \skip 1 verse }
          { \skip 1 sec }
        }
        ond one.
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \time 2/4
      \new Voice = "melody" {
        \relative {
          \repeat volta 2 { b'4 b ~}
          \alternative { { b b } { b \repeatTie c } }
          c4 c
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Here's a __ verse.
        \repeat unfold 2 { \skip 1 }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Here's one
        \repeat unfold 2 { \skip 1 }
        more to sing.
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \time 2/4
      \new Voice = "melody" {
        \relative {
          \repeat volta 2 { b'4 b ~}
          \alternative { { b b } { b \repeatTie c } }
          c4 c
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Here's a __ verse.
        \repeat unfold 2 { \skip 1 }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Here's "a_"
        \skip 1
        "_" sec -- ond one.
      }
    }
  >>
}

\score {
  <<
    \new Voice = "melody" {
      \relative c' {
        \set melismaBusyProperties = #'()
        \slurDown
        \slurDashed
        e4 e8 ( e ) c4 c |
        \unset melismaBusyProperties
        c
      }
    }
    \new Lyrics \lyricsto "melody" {
      They shall not o -- ver -- come
    }
    \new Lyrics \lyricsto "melody" {
      We will _
    }
  >>
}

\score {
  <<
    \new Voice = "melody" {
      \relative {
        <<
          {
            \voiceOne
            e'4 e8 e
          }
          \new Voice = "splitpart" {
            \voiceTwo
            c4 c
          }
        >>
        \oneVoice
        c4 c |
        c
      }
    }
    \new Lyrics \lyricsto "melody" {
      They shall not o -- ver -- come
    }
    \new Lyrics \lyricsto "splitpart" {
      We will
    }
  >>
}

soprano = \relative { b'8( c d c) d2 }
alto = \relative { g'2 b8( a g a) }
words = \lyricmode { la __ la __ }

\new Staff <<
  \new Voice = "sopranoVoice" { \voiceOne \soprano }
  \new Voice { \voiceTwo \alto }
  \new Lyrics \lyricsto "sopranoVoice" \words
>>

soprano = \relative { b'8( c d c) d2 }
alto = \relative { g'2 b8( a g a) }
aligner = \relative { b'8( c d c) b( a g a) }
words = \lyricmode { la __ la __ }

\new Staff <<
  \new Voice { \voiceOne \soprano }
  \new Voice { \voiceTwo \alto }
  \new NullVoice = "aligner" \aligner
  \new Lyrics \lyricsto "aligner" \words
>>

soprano = \relative { b'8( c d c) d2 }
alto = \relative { g'2 b8( a g a) }
aligner = \relative { b'8( c d c) b( a g a) }
words = \lyricmode { la __ la __ }

\new Staff <<
  \new Voice \partCombine \soprano \alto
  \new NullVoice = "aligner" \aligner
  \new Lyrics \lyricsto "aligner" \words
>>

soprano = \relative { b'8( c d c) d2 }
altoOne = \relative { g'2 b8( a b4) }
altoTwo = \relative { d'2 g4( fis8 g) }
aligner = \relative { b'8( c d c) d( d d d) }
words = \lyricmode { la __ la __ }

\new ChoirStaff \with {\accepts NullVoice } <<
  \new Staff \soprano
  \new NullVoice = "aligner" \aligner
  \new Lyrics \lyricsto "aligner" \words
  \new Staff \partCombine \altoOne \altoTwo
>>

\new Voice \relative {
  \time 3/4 g'2 e4 a2 f4 g2.
} \addlyrics {
  \set stanza = "1. "
  Hi, my name is Bert.
} \addlyrics {
  \set stanza = "2. "
  Oh, ché -- ri, je t'aime
}

text = {
  \set stanza = \markup { \dynamic "ff" "1. " }
  \lyricmode {
    Big bang
  }
}

<<
  \new Voice = "tune" {
    \time 3/4
    g'4 c'2
  }
\new Lyrics \lyricsto "tune" \text
>>

\new Voice \relative {
  \time 3/4 g'2 e4 a2 f4 g2.
} \addlyrics {
  \set vocalName = "Bert "
  Hi, my name is Bert.
} \addlyrics {
  \set vocalName = "Ernie "
  Oh, ché -- ri, je t'aime
}

<<
  \relative \new Voice = "lahlah" {
    \set Staff.autoBeaming = ##f
    c'4
    \slurDotted
    f8.[( g16])
    a4
  }
  \new Lyrics \lyricsto "lahlah" {
    more slow -- ly
  }
  \new Lyrics \lyricsto "lahlah" {
    go
    \set ignoreMelismata = ##t
    fas -- ter
    \unset ignoreMelismata
    still
  }
>>

<<
  \new Voice = melody \relative {
    f'4 \appoggiatura a32 b4
    \grace { f16 a16 } b2
    \afterGrace b2 { f16[ a16] }
    \appoggiatura a32 b4
    \acciaccatura a8 b4
  }
  \new Lyrics
  \lyricsto melody {
    normal
    \set includeGraceNotes = ##t
    case,
    gra -- ce case,
    after -- grace case,
    \set ignoreMelismata = ##t
    app. case,
    acc. case.
  }
>>

<<
  \new Voice = melody \relative c' {
    \grace { c16( d e f }
    g1) f
  }
  \new Lyrics \with { includeGraceNotes = ##t }
  \lyricsto melody {
    Ah __ fa
  }
>>

<<
  \relative \new Voice = "lahlah" {
    \set Staff.autoBeaming = ##f
    c'4
    <<
      \new Voice = "alternative" {
        \voiceOne
        \tuplet 3/2 {
          % mostra clarament les associacions
          \override NoteColumn.force-hshift = #-3
          f8 f g
        }
      }
      {
        \voiceTwo
        f8.[ g16]
        \oneVoice
      } >>
    a8( b) c
  }
  \new Lyrics \lyricsto "lahlah" {
    Ju -- ras -- sic Park
  }
  \new Lyrics \lyricsto "lahlah" {
    % Complicat: cal establir associatedVoice
    % one syllable too soon!
    \set associatedVoice = "alternative" % s'aplica a «ran»
    Ty --
    ran --
    no --
    \set associatedVoice = "lahlah" % s'aplica a «rus»
    sau -- rus Rex
  } >>

\set associatedVoice = "alternative" % s'aplica a "ran"
Ty --
ran --
no --
\set associatedVoice = "lahlah" % s'aplica a "rus"
sau -- rus Rex

melody = \relative {
e' d c d | e e e e |
d d e d | c1 |
}

text = \lyricmode {
\set stanza = "1." Ma- ry had a lit- tle lamb,
its fleece was white as snow.
}

\score{ <<
  \new Voice = "one" { \melody }
  \new Lyrics \lyricsto "one" \text
>>
  \layout { }
}
\markup { \column{
  \line{ Verse 2. }
  \line{ All the children laughed and played }
  \line{ To see a lamb at school. }
  }
}
\markup{
  \wordwrap-string "
  Verse 3.

  Mary took it home again,

  It was against the rule."
}

melody = \relative {
  c'4 c c c | d d d d
}

text = \lyricmode {
  \set stanza = "1." Aquest és el vers u.
  Té dues línies.
}

\score {
  <<
    \new Voice = "one" { \melody }
    \new Lyrics \lyricsto "one" \text
  >>
  \layout { }
}

\markup {
  \fill-line {
    \hspace #0.1 % mou la columna a fora del marge esquerra;
     % es pot eliminar si l'espai a la pàgina és escàs
     \column {
      \line { \bold "2."
        \column {
          "Aquest és el vers dos."
          "Té dues línies."
        }
      }
      \combine \null \vspace #0.1 % afegeix espai vertical entre els versos
      \line { \bold "3."
        \column {
          "Aquest és el vers tres."
          "Té dues línies."
        }
      }
    }
    \hspace #0.1 % afegeix espai horitzontal entre les columnes;
    \column {
      \line { \bold "4."
        \column {
          "Aquest és el vers quatre."
          "Té dues línies."
        }
      }
      \combine \null \vspace #0.1 % afegeix espai vertical entre els versos
      \line { \bold "5."
        \column {
          "Aquest és el vers cinc."
          "Té dues línies."
        }
      }
    }
  \hspace #0.1 % dóna algun espai extra al marge dret;
  % es pot eliminar si l'espai de la pàgina és escàs
  }
}

<<
  \chords { c2 g:sus4 f e }
  \new Staff \relative c'' {
    a4 e c8 e r4
    b2 c4( d)
  }
  \addlyrics { One day this shall be free __ }
>>

\score {
  \new ChoirStaff <<
    \new Staff {
      \new Voice {
        \relative { g'4\f g g g }
      }
    }
    \new Staff {
      \new Voice {
        \relative { d'4 d d\p d }
      }
    }
  >>
  \layout {
    \context {
      \Score
      \override DynamicText.direction = #UP
      \override DynamicLineSpanner.direction = #UP
    }
  }
}

\include "english.ly"

\score {
  \relative c'' {
    \key a \major
    \time 2/2
    <<
      \new Voice = "upper"
      <<
        { \voiceOne \arpeggioBracket
          a2( b2
          <b d>1\arpeggio)
          <cs e>\arpeggio ~
          <cs e>4
        }
        \addlyrics { \lyricmode { A -- men. } }
      >>
      \new Voice = "lower"
      { \voiceTwo
        a1 ~
        a
        a ~
        a4 \bar "|."
      }
    >>
  }
  \layout { ragged-right = ##t }
}

\score {
  <<
    \new Staff {
      \set Staff.vocalName = \markup \smallCaps Kaspar
      \set Staff.shortVocalName = \markup \smallCaps Kas.
      \relative {
        \clef "G_8"
        c'4 c c c
        \break
        c4 c c c
      }
    }
    \new Staff {
      \set Staff.vocalName = \markup \smallCaps Melchior
      \set Staff.shortVocalName = \markup \smallCaps Mel
      \clef "bass"
      \relative {
        a4 a a a
        a4 a a a
      }
    }
  >>
}

\relative c' {
  \clef "G_8"
  c4^\markup \fontsize #1 \smallCaps Kaspar
  c c c
  \clef "bass"
  a4^\markup \fontsize #1 \smallCaps Melchior
  a a a
  \clef "G_8"
  c4^\markup \fontsize #1 \smallCaps Kaspar
  c c c
}

kaspar = {
  \clef "G_8"
  \set Staff.shortVocalName = "Kas."
  \set Staff.midiInstrument = "voice oohs"
  <>^\markup \smallCaps "Kaspar"
}

melchior = {
  \clef "bass"
  \set Staff.shortVocalName = "Mel."
  \set Staff.midiInstrument = "choir aahs"
  <>^\markup \smallCaps "Melchior"
}

\relative c' {
  \kaspar
  c4 c c c
  \melchior
  a4 a a a
  \kaspar
  c4 c c c
}

flute = \relative {
  s4 s4 e'' g
}
\addQuote "flute" { \flute }

pianoRH = \relative {
  c''4. g8
  % poseu el nom de l'instrument que es vol guiar just abans
  % de les notes guia i a sobre el pentagrama
  <>^\markup { \right-align { \tiny "Flute" } }
  \cueDuring "flute" #UP { g4 bes4 }
}
pianoLH = \relative { c4 <c' e> e, <g c> }

\score {
  \new PianoStaff <<
    \new Staff {
      \pianoRH
    }
    \new Staff {
      \clef "bass"
      \pianoLH
    }
  >>
}

clarinet = \relative c' {
  \transposition bes
  fis4 d d c
}
\addQuote "clarinet" { \clarinet }

pianoRH = \relative c'' {
  \transposition c'
  % posició del nom de l'instrument citat a sota del pentagrama
  <>_\markup { \right-align { \tiny "Clar." } }
  \cueDuring "clarinet" #DOWN { c4. g8 }
  g4 bes4
}
pianoLH = \relative { c4 <c' e> e, <g c> }

\score {
  <<
    \new PianoStaff <<
      \new Staff {
        \new Voice {
          \pianoRH
        }
      }
      \new Staff {
        \clef "bass"
        \pianoLH
      }
    >>
  >>
}

cueWhile =
#(define-music-function
   (instrument name dir music)
   (string? string? ly:dir? ly:music?)
   #{
     \cueDuring $instrument #dir {
       \once \override TextScript.self-alignment-X = #RIGHT
       \once \override TextScript.direction = $dir
       <>-\markup { \tiny #name }
       $music
     }
   #})

flute = \relative c'' {
  \transposition c'
  s4 s4 e g
}
\addQuote "flute" { \flute }

clarinet = \relative c' {
  \transposition bes
  fis4 d d c
}
\addQuote "clarinet" { \clarinet }

singer = \relative c'' { c4. g8 g4 bes4 }
words = \lyricmode { here's the lyr -- ics }

pianoRH = \relative c'' {
  \transposition c'
  \cueWhile "clarinet" "Clar." #DOWN { c4. g8 }
  \cueWhile "flute" "Flute" #UP { g4 bes4 }
}
pianoLH = \relative c { c4 <c' e> e, <g c> }

\score {
  <<
    \new Staff {
      \new Voice = "singer" {
        \singer
      }
    }
    \new Lyrics {
      \lyricsto "singer"
      \words
    }
    \new PianoStaff <<
      \new Staff {
        \new Voice {
          \pianoRH
        }
      }
      \new Staff {
        \clef "bass"
        \pianoLH
      }
    >>
  >>
}

\relative {
  a'4^\markup { \smallCaps { Alex - } \italic { He's gone } } a a a
  a4 a a^\markup { \smallCaps { Bethan - } \italic Where? } a
  a4 a a a
}

music = \relative {
  \repeat unfold 3 { a'4 a a a }
}

dialogue = \lyricmode {
  \markup {
    \fontsize #1 \upright \smallCaps Abe:
    "Say this over measures one and"
  }4*7
  "two"4 |
  \break
  "and this over measure"4*3
  "three"4 |
}

\score {
  <<
    \new Lyrics \with {
      \override LyricText.font-shape = #'italic
      \override LyricText.self-alignment-X = #LEFT
    }
    { \dialogue }
    \new Staff {
      \new Voice { \music }
    }
  >>
}

stemOff = { \hide Staff.Stem }

\relative c' {
  \stemOff
  a'4 b c2 |
}

\score {
  \new StaffGroup <<
    \new Staff {
      \relative {
        a'4 b c2 |
        a4 b c2 |
        a4 b c2 |
      }
    }
    \new Staff {
      \relative {
        a'4 b c2 |
        a4 b c2 |
        a4 b c2 |
      }
    }
  >>
  \layout {
    \context {
      \Staff
      \remove Bar_engraver
    }
  }
}

\score {
  \new ChoirStaff <<
    \new Staff
    \with { \remove Bar_engraver } {
      \relative {
        a'4 b c2 |
        a4 b c2 |
        a4 b c2 |
      }
    }
    \new Staff {
      \relative {
        a'4 b c2 |
        a4 b c2 |
        a4 b c2 |
      }
    }
  >>
}

\relative a' {
  a4 b c2 |
  \cadenzaOn
  a4 b c2
  a4 b c2
  \bar ""
  a4 b c2
  a4 b c2
  \cadenzaOff
  a4 b c2 |
  a4 b c2 |
}

\relative a' {
  a4
  \cadenzaOn
  b c2
  a4 b c2
  \bar "'"
  a4 b c2
  a4 b c2
  \bar ";"
  a4 b c2
  \bar "!"
  a4 b c2
  \bar "||"
}

divisioMinima = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-minima
  \once \override BreathingSign.Y-offset = #0
  \breathe
}
divisioMaior = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-maior
  \once \override BreathingSign.Y-offset = #0
  \breathe
}
divisioMaxima = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-maxima
  \once \override BreathingSign.Y-offset = #0
  \breathe
}
finalis = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::finalis
  \once \override BreathingSign.Y-offset = #0
  \breathe
}

\score {
  \relative {
    g'2 a4 g
    \divisioMinima
    g2 a4 g
    \divisioMaior
    g2 a4 g
    \divisioMaxima
    g2 a4 g
    \finalis
  }
  \layout {
    \context {
      \Staff
      \remove Bar_engraver
    }
  }
}

\score {
  \new Staff {
    \relative {
      a'4 b c2 |
      a4 b c2 |
      a4 b c2 |
    }
  }
  \layout {
    \context {
      \Staff
      \remove Bar_engraver
      \remove Time_signature_engraver
      \remove Clef_engraver
    }
  }
}

SopranoMusic = \relative {
  g'1 | c2 b | a1 | \bar "||"
  a1 | d2 c | c b | c1 | \bar "||"
}

AltoMusic = \relative {
  e'1 | g2 g | f1 |
  f1 | f2 e | d d | e1 |
}

TenorMusic = \relative {
  c'1 | c2 c | c1 |
  d1 | g,2 g | g g | g1 |
}

BassMusic =  \relative {
  c1 | e2 e | f1 |
  d1 | b2 c | g' g | c,1 |
}

global = {
  \time 2/2
}

% Useu marcatge per centrar el cant sobre la pàgina
\markup {
  \fill-line {
    \score {  % centrat
      <<
        \new ChoirStaff <<
          \new Staff <<
            \global
            \clef "treble"
            \new Voice = "Soprano" <<
              \voiceOne
              \SopranoMusic
            >>
            \new Voice = "Alto" <<
              \voiceTwo
              \AltoMusic
            >>
          >>
          \new Staff <<
            \clef "bass"
            \global
            \new Voice = "Tenor" <<
              \voiceOne
              \TenorMusic
            >>
            \new Voice = "Bass" <<
              \voiceTwo
              \BassMusic
            >>
          >>
        >>
      >>
      \layout {
        \context {
          \Score
          \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/2)
        }
        \context {
          \Staff
          \remove Time_signature_engraver
        }
      }
    }  % Final de la partitura
  }
}  % Final del marcatge

stemOff = \hide Staff.Stem
stemOn  = \undo \stemOff

\score {
  \new Staff \with { \remove "Time_signature_engraver" }
  {
    \key g \minor
    \cadenzaOn
    \stemOff a'\breve bes'4 g'4
    \stemOn a'2 \section
    \stemOff a'\breve g'4 a'4
    \stemOn f'2 \section
    \stemOff a'\breve^\markup { \italic flexe }
    \stemOn g'2 \fine
  }
}

\include "gregorian.ly"

chant = \relative c' {
  \set Score.timing = ##f
  f4 a2 \divisioMinima
  g4 b a2 f2 \divisioMaior
  g4( f) f( g) a2 \finalis
}

verba = \lyricmode {
  Lo -- rem ip -- sum do -- lor sit a -- met
}

\score {
  \new GregorianTranscriptionStaff <<
    \new GregorianTranscriptionVoice = "melody" \chant
    \new GregorianTranscriptionLyrics = "one" \lyricsto melody \verba
  >>
}

\markup {
  \fill-line {
    \column {
      \left-align {
        \line { O come let us sing | unto the | Lord : let }
        \line { us heartily rejoice in the | strength of | our }
        \line { sal- | -vation. }
      }
    }
  }
}

tick = \markup {
  \raise #1 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
        \line { O come let us sing \tick unto the \tick Lord : let }
        \line {
          us heartily rejoice in the \tick strength of \tick our
        }
        \line { sal \tick vation. }
      }
    }
  }
}

dot = \markup {
  \raise #0.7 \musicglyph "dots.dot"
}
tick = \markup {
  \raise #1 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
        \line {
          O come let us sing \tick unto \dot the \tick Lord : let
        }
        \line {
          us heartily rejoice in the \tick strength of \tick our
        }
        \line { sal \tick vation. }
      }
    }
  }
}

dot = \markup {
  \raise #0.7 \musicglyph "dots.dot"
}
tick = \markup {
  \raise #1 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
        \line { Today if ye will hear his voice * }
        \line {
          \concat { \bold hard en }
          | not your | hearts : as in the pro-
        }
        \line { vocation * and as in the \bold day of tempt- | }
        \line { -ation | in the | wilderness. }
      }
    }
  }
}

tick = \markup {
  \raise #2 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
        \line {
          O come let us \concat {
            si \combine \tick ng
          }
          | unto the | Lord : let
        }
        \line {
          us heartily \concat {
            rejo \combine \tick ice
          }
          in the | strength of | our
        }
        \line { sal- | -vation. }
      }
    }
  }
}

Timeline = {
  \time 4/4
  \tempo 4=96
  \partial 2
  s2 | s1 | s2 \breathe s2 | s1 | s2 \caesura \break
  s2 | s1 | s2 \breathe s2 | s1 | s2 \fine
}

SopranoMusic = \relative g' {
  g4 g | g g g g | g g g g | g g g g | g2
  g4 g | g g g g | g g g g | g g g g | g2
}

AltoMusic = \relative c' {
  d4 d | d d d d | d d d d | d d d d | d2
  d4 d | d d d d | d d d d | d d d d | d2
}

TenorMusic = \relative a {
  b4 b | b b b b | b b b b | b b b b | b2
  b4 b | b b b b | b b b b | b b b b | b2
}

BassMusic =  \relative g {
  g4 g | g g g g | g g g g | g g g g | g2
  g4 g | g g g g | g g g g | g g g g | g2
}

global = {
 \key g \major
}

\score {  % Start score
  <<
    \new PianoStaff <<  % Start pianostaff
      \new Staff <<  % Start Staff = RH
        \global
        \clef "treble"
        \new Voice = "Soprano" <<  % Start Voice = "Soprano"
          \Timeline
          \voiceOne
          \SopranoMusic
        >>  % End Voice = "Soprano"
        \new Voice = "Alto" <<  % Start Voice = "Alto"
          \Timeline
          \voiceTwo
          \AltoMusic
        >>  % End Voice = "Alto"
      >>  % End Staff = RH
      \new Staff <<  % Start Staff = LH
        \global
        \clef "bass"
        \new Voice = "Tenor" <<  % Start Voice = "Tenor"
          \Timeline
          \voiceOne
          \TenorMusic
        >>  % End Voice = "Tenor"
        \new Voice = "Bass" <<  % Start Voice = "Bass"
          \Timeline
          \voiceTwo
          \BassMusic
        >>  % End Voice = "Bass"
      >>  % End Staff = LH
    >>  % End pianostaff
  >>
}  % End score

\markup {
  \fill-line {
    ""
    {
      \column {
        \left-align {
          "This is line one of the first verse"
          "This is line two of the same"
          "And here's line three of the first verse"
          "And the last line of the same"
        }
      }
    }
    ""
  }
}

\layout {
  \context {
    \Score
    caesuraType = #'((bar-line . "||"))
    fineBarType = "||"
  }
}

\paper {  % Start paper block
  indent = 0     % don't indent first system
  line-width = 130   % shorten line length to suit music
}  % End paper block

\change Staff = nom_del_pentagrama

\new PianoStaff <<
  \new Staff = "dalt" {
    <e' c'>8
    \change Staff = "down"
    g8 fis g
    \change Staff = "dalt"
    <g'' c''>8
    \change Staff = "sota"
    e8 dis e
    \change Staff = "dalt"
  }
  \new Staff = "sota" {
    \clef bass
    % manté viu el pentagrama
    s1
  }
>>

\new PianoStaff <<
  \new Staff = "up" {
    \voiceOne
    % Fes espai per a la digitació a la veu de pentagrama creuat
    \once\override DynamicLineSpanner.staff-padding = #4
    e''2\p\< d''\>
    c''1\!
  }
  \new Staff = "down" <<
    {
      \clef bass
      s4. e,8\rest g,2\rest
      c1
    } \\ {
      c8\( g c'
      \change Staff = "up"
      e' g' b'-3 a' g'\)
      f'1
    }
  >>
>>

\autoChange …música…

\new PianoStaff {
  \autoChange {
    g4 a b c'
    d'4 r a g
  }
}

music = {
  g8 b a c' b8 d' c'8 e'
  d'8 r f' g' a'2
}

\autoChange d' \music
\autoChange b \with { \clef soprano } \music
\autoChange d' \with { \clef alto } \with { \clef tenor } \music

\new PianoStaff <<
  \new Staff = "up" {
    \new Voice = "melodiaU" {
      \key g \major
      \autoChange \relative {
        g8 b a c b d c e
        d8 r fis, g a2
      }
    }
  }
  \new Staff = "down" {
    \key g \major
    \clef bass
  }
>>

\new PianoStaff <<
  \new Staff = "one" {
    \showStaffSwitch
    c'1
    \change Staff = "two"
    b2 a
  }
  \new Staff = "two" {
    \clef bass
    s1*2
  }
>>

\layout {
  \context {
    \PianoStaff
    \consists "Span_stem_engraver"
  }
}

{
  \new PianoStaff <<
    \new Staff {
      <b d'>4 r d'16\> e'8. g8 r\!
      e'8 f' g'4 e'2
    }
    \new Staff {
      \clef bass
      \voiceOne
      \autoBeamOff
      \crossStaff { <e g>4 e, g16 a8. c8} d
      \autoBeamOn
      g8 f g4 c2
    }
  >>
}

\new PianoStaff <<
  \set PianoStaff.connectArpeggios = ##t
  \override PianoStaff.Arpeggio.stencil =
    #ly:arpeggio::brew-chord-bracket
  \new Staff {
    \relative c' {
      \key b \major
      \time 6/8
      b8-.(\arpeggio fis'-.\> cis-.
        e-. gis-. b-.)\!\fermata^\laissezVibrer \bar "||"
    }
  }
  \new Staff {
    \relative c' {
      \clef bass
      \key b \major
      <<
        {
          <a e cis>2.\arpeggio
        }
        \\
        {
          <a, e a,>2.
        }
      >>
    }
  }
>>

\relative {
  c''4\sustainOn d e g
  <c, f a>1\sustainOff
  c4\sostenutoOn e g c,
  <bes d f>1\sostenutoOff
  c4\unaCorda d e g
  <d fis a>1\treCorde
}

\relative {
  c''4\sustainOn g c2\sustainOff
  \set Staff.pedalSustainStyle = #'mixed
  c4\sustainOn g c d
  d\sustainOff\sustainOn g, c2\sustainOff
  \set Staff.pedalSustainStyle = #'bracket
  c4\sustainOn g c d
  d\sustainOff\sustainOn g, c2
  \bar "|."
}

#(use-modules (lily accreg))

\new PianoStaff
<<
  \new Staff \relative {
    \clef treble
    \discant "10"
    r8 s32 f'[ bes f] s e[ a e] s d[ g d] s16 e32[ a]
    <<
      { r16 <f bes> r <e a> r <d g> }
      \\
      { d r a r bes r }
    >> |
    <cis e a>1
  }

  \new Staff \relative {
    \clef treble
    \freeBass "1"
    r8 d'32 s16. c32 s16. bes32 s16. a32[ cis] s16
    \clef bass \stdBass "Master"
    <<
      { r16 <f, bes d>^"b" r <e a c>^"am" r <d g bes>^"gm" |
      <e a cis>1^"a" }
      \\
      { d8_"D" c_"C" bes_"B" | a1_"A" }
    >>
  }
>>

\textLengthOn
cis''1_\markup \concat \vcenter {
  [D \flat C \sharp B|E \sharp F \sharp G A \flat] }
c''!1_\markup \concat \vcenter {
  [ C \natural ] }

\textLengthOn
cis''1_\markup { \harp-pedal "^v-|vv-^" }
c''!1_\markup { \harp-pedal "^o--|vv-^" }

\relative { c''4(\downbow d) e(\upbow f) }

a'4 \open
\romanStringNumbers
a'\2
a'2^\markup { \small "sul A" }

\relative d'' {
  d4 e4.
  \harmonicsOn
  d8 e e
  d4 e4.
  \harmonicsOff
  d8 e e
}

d''2^\flageolet d''_\flageolet

\relative e' {
  <e a\harmonic>2.  <c g'\harmonic>4
  \set harmonicDots = ##t
  <e a\harmonic>2.  <c g'\harmonic>4
}

\relative {
  c'4\snappizzicato
  <c' e g>4\snappizzicato
  <c' e g>4^\snappizzicato
  <c, e g>4_\snappizzicato
}

\clef "treble_8"
c4\5 e\4 g2\3
<c\5 e\4 g\3>1

\clef "treble_8"
g4\3-0
g-0\3
<g\3-0>
<g-0\3>

\clef "treble_8"
c'2\2
a\3
\romanStringNumbers
c'\2
\set stringNumberOrientations = #'(down)
a\3
\arabicStringNumbers
g1\4

\relative c' {
  \set fingeringOrientations = #'(left)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(down)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(down right up)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(up)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(left)
  <c-1>2
  \set fingeringOrientations = #'(down)
  <e-3>2
  \set stringNumberOrientations = #'(up left down)
  <f\3 a\2 c\1>1
  \set strokeFingerOrientations = #'(down right up)
  <c\rightHandFinger #1 e\rightHandFinger #2 c'\rightHandFinger #4 >
}

\relative c' {
  <c-1 e-2 g-3 b-5>2
  \override Fingering.staff-padding = #'()
  <c-1 e-2 g-3 b-5>4 g'-0
  a8[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = ##f
  a[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = ##t
  a[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = #only-if-beamed
  a[-1 b]-2 g-0 r
}

\new TabStaff \relative {
  a,8 a' <c e> a
  d,8 a' <d f> a
}

symbols = {
  \time 3/4
  c4-.^"Allegro" d( e)
  f4-.\f g a^\fermata
  \mark \default
  c8_.\<\( c16 c~ 2\!
  c'2.\prall\)
}

\score {
  <<
    \new Staff { \clef "G_8" \symbols }
    \new TabStaff { \symbols }
  >>
}

symbols = {
  \time 3/4
  c4-.^"Allegro" d( e)
  f4-.\f g a^\fermata
  \mark \default
  c8_.\<\( c16 c~ 2\!
  c'2.\prall\)
}

\score {
  \new TabStaff {
    \tabFullNotation
    \symbols
  }
}

\layout { \omit Voice.StringNumber }
\new StaffGroup <<
   \new Staff \relative {
     \clef "treble_8"
     \time 2/4
     c16 d e f g4
     c,16\5 d\5 e\4 f\4 g4\4
     c,16 d e f g4
   }
   \new TabStaff \relative {
     c16 d e f g4
     c,16\5 d\5 e\4 f\4 g4\4
     \set TabStaff.minimumFret = #5
     \set TabStaff.restrainOpenStrings = ##t
     c,16 d e f g4
   }
>>

\chordRepeats #'(string-number-event fingering-event)

guitar = \relative {
  r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}

\new StaffGroup <<
  \new Staff {
    \clef "treble_8"
    \guitar
  }
  \new TabStaff {
    \tabChordRepeats \guitar
  }
>>

ties = \relative {
  \repeat volta 2 {
    e'2. f4~
    2 g2~
  }
  \alternative {
     { g4 f2. }
     { g4\repeatTie c,2. }
  }
  b1~
  \break
  b1
  \bar "|."
}

\score {
  <<
    \new StaffGroup  <<
      \new Staff {
        \clef "treble_8"
        \ties
      }
      \new TabStaff {
        \ties
      }
    >>
  >>
  \layout {
  indent = #0
  ragged-right = ##t
  }
}

ties = \relative {
  \repeat volta 2 {
    e'2. f4~
    2 g2~ }
  \alternative {
    { g4 f2. }
    { g4\repeatTie c,2. }
  }
  b1~
  \break
  b1
  \bar "|."
}

\score {
  <<
    \new StaffGroup  <<
      \new Staff {
        \clef "treble_8"
        \ties
      }
      \new TabStaff {
      \hideSplitTiedTabNotes
        \ties
      }
    >>
  >>
  \layout {
  indent = #0
  ragged-right = ##t
  }
}

\layout { \omit Voice.StringNumber }
firstHarmonic = {
  d'4\4\harmonic
  g'4\3\harmonic
  b'2\2\harmonic
}
\score {
  <<
    \new Staff {
      \clef "treble_8"
      \firstHarmonic
    }
    \new TabStaff { \firstHarmonic }
  >>
}

fretHarmonics = {
  \harmonicByFret #5 d16\4
  \harmonicByFret #4 d16\4
  \harmonicByFret #3 d8\4
  \harmonicByFret #5 <g\3 b\2>2.
}
\score {
  <<
    \new Staff {
      \clef "treble_8"
      \fretHarmonics
    }
    \new TabStaff { \fretHarmonics }
  >>
}

ratioHarmonics = {
  \harmonicByRatio #1/2 <g\3 b\2 e'\1>4
  \harmonicByRatio #1/3 <g\3 b\2 e'\1>4
  \harmonicByRatio #1/4 { g8\3 b8\2 e'4\1 }
}
\score {
  <<
    \new Staff {
      \clef "treble_8"
      \ratioHarmonics
    }
    \new TabStaff { \ratioHarmonics }
  >>
}

\new TabStaff {
  \relative c {
    \tabFullNotation
    g16 b d g b d g b
    \stemDown
    \override Beam.concaveness = #10000
    g,,16 b d g b d g b
  }
}

upper = \relative c' {
  \time 12/8
  \key e \minor
  \voiceOne
  r4. r8 e, fis g16 b g e e' b c b a g fis e
}

lower = \relative c {
  \key e \minor
  \voiceTwo
  r16 e d c b a g4 fis8 e fis g a b c
}

\score {
  <<
    \new StaffGroup = "tab with traditional" <<
      \new Staff = "guitar traditional" <<
        \clef "treble_8"
        \new Voice = "upper" \upper
        \new Voice = "lower" \lower
      >>
      \new TabStaff = "guitar tab" <<
        \new TabVoice = "upper" \upper
        \new TabVoice = "lower" \lower
      >>
    >>
  >>
}

openStringHarmonics = {
  \textSpannerDown
  \override TextSpanner.staff-padding = #3
  \override TextSpanner.dash-fraction = #0.3
  \override TextSpanner.dash-period = #1

  %first harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "1st harm. "
  \harmonicByFret #12 e,2\6\startTextSpan
  \harmonicByRatio #1/2 e,\6\stopTextSpan

  %second harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "2nd harm. "
  \harmonicByFret #7 e,\6\startTextSpan
  \harmonicByRatio #1/3 e,\6
  \harmonicByFret #19 e,\6
  \harmonicByRatio #2/3 e,\6\stopTextSpan
  %\harmonicByFret #19 < e,\6 a,\5 d\4 >
  %\harmonicByRatio #2/3 < e,\6 a,\5 d\4 >

  %third harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "3rd harm. "
  \harmonicByFret #5 e,\6\startTextSpan
  \harmonicByRatio #1/4 e,\6
  \harmonicByFret #24 e,\6
  \harmonicByRatio #3/4 e,\6\stopTextSpan
  \break

  %fourth harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "4th harm. "
  \harmonicByFret #4 e,\6\startTextSpan
  \harmonicByRatio #1/5 e,\6
  \harmonicByFret #9 e,\6
  \harmonicByRatio #2/5 e,\6
  \harmonicByFret #16 e,\6
  \harmonicByRatio #3/5 e,\6\stopTextSpan

  %fifth harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "5th harm. "
  \harmonicByFret #3 e,\6\startTextSpan
  \harmonicByRatio #1/6 e,\6\stopTextSpan
  \break

  %sixth harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "6th harm. "
  \harmonicByFret #2.7 e,\6\startTextSpan
  \harmonicByRatio #1/7 e,\6\stopTextSpan

  %seventh harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "7th harm. "
  \harmonicByFret #2.3 e,\6\startTextSpan
  \harmonicByRatio #1/8 e,\6\stopTextSpan

  %eighth harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "8th harm. "
  \harmonicByFret #2 e,\6\startTextSpan
  \harmonicByRatio #1/9 e,\6\stopTextSpan
}

\score {
  <<
    \new Staff
    \with { \omit StringNumber } {
      \new Voice {
        \clef "treble_8"
        \openStringHarmonics
      }
    }
    \new TabStaff {
      \new TabVoice {
        \openStringHarmonics
      }
    }
  >>
}

pinchedHarmonics = {
   \textSpannerDown
   \override TextSpanner.bound-details.left.text =
      \markup {\halign #-0.5 \teeny "PH" }
      \override TextSpanner.style =
         #'dashed-line
   \override TextSpanner.dash-period = #0.6
   \override TextSpanner.bound-details.right.attach-dir = #1
   \override TextSpanner.bound-details.right.text =
      \markup { \draw-line #'(0 . 1) }
   \override TextSpanner.bound-details.right.padding = #-0.5
}

harmonics = {
  %artificial harmonics (AH)
  \textLengthOn
  <\parenthesize b b'\harmonic>4_\markup { \teeny "AH 16" }
  <\parenthesize g g'\harmonic>4_\markup { \teeny "AH 17" }
  <\parenthesize d' d''\harmonic>2_\markup { \teeny "AH 19" }
  %pinched harmonics (PH)
  \pinchedHarmonics
  <a'\harmonic>2\startTextSpan
  <d''\harmonic>4
  <e'\harmonic>4\stopTextSpan
  %tapped harmonics (TH)
  <\parenthesize g\4 g'\harmonic>4_\markup { \teeny "TH 17" }
  <\parenthesize a\4 a'\harmonic>4_\markup { \teeny "TH 19" }
  <\parenthesize c'\3 c''\harmonic>2_\markup { \teeny "TH 17" }
  %touch harmonics (TCH)
  a4( <e''\harmonic>2. )_\markup { \teeny "TCH" }
}

frettedStrings = {
  %artificial harmonics (AH)
  \harmonicByFret #4 g4\3
  \harmonicByFret #5 d4\4
  \harmonicByFret #7 g2\3
  %pinched harmonics (PH)
  \harmonicByFret #7 d2\4
  \harmonicByFret #5 d4\4
  \harmonicByFret #7 a4\5
  %tapped harmonics (TH)
  \harmonicByFret #5 d4\4
  \harmonicByFret #7 d4\4
  \harmonicByFret #5 g2\3
  %touch harmonics (TCH)
  a4 \harmonicByFret #9 g2.\3
}

\score {
  <<
    \new Staff
    \with { \omit StringNumber } {
      \new Voice {
        \clef "treble_8"
        \harmonics
      }
    }
    \new TabStaff {
      \new TabVoice {
        \frettedStrings
      }
    }
  >>
}

slides = {
  c'8\3(\glissando d'8\3)
  c'8\3\glissando d'8\3
  \hideNotes
  \grace { g16\glissando }
  \unHideNotes
  c'4\3
  \afterGrace d'4\3\glissando {
  \stemDown \hideNotes
  g16 }
  \unHideNotes
}

\score {
  <<
    \new Staff { \clef "treble_8" \slides }
    \new TabStaff { \slides }
  >>
  \layout {
    \context {
      \Score
      \override Glissando.minimum-length = #4
      \override Glissando.springs-and-rods =
                          #ly:spanner::set-spacing-rods
      \override Glissando.thickness = #2
      \omit StringNumber
      % or:
      %\override StringNumber.stencil = ##f
    }
  }
}

myMusic = \relative c' {
  <c e g>1 \glissando <f a c>
}

\score {
  <<
    \new Staff {
      \clef "treble_8"
      \myMusic
    }
    \new TabStaff \myMusic
  >>
}

\score {
  <<
    \new Staff {
      \clef "treble_8"
      \myMusic
    }
    \new TabStaff \with { \override Glissando.style = #'none } {
      \myMusic
    }
  >>
}

\new TabStaff {
  \relative c' {
    d4( e\2)
    a( g)
  }
}

\new TabStaff {
  \relative c' {
    << { \voiceOne g2( a) }
    \\ { \voiceTwo a,( b) }
    >> \oneVoice
  }
}

\new TabStaff {
  \relative c' {
    % chord hammer-on and pull-off
    \set doubleSlurs = ##t
    <g' b>8( <a c> <g b>)
  }
}

melodia = \partCombine { e4 g g g } { e4 e e e }
<<
  \new TabStaff <<
    \new TabVoice = "one" s1
    \new TabVoice = "two" s1
    \new TabVoice = "shared" s1
    \new TabVoice = "solo" s1
    { \melodia }
  >>
>>

<<
  \new Voice \with {
    \omit StringNumber
  } {
    \clef "bass_8"
    \relative {
      c,4 d e f
    }
  }
  \new TabStaff \with {
    stringTunings = #bass-tuning
  } {
    \relative {
      c,4 d e f
    }
  }
>>

ly/string-tunings-init.ly
mynotes = {
  c'4 e' g' c'' |
  e''4 g'' b'' c'''
}

<<
  \new Staff {
    \clef treble
    \mynotes
  }
  \new TabStaff {
    \set Staff.stringTunings = \stringTuning <c' g' d'' a''>
    \mynotes
  }
>>

custom-tuning = \stringTuning <c' g' d'' a''>

mynotes = {
  c'4 e' g' c'' |
  e''4 g'' b'' c'''
}

<<
  \new Staff {
    \clef treble
    \mynotes
  }
  \new TabStaff {
    \set TabStaff.stringTunings = #custom-tuning
    \mynotes
  }
>>

\layout {
  \context {
    \TabStaff
    stringTunings = \stringTuning <c' g' d'' a''>
  }
}

\new TabStaff {
  \clef moderntab
  <a, e a>1
  \break
  \clef tab
  <a, e a>1
}

\layout {
  \context {
    \Score
    supportNonIntegerFret = ##t
  }
}

custom-tuning = \stringTuning <e, a, d ges beh eeh'>

mus = \relative {
  eeses'4
  eeseh
  ees
  eeh
  e
  eih
  eis
  eisih
  eisis
}

<<
  \new Staff << \clef "G_8" \mus >>
  \new TabStaff \with { stringTunings = \custom-tuning } \mus
>>

ly/string-tunings-init.ly
scm/tablature.scm
<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram "6-x;5-3;4-2;3-o;2-1;1-o;"
    }
    <d a d' f'>1^\markup {
      \fret-diagram "6-x;5-x;4-o;3-2;2-3;1-1;"
    }
  }
>>

<<
  \new ChordNames {
     \chordmode {
       f1 g
     }
  }
  \new Staff {
    \clef "treble_8"
    <f, c f a c' f'>1^\markup {
      \fret-diagram "c:6-1-1;6-1;5-3;4-3;3-2;2-1;1-1;"
    }
    <g, d g b d' g'>1^\markup {
      \fret-diagram "c:6-1-3;6-3;5-5;4-5;3-4;2-3;1-3;"
    }
  }
>>

<<
  \new ChordNames {
     \chordmode {
       f1 g
     }
  }
  \new Staff {
    \clef "treble_8"
    <f, c f a c' f'>1^\markup {
      \fret-diagram "s:1.5;c:6-1-1;6-1;5-3;4-3;3-2;2-1;1-1;"
    }
    <g, b, d g b g'>1^\markup {
      \fret-diagram "h:6;6-3;5-2;4-o;3-o;2-o;1-3;"
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      a1
    }
  }
  \new Staff {
    % Un acord «La» per a l'ukelele
    a'1^\markup {
      \fret-diagram "w:4;4-2-2;3-1-1;2-o;1-o;"
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram "f:1;6-x;5-3-3;4-2-2;3-o;2-1-1;1-o;"
    }
    <d a d' f'>1^\markup {
      \fret-diagram "f:2;6-x;5-x;4-o;3-2-2;2-3-3;1-1-1;"
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram "d:0.35;6-x;5-3;4-2;3-o;2-1;1-o;"
    }
    <d a d' f'>1^\markup {
      \fret-diagram "p:0.2;6-x;5-x;4-o;3-2;2-3;1-1;"
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram-terse "x;3;2;o;1;o;"
    }
    <d a d' f'>1^\markup {
      \fret-diagram-terse "x;x;o;2;3;1;"
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      f1 g
    }
  }
  \new Staff {
    \clef "treble_8"
    <f, c f a c' f'>1^\markup {
      \fret-diagram-terse "1-(;3;3;2;1;1-);"
    }
    <g, d g b d' g'>1^\markup {
      \fret-diagram-terse "3-(;5;5;4;3;3-);"
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new Staff {
    \override Voice.TextScript.fret-diagram-details.finger-code = #'below-string
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram-terse "x;3-3;2-2;o;1-1;o;"
    }
    <d a d' f'>1^\markup {
      \fret-diagram-terse "x;x;o;2-2;3-3;1-1;"
    }
  }
>>

<<
    \new ChordNames {
      \chordmode {
        c1 d:m
      }
    }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram-verbose #'(
        (mute 6)
        (place-fret 5 3)
        (place-fret 4 2)
        (open 3)
        (place-fret 2 1)
        (open 1)
      )
    }
    <d a d' f'>1^\markup {
      \fret-diagram-verbose #'(
        (mute 6)
        (mute 5)
        (open 4)
        (place-fret 3 2)
        (place-fret 2 3)
        (place-fret 1 1)
      )
    }
  }
>>

<<
    \new ChordNames {
      \chordmode {
        f1 g c c b
      }
    }
  \new Staff {
    \clef "treble_8"
    \override Voice.TextScript.fret-diagram-details.finger-code = #'below-string
    <f, c f a c' f'>1^\markup {
      \fret-diagram-verbose #'(
        (place-fret 6 1)
        (place-fret 5 3)
        (place-fret 4 3)
        (place-fret 3 2)
        (place-fret 2 1)
        (place-fret 1 1)
        (barre 6 1 1)
      )
    }
    <g, b, d g b g'>1^\markup {
      \fret-diagram-verbose #'(
        (place-fret 6 3 2)
        (place-fret 5 2 1)
        (open 4)
        (open 3)
        (open 2)
        (place-fret 1 3 3)
      )
    }
    <c g c' e' g'>1^\markup {
      \fret-diagram-verbose #'(
        (capo 3)
        (mute 6)
        (place-fret 4 5 1)
        (place-fret 3 5 2)
        (place-fret 2 5 3)
      )
    }
    \override Voice.TextScript.size = 1.4
    <c g c' e' g'>1^\markup {
      \fret-diagram-verbose #'(
        (place-fret 6 3 1 red parenthesized default-paren-color)
        (place-fret 5 3 1 inverted)
        (place-fret 4 5 2 blue parenthesized)
        (place-fret 3 5 3 blue)
        (place-fret 2 5 4 blue)
        (place-fret 1 3 1 inverted)
      )
    }
    \override Voice.TextScript.size = 1.5
    <b, fis b dis' fis'>1^\markup {
      \override #'(fret-diagram-details . ((finger-code . in-dot)))
      \fret-diagram-verbose #`(
        (place-fret 5 2 1)
        (place-fret 4 4 "fis" red)
        (place-fret 3 4 "b" red)
        (place-fret
          2 4
          ,#{ \markup
                \concat {
                  \vcenter "d"
                  \fontsize #-5
                  \musicglyph "accidentals.sharp"} #}
          red)
        (place-fret 1 2 1)
      )
    }
  }
>>

\include "predefined-guitar-fretboards.ly"

<<
  \chords {
    c1
    c1
    c1
  }
  \new FretBoards {
    \chordmode {
      c1
      \override FretBoard.fret-diagram-details.orientation =
        #'landscape
      c1
      \override FretBoard.fret-diagram-details.orientation =
        #'opposing-landscape
      c1
    }
  }
  \new Voice {
    c'1
    c'1
    c'
  }
>>

<<
  \chords { c1 | c | c | d }

  \new Voice = "mel" {
    \textLengthOn
    % Set global properties of fret diagram
    \override TextScript.size = #'1.2
    \override TextScript.fret-diagram-details.finger-code = #'in-dot
    \override TextScript.fret-diagram-details.dot-color = #'white

    %% C major for guitar, no barre, using defaults
       % terse style
    c'1^\markup { \fret-diagram-terse "x;3-3;2-2;o;1-1;o;" }

    %% C major for guitar, barred on third fret
       % verbose style
       % size 1.0
       % roman fret label, finger labels below string, straight barre
    c'1^\markup {
      % standard size
      \override #'(size . 1.0) {
        \override #'(fret-diagram-details . (
                     (number-type . roman-lower)
                     (finger-code . in-dot)
                     (barre-type . straight))) {
          \fret-diagram-verbose #'((mute 6)
                                   (place-fret 5 3 1)
                                   (place-fret 4 5 2)
                                   (place-fret 3 5 3)
                                   (place-fret 2 5 4)
                                   (place-fret 1 3 1)
                                   (barre 5 1 3))
        }
      }
    }

    %% C major for guitar, barred on third fret
       % verbose style
       % landscape orientation, arabic numbers, M for mute string
       % no barre, fret label down or left, small mute label font
    c'1^\markup {
      \override #'(fret-diagram-details . (
                   (finger-code . below-string)
                   (number-type . arabic)
                   (label-dir . -1)
                   (mute-string . "M")
                   (orientation . landscape)
                   (barre-type . none)
                   (xo-font-magnification . 0.4)
                   (xo-padding . 0.3))) {
        \fret-diagram-verbose #'((mute 6)
                                 (place-fret 5 3 1)
                                 (place-fret 4 5 2)
                                 (place-fret 3 5 3)
                                 (place-fret 2 5 4)
                                 (place-fret 1 3 1)
                                 (barre 5 1 3))
      }
    }

    %% simple D chord
       % terse style
       % larger dots, centered dots, fewer frets
       % label below string
    d'1^\markup {
      \override #'(fret-diagram-details . (
                   (finger-code . below-string)
                   (dot-radius . 0.35)
                   (dot-position . 0.5)
                   (fret-count . 3))) {
        \fret-diagram-terse "x;x;o;2-1;3-2;2-3;"
      }
    }
  }
>>

\include "predefined-guitar-fretboards.ly"
\new FretBoards {
  \chordmode {
    c1 d
  }
}

predefined-guitar-fretboards.ly
predefined-guitar-fretboards.ly
predefined-guitar-fretboards.ly
predefined-ukulele-fretboards.ly
\include "predefined-ukulele-fretboards.ly"

myChords = \chordmode { a1 a:m a:aug }

\new ChordNames {
  \myChords
}

\new FretBoards {
  \set Staff.stringTunings = #ukulele-tuning
  \myChords
}

predefined-mandolin-fretboards.ly
\include "predefined-mandolin-fretboards.ly"

myChords = \chordmode { c1 c:m7.5- c:aug }

\new ChordNames {
  \myChords
}

\new FretBoards {
  \set Staff.stringTunings = #mandolin-tuning
  \myChords
}

\include "predefined-guitar-fretboards.ly"
\new FretBoards {
  \chordmode { c1 }
  <c' e' g'>1
}

\include "predefined-guitar-fretboards.ly"
mychords = \chordmode{
  c1 f g
}

<<
  \new ChordNames {
    \mychords
  }
  \new FretBoards {
    \mychords
  }
>>

\include "predefined-guitar-fretboards.ly"
mychords = \chordmode{
  c1 f g
}

mychordlist = {
  \mychords
  \transpose c e { \mychords }
}
<<
  \new ChordNames {
    \mychordlist
  }
  \new FretBoards {
    \mychordlist
  }
>>

\include "predefined-guitar-fretboards.ly"
mychords = \chordmode{
  c1 c:maj9
}

<<
  \new ChordNames {
    \mychords
  }
  \new FretBoards {
    \mychords
  }
>>

\include "predefined-guitar-fretboards.ly"

\storePredefinedDiagram #default-fret-table
                        \chordmode { c:maj9 }
                        #guitar-tuning
                        "x;3-2;o;o;o;o;"

mychords = \chordmode {
  c1 c:maj9
}

<<
  \new ChordNames {
    \mychords
  }
  \new FretBoards {
    \mychords
  }
>>

\include "predefined-guitar-fretboards.ly"

\storePredefinedDiagram #default-fret-table
                        \chordmode { c'' }
                        #guitar-tuning
                        #(offset-fret 2 (chord-shape 'bes guitar-tuning))

mychords = \chordmode {
  c1 c''
}

<<
  \new ChordNames {
    \mychords
  }
  \new FretBoards {
    \mychords
  }
>>

\include "predefined-guitar-fretboards.ly"

% Add a new chord shape

\addChordShape #'powerf #guitar-tuning "1-1;3-3;3-4;x;x;x;"

% add some new chords based on the power chord shape

\storePredefinedDiagram #default-fret-table
                        \chordmode { f'' }
                        #guitar-tuning
                        #(chord-shape 'powerf guitar-tuning)
\storePredefinedDiagram #default-fret-table
                        \chordmode { g'' }
                        #guitar-tuning
                        #(offset-fret 2 (chord-shape 'powerf guitar-tuning))

mychords = \chordmode{
  f1 f'' g g''
}

<<
  \new ChordNames {
    \mychords
  }
  \new FretBoards {
    \mychords
  }
>>

\include "predefined-guitar-fretboards.ly"
\storePredefinedDiagram #default-fret-table \chordmode { c' }
                        #guitar-tuning
                        #"x;1-1-(;3-2;3-3;3-4;1-1-);"

% shorthand
oo = #(define-music-function
       (grob-path value)
       (list? scheme?)
       #{ \once \override $grob-path = #value #})

<<
  \new ChordNames {
    \chordmode { c1 | c | c | d }
  }
  \new FretBoards {
    % Set global properties of fret diagram
    \override FretBoards.FretBoard.size = #'1.2
    \override FretBoard.fret-diagram-details.finger-code = #'in-dot
    \override FretBoard.fret-diagram-details.dot-color = #'white
    \chordmode {
      c
      \oo FretBoard.size #'1.0
      \oo FretBoard.fret-diagram-details.barre-type #'straight
      \oo FretBoard.fret-diagram-details.dot-color #'black
      \oo FretBoard.fret-diagram-details.finger-code #'below-string
      c'
      \oo FretBoard.fret-diagram-details.barre-type #'none
      \oo FretBoard.fret-diagram-details.number-type #'arabic
      \oo FretBoard.fret-diagram-details.orientation #'landscape
      \oo FretBoard.fret-diagram-details.mute-string #"M"
      \oo FretBoard.fret-diagram-details.label-dir #LEFT
      \oo FretBoard.fret-diagram-details.dot-color #'black
      c'
      \oo FretBoard.fret-diagram-details.finger-code #'below-string
      \oo FretBoard.fret-diagram-details.dot-radius #0.35
      \oo FretBoard.fret-diagram-details.dot-position #0.5
      \oo FretBoard.fret-diagram-details.fret-count #3
      d
    }
  }
  \new Voice {
    c'1 | c' | c' | d'
  }
>>

% add FretBoards for the Cuatro
%   Note: This section could be put into a separate file
%      predefined-cuatro-fretboards.ly
%      and \included into each of your compositions

cuatroTuning = #`(,(ly:make-pitch 0 6 0)
                  ,(ly:make-pitch 1 3 SHARP)
		  ,(ly:make-pitch 1 1 0)
		  ,(ly:make-pitch 0 5 0))

dSix = { <a\4 b\1 d\3 fis\2> }
dMajor = { <a\4 d\1 d\3 fis \2> }
aMajSeven = { <a\4 cis\1 e\3 g\2> }
dMajSeven = { <a\4 c\1 d\3 fis\2> }
gMajor = { <b\4 b\1 d\3 g\2> }

\storePredefinedDiagram #default-fret-table \dSix
                        #cuatroTuning
                        #"o;o;o;o;"
\storePredefinedDiagram #default-fret-table \dMajor
                        #cuatroTuning
                        #"o;o;o;3-3;"
\storePredefinedDiagram #default-fret-table \aMajSeven
                        #cuatroTuning
                        #"o;2-2;1-1;2-3;"
\storePredefinedDiagram #default-fret-table \dMajSeven
                        #cuatroTuning
                        #"o;o;o;1-1;"
\storePredefinedDiagram #default-fret-table \gMajor
                        #cuatroTuning
                        #"2-2;o;1-1;o;"

% end of potential include file /predefined-cuatro-fretboards.ly

#(set-global-staff-size 16)

primerosNames = \chordmode {
  d:6 d a:maj7 d:maj7
  g
}
primeros = {
  \dSix \dMajor \aMajSeven \dMajSeven
  \gMajor
}

\score {
  <<
    \new ChordNames {
      \set chordChanges = ##t
      \primerosNames
    }

    \new Staff {
      \new Voice \with {
        \remove "New_fingering_engraver"
      }
      \relative c'' {
        \primeros
      }
    }

    \new FretBoards {
      \set Staff.stringTunings = #cuatroTuning
%      \override FretBoard
%        #'(fret-diagram-details string-count) = 4
      \override FretBoard.fret-diagram-details.finger-code = #'in-dot
      \primeros
    }

    \new TabStaff \relative c'' {
      \set TabStaff.stringTunings = #cuatroTuning
      \primeros
    }

  >>

  \layout {
    \context {
      \Score
      \override SpacingSpanner.base-shortest-duration =
        #(ly:make-moment 1 16)
    }
  }
  \midi { }
}

\include "predefined-guitar-fretboards.ly"

myChords = \chordmode {
  c1 c1 \break
  \set chordChanges = ##t
  c1 c1 \break
  c1 c1
}

<<
  \new ChordNames { \myChords }
  \new FretBoards { \myChords }
  \new Staff { \myChords }
>>

\include "predefined-guitar-fretboards.ly"

% Make a blank new fretboard table
#(define custom-fretboard-table-one
   (make-fretboard-table))

% Make a new fretboard table as a copy of default-fret-table
#(define custom-fretboard-table-two
   (make-fretboard-table default-fret-table))

% Add a chord to custom-fretboard-table-one
\storePredefinedDiagram #custom-fretboard-table-one
                        \chordmode {c}
                        #guitar-tuning
                        "3-(;3;5;5;5;3-);"

% Add a chord to custom-fretboard-table-two
\storePredefinedDiagram #custom-fretboard-table-two
                        \chordmode {c}
                        #guitar-tuning
                        "x;3;5;5;5;o;"

<<
  \chords {
    c1 | d1 |
    c1 | d1 |
    c1 | d1 |
  }
  \new FretBoards {
    \chordmode {
      \set predefinedDiagramTable = #default-fret-table
      c1 | d1 |
      \set predefinedDiagramTable = #custom-fretboard-table-one
      c1 | d1 |
      \set predefinedDiagramTable = #custom-fretboard-table-two
      c1 | d1 |
    }
  }
  \new Staff {
    \clef "treble_8"
    <<
      \chordmode {
        c1 | d1 |
        c1 | d1 |
        c1 | d1 |
      }
      {
        s1_\markup "Default table" | s1 |
        s1_\markup \column {"New table" "from empty"} | s1 |
        s1_\markup \column {"New table" "from default"} | s1 |
      }
    >>
  }
>>

ly/predefined-guitar-fretboards.ly
ly/predefined-guitar-ninth-fretboards.ly
ly/predefined-ukulele-fretboards.ly
ly/predefined-mandolin-fretboards.ly
<<
  \new ChordNames {
    \chordmode {
      f1 g
    }
  }
  \new FretBoards {
    <f, c f a c' f'>1
    <g,\6 b, d g b g'>1
  }
  \new Staff {
    \clef "treble_8"
    <f, c f a c' f'>1
    <g, b, d g b' g'>1
  }
>>

\storePredefinedDiagram #default-fret-table
                        <c e g c' e'>
                        #guitar-tuning
                        "x;3-1-(;5-2;5-3;5-4;3-1-1-);"
<<
  \new ChordNames {
    \chordmode {
      c1 c c
    }
  }
  \new FretBoards {
    <c e g c' e'>1
    \predefinedFretboardsOff
    <c e g c' e'>1
    \predefinedFretboardsOn
    <c e g c' e'>1
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1
    <c e g c' e'>1
    <c e g c' e'>1
  }
>>

<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new FretBoards {
    <c-3 e-2 g c'-1 e'>1
    <d a-2 d'-3 f'-1>1
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1
    <d a d' f'>1
  }
>>

<<
  \new ChordNames {
    \chordmode {
      d1:m d:m
    }
  }
  \new FretBoards {
    <d a d' f'>1
    \set FretBoards.minimumFret = #5
    <d a d' f'>1
  }
  \new Staff {
    \clef "treble_8"
    <d a d' f'>1
    <d a d' f'>1
  }
>>

\clef "treble_8"
c4\rightHandFinger #1
e\rightHandFinger #2
g\rightHandFinger #3
c'\rightHandFinger #4
<c\rightHandFinger #1 e\rightHandFinger #2
 g\rightHandFinger #3 c'\rightHandFinger #4 >1

RH=#rightHandFinger

#(define RH rightHandFinger)

\relative c {
  \clef "treble_8"

  \set strokeFingerOrientations = #'(up down)
  <c\RH #1 e\RH #2 g\RH #3 c\RH #4 >4

  \set strokeFingerOrientations = #'(up right down)
  <c\RH #1 e\RH #2 g\RH #3 c\RH #4 >4

  \set strokeFingerOrientations = #'(left)
  <c\RH #1 e\RH #2 g\RH #3 c\RH #4 >2

  \set strokeFingerOrientations = #'(right)
  c\RH #1
}

#(define RH rightHandFinger)

\relative c {
  \clef "treble_8"
  <c-3\5\RH #1 >4
  <e-2\4\RH #2 >4
  <g-0\3\RH #3 >4
  <c-1\2\RH #4 >4
}

\relative {
  \clef "treble_8"
  b,16 d g b e
  \textSpannerDown
  \override TextSpanner.bound-details.left.text = "XII "
  g16\startTextSpan
  b16 e g e b g\stopTextSpan
  e16 b g d
}

\relative {
  \clef "treble_8"
  \override Staff.NoteHead.style = #'harmonic-mixed
  d'^\markup { \italic { \fontsize #-2 { "harm. 12" }}} <g b>1
}

music = \relative {
  < a\3 \deadNote c\2 a'\1 >4
  < b\3 \deadNote d\2 b'\1 >
  < c\3 \deadNote e\2 c'\1 >
  \deadNotesOn
  \tuplet 3/2 { g8 b e }
  \deadNotesOff
  < a,\3 c\2 e\1 >1
}
\new StaffGroup <<
  \new Staff {
    \clef "treble_8"
    \music
  }
  \new TabStaff {
    \music
  }
>>

\new Voice { % Advertiment: es requereix un inici de Voice
             %    perquè palmMuteOff funcioni apropiadament
             %    quan palmMuteOn es posa a l'inici de la
             %    peça.
  \relative c, {
    \clef "G_8"
    \palmMuteOn
    e8^\markup { \musicglyph "noteheads.s2do"  = palm mute }
    < e b' e > e
    \palmMuteOff
    e e  \palmMute e e e |
    e8 \palmMute { e e e } e e e e |
    < \palmMute e b' e >8 \palmMute { e e e } < \palmMute e b' e >2
  }
}

ChordsAndSymbols = {
  \chordmode {

    e,,1:5
    a,,1:5.8
    \set minimumFret = #8
    c,1:5
    f,1:5.8
  }
  \set minimumFret = #5
  <a, e>1
  <g d' g'>1
}
\score {
  <<
    \new ChordNames {
    \ChordsAndSymbols
    }
    \new Staff {
      \clef "treble_8"
      \ChordsAndSymbols
    }
    \new TabStaff {
      \ChordsAndSymbols
    }
  >>
}

mixedChords = \chordmode {
  c,1

  b,,1:5
  fis,,1:5.8
  g,,1:m
}
\score {
  <<
    \new ChordNames {
      \mixedChords
    }
    \new Staff {
      \clef "treble_8"
      \mixedChords
    }
    \new TabStaff {
      \mixedChords
    }
  >>
}

music = {
  g8 d' g'\5 a b g e d' |
  g4 d''8\5 b' a'\2 g'\5 e'\2 d' |
  g4
}

<<
  \new Staff \with { \omit StringNumber }
  { \clef "treble_8"  \music }
  \new TabStaff \with {
    tablatureFormat = #fret-number-tablature-format-banjo
    stringTunings = #banjo-open-g-tuning
  }
  { \music }
>>

\set TabStaff.stringTunings = #(four-string-banjo banjo-c-tuning)

ly/string-tunings-init.ly
m = { f'4 d' a f d a, g, fis, e, d, c,  \bar "|." }

\score {
  <<
    \new Staff { \clef bass \cadenzaOn  \m }
    \new TabStaff \m
  >>
  \layout {
    \context {
      \Score
      tablatureFormat = #fret-letter-tablature-format
    }
    \context {
      \TabStaff
      stringTunings = \stringTuning <a, d f a d' f'>
      additionalBassStrings = \stringTuning <c, d, e, fis, g,>
      fretLabels = #'("a" "b" "r" "d" "e" "f" "g" "h" "i" "k")
    }
  }
}

\drums {
  hihat4 hh bassdrum bd
}

\new DrumStaff \drummode {
  hihat4 hh bassdrum bd
}

\drums {
  \clef percussion
  bd4 4 4 4
  \clef treble
  hh4 4 4 4
}

ly/drumpitch-init.ly
\drums {
  \time 2/4
  sn16 8 16 8 8:32 ~
  8 8 4:32 ~
  4 8 16 16
  4 r4
}

\drums {
  \repeat unfold 2 {
    sn16^"L" 16^"R" 16^"L" 16^"L" 16^"R" 16^"L" 16^"R" 16^"R"
    \stemUp
    sn16_"L" 16_"R" 16_"L" 16_"L" 16_"R" 16_"L" 16_"R" 16_"R"
  }
}

up = \drummode {
  crashcymbal4 hihat8 halfopenhihat hh hh hh openhihat
}
down = \drummode {
  bassdrum4 snare8 bd r bd sn4
}
\new DrumStaff <<
  \new DrumVoice { \voiceOne \up }
  \new DrumVoice { \voiceTwo \down }
>>

\new DrumStaff <<
  \drummode {
    bd4 sn4 bd4 sn4
    << {
      \repeat unfold 16 hh16
    } \\ {
      bd4 sn4 bd4 sn4
    } >>
  }
>>

#(define mydrums '(
         (bassdrum        default   #f           -1)
         (snare           default   #f           0)
         (hihat           cross     #f           1)
         (halfopenhihat   cross     halfopen     1)
         (pedalhihat      xcircle   stopped      2)
         (lowtom          diamond   #f           3)))
up = \drummode { hh8 hh hhho hhho hhp4 hhp }
down = \drummode { bd4 sn bd toml8 toml }

\new DrumStaff <<
  \set DrumStaff.drumStyleTable = #(alist->hash-table mydrums)
  \new DrumVoice { \voiceOne \up }
  \new DrumVoice { \voiceTwo \down }
>>

% Aquestes línies defineixen la posició dels blocs de fusta al pentagrama;
% si ho voleu, podeu canviar-lo o podeu usar caps de nota especials
% per als blocs de fusta.
#(define mydrums '((hiwoodblock default #f  3)
                   (lowoodblock default #f -2)))

woodstaff = {
  % Això defineix un pentagrama amb sols dues línies.
  % També defineix les posicions de les dues línies.
  \override Staff.StaffSymbol.line-positions = #'(-2 3)

  % Això és necessari; si no s'entra, la barra de compàs seria massa curta!
  \override Staff.BarLine.bar-extent = #'(-1.5 . 1.5)
}

\new DrumStaff {
  \set DrumStaff.drumStyleTable = #(alist->hash-table mydrums)

  % Amb això carregueu la vostra nova taula d'estil de percussió
  \woodstaff

  \drummode {
    \time 2/4
    wbl8 16 16 8-> 8 |
    wbl8 16 16-> ~ 16 16 r8 |
  }
}

#(define mydrums '((tambourine default #f 0)))

\new DrumStaff \with { instrumentName = "Tambourine" }

\drummode {
  \set DrumStaff.drumStyleTable = #(alist->hash-table mydrums)
  \override Staff.StaffSymbol.line-positions = #'( 0 )
  \override Staff.BarLine.bar-extent = #'(-1.5 . 1.5)

  \time 6/8
  tamb8. 16 8 8 8 8 |
  tamb4. 8 8 8 |
  % Cal l'ajustament per a la duració escalada i el silenci més curt
  % per a la finalització correcta de l'extensor de tri.
  tamb2.*5/6 \startTrillSpan s8 \stopTrillSpan |
}

#(define mydrums '((tamtam default #f 0)))

\new DrumStaff \with { instrumentName = "Tamtam" }

\drummode {
\set DrumStaff.drumStyleTable = #(alist->hash-table mydrums)
\override Staff.StaffSymbol.line-positions = #'( 0 )
\override Staff.BarLine.bar-extent = #'(-1.5 . 1.5)

  tt 1 \pp \laissezVibrer
}

#(define mydrums '((ridebell default #f  3)
                   (cowbell  default #f -2)))

\new DrumStaff \with { instrumentName = "Different Bells" }

\drummode {
  \set DrumStaff.drumStyleTable = #(alist->hash-table mydrums)
  \override DrumStaff.StaffSymbol.line-positions = #'(-2 3)
  \override Staff.BarLine.bar-extent = #'(-1.5 . 1.5)

  \time 2/4
  rb8 8 cb8 16 rb16-> ~ |
  16 8 16 cb8 8 |
}

#(define mydrums '((bassdrum   default #f  4)
                   (snare      default #f -4)
                   (tambourine default #f  0)))

global = {
  \time 3/8 s4.
  \time 2/4 s2*2
  \time 3/8 s4.
  \time 2/4 s2
}

drumsA = {
  \context DrumVoice <<
    { \global }
    { \drummode {
        \autoBeamOff
        \stemDown sn8 \stemUp tamb s8 |
        sn4 \stemDown sn4 |
        \stemUp tamb8 \stemDown sn8 \stemUp sn16 \stemDown sn \stemUp sn8 |
        \stemDown sn8 \stemUp tamb s8 |
        \stemUp sn4 s8 \stemUp tamb
      }
    }
  >>
}

drumsB = {
  \drummode {
    s4 bd8 s2*2 s4 bd8 s4 bd8 s8
  }
}

\layout {
  indent = #40
}

\score {
  \new StaffGroup <<
    \new DrumStaff \with {
      instrumentName = \markup {
        \column {
          "Tambourine"
          "et"
          "caisse claire s. timbre"
        }
      }
    drumStyleTable = #(alist->hash-table mydrums)
  }
  \drumsA
  \new DrumStaff \with {
    instrumentName = "Grosse Caisse"
    drumStyleTable = #(alist->hash-table mydrums)
  }
  \drumsB
  >>
}

\new DrumStaff
<<
  \context DrumVoice  = "1" { s1 }
  \context DrumVoice  = "2" { s1 }
  \drummode {
    <<
      {
        hh8[ 8] <hh sn> hh16
        \parenthesize sn  hh
        \parenthesize sn  hh8 <hh sn> hh
      } \\
      {
        bd4 r4 bd8 8 r8 bd
      }
    >>
  }
>>

centermarkup = {
  \once \override TextScript.self-alignment-X = #CENTER
  \once \override TextScript.X-offset =#(lambda (g)
  (+ (ly:self-alignment-interface::centered-on-x-parent g)
     (ly:self-alignment-interface::x-aligned-on-self g)))
}

\score {
  \relative c'{
    g\open
    \once \override TextScript.staff-padding = #-1.0
    \centermarkup
    g^\markup {
      \combine
        \musicglyph "scripts.open"
        \musicglyph "scripts.tenuto"
    }
    \centermarkup
    g^\markup {
      \combine
        \musicglyph "scripts.open"
        \musicglyph "scripts.stopped"
    }
    g\stopped
  }
}

% range chart for paetzold contrabass recorder

centermarkup = {
  \once \override TextScript.self-alignment-X = #CENTER
  \once \override TextScript.X-offset = #(lambda (g)
    (+ (ly:self-alignment-interface::centered-on-x-parent g)
       (ly:self-alignment-interface::x-aligned-on-self g)))
}

\score {
  \new Staff \with {
    \remove "Time_signature_engraver"
    \omit Stem
    \omit Flag
    \consists "Horizontal_bracket_engraver"
  }
  {
    \clef bass
    \set Score.timing = ##f
    f,1*1/4 \glissando
    \clef violin
    gis'1*1/4
    \stemDown a'4^\markup {1)}
    \centermarkup
    \once \override TextScript.padding = #2
    bes'1*1/4_\markup {\override #'(baseline-skip . 1.7) \column
      { \fontsize #-5 \slashed-digit #0 \finger 1 \finger 2
        \finger 3 \finger 4 \finger 5 \finger 6 \finger 7} }
    b'1*1/4
    c''4^\markup {1)}
    \centermarkup
    \once \override TextScript.padding = #2
    cis''1*1/4
    deh''1*1/4
    \centermarkup
    \once \override TextScript.padding = #2
    \once \override Staff.HorizontalBracket.direction = #UP
    e''1*1/4_\markup {\override #'(baseline-skip . 1.7) \column
      { \fontsize #-5 \slashed-digit #0 \finger 1 \finger 2
        \finger 4 \finger 5} }\startGroup
    f''1*1/4^\markup {2)}\stopGroup
  }
}

\include "bagpipe.ly"

\grace { \small G32[ d G e] }

bagpipe.ly
\include "bagpipe.ly"
{ \grg G4 \grg a \grg b \grg c \grg d \grg e \grg f \grA g A }

\include "bagpipe.ly"
\layout {
  indent = 0.0\cm
  \context { \Score \remove Bar_number_engraver }
}

\header {
  title = "Amazing Grace"
  meter = "Hymn"
  arranger = "Trad. arr."
}

{
  \hideKeySignature
  \time 3/4
  \grg \partial 4 a8. d16
  \slurd d2 \grg f8[ e32 d16.]
  \grg f2 \grg f8 e
  \thrwd d2 \grg b4
  \grG a2 \grg a8. d16
  \slurd d2 \grg f8[ e32 d16.]
  \grg f2 \grg e8. f16
  \dblA A2 \grg A4
  \grg A2 f8. A16
  \grg A2 \hdblf f8[ e32 d16.]
  \grg f2 \grg f8 e
  \thrwd d2 \grg b4
  \grG a2 \grg a8. d16
  \slurd d2 \grg f8[ e32 d16.]
  \grg f2 e4
  \thrwd d2.
  \slurd d2
  \bar "|."
}

c''1^\markup {
  \woodwind-diagram #'piccolo #'((lh . (gis))
                                 (cc . (one three))
                                 (rh . (ees)))
}

\textLengthOn
c''1^\markup {
  \center-column {
    "one quarter"
    \woodwind-diagram #'flute #'((cc . (one1q))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "one half"
    \woodwind-diagram #'flute #'((cc . (one1h))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "three quarter"
    \woodwind-diagram #'flute #'((cc . (one3q))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "ring"
    \woodwind-diagram #'flute #'((cc . (oneR))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "full"
    \woodwind-diagram #'flute #'((cc . (oneF two))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \woodwind-diagram #'bass-clarinet
                    #'((cc . (threeT four))
                       (lh . ())
                       (rh . (b fis)))
}

\textLengthOn
c''1^\markup {
  \center-column {
    "one quarter to ring"
    \woodwind-diagram #'flute #'((cc . (one1qTR))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "ring to shut"
    \woodwind-diagram #'flute #'((cc . (oneTR))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "ring to open"
    \woodwind-diagram #'flute #'((cc . (oneRT))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "open to shut"
    \woodwind-diagram #'flute #'((cc . (oneT))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "one quarter to three quarters"
    \woodwind-diagram #'flute #'((cc . (one1qT3q))
                                 (lh . ())
                                 (rh . ()))
  }
}

scm/define-woodwind-diagrams.scm
scm/display-woodwind-diagrams.scm
\layout {
  indent = 0
}

\relative c' {
  \textLengthOn
  c1^
  \markup {
    \center-column {
      'tin-whistle
      " "
       \woodwind-diagram
                  #'tin-whistle
                  #'()
    }
  }

  c1^
  \markup {
    \center-column {
      'piccolo
      " "
       \woodwind-diagram
                  #'piccolo
                  #'()
    }
  }

  c1^
  \markup {
    \center-column {
       'flute
       " "
       \woodwind-diagram
          #'flute
          #'()
    }
  }
  c1^\markup {
    \center-column {
      'oboe
      " "
      \woodwind-diagram
        #'oboe
        #'()
    }
  }

  c1^\markup {
    \center-column {
      'clarinet
      " "
      \woodwind-diagram
        #'clarinet
        #'()
    }
  }

  c1^\markup {
    \center-column {
      'bass-clarinet
      " "
      \woodwind-diagram
        #'bass-clarinet
        #'()
    }
  }

  c1^\markup {
    \center-column {
      'saxophone
      " "
      \woodwind-diagram
        #'saxophone
        #'()
    }
  }

  c1^\markup {
    \center-column {
      'bassoon
      " "
      \woodwind-diagram
        #'bassoon
        #'()
    }
  }

  c1^\markup {
    \center-column {
      'contrabassoon
      " "
      \woodwind-diagram
        #'contrabassoon
        #'()
    }
  }
}

\relative c'' {
  \textLengthOn
  c1^\markup
    \woodwind-diagram
      #'piccolo
      #'((cc . (one three))
         (lh . (gis))
         (rh . (ees)))

  c^\markup
    \override #'(graphical . #f) {
      \woodwind-diagram
        #'piccolo
        #'((cc . (one three))
           (lh . (gis))
           (rh . (ees)))
    }
}

\relative c'' {
  \textLengthOn
  c1^\markup
    \woodwind-diagram
      #'piccolo
      #'()

  c^\markup
    \override #'(size . 1.5) {
      \woodwind-diagram
        #'piccolo
        #'()
    }
  c^\markup
    \override #'(thickness . 0.15) {
      \woodwind-diagram
        #'piccolo
        #'()
    }
}

#(print-keys-verbose 'piccolo (current-error-port))
#(print-keys-verbose 'flute (current-error-port))
#(print-keys-verbose 'flute-b-extension (current-error-port))
#(print-keys-verbose 'tin-whistle (current-error-port))
#(print-keys-verbose 'oboe (current-error-port))
#(print-keys-verbose 'clarinet (current-error-port))
#(print-keys-verbose 'bass-clarinet (current-error-port))
#(print-keys-verbose 'low-bass-clarinet (current-error-port))
#(print-keys-verbose 'saxophone (current-error-port))
#(print-keys-verbose 'soprano-saxophone (current-error-port))
#(print-keys-verbose 'alto-saxophone (current-error-port))
#(print-keys-verbose 'tenor-saxophone (current-error-port))
#(print-keys-verbose 'baritone-saxophone (current-error-port))
#(print-keys-verbose 'bassoon (current-error-port))
#(print-keys-verbose 'contrabassoon (current-error-port))

\score {c''1}

scm/define-woodwind-diagrams.scm
scm/display-woodwind-diagrams.scm
\chordmode { c1 g a g c }

\relative {
  <c' e g>2 <g b d>
  \chordmode { c2 f }
  <c e g>2 <g' b d>
  \chordmode { f2 g }
}

\chordmode { c2 f4 g }

\chordmode { c2:m f4:aug g:dim }

\chordmode { c1:7 c:m7 c:maj7 c:dim7 c:aug7 }

\chordmode {
  c1:2 c:3 c:4 c:5
  c1:6 c:7 c:8 c:9
  c1:10 c:11 c:12 c:13
  c1:14
}

\chordmode {
  c1:13 c:13.11 c:m13
}

\chordmode {
  c1:3.5.6 c:3.7.8 c:3.6.13
}

\chordmode {
  c4:3.5.15 c:3.5.20 c:3.5.25 c:3.5.30
}

\chordmode {
  c1:7+ c:5+.3- c:3-.5-.7-
}

\chordmode {
  c1^3 c:7^5 c:9^3 c:9^3.5 c:13.11^3.7
}

\chordmode {
  c1:sus c:sus2 c:sus4 c:5.4
}

\chordmode {
  c'1 c'/e c'/f
}

\chordmode {
  c'1 c'/g c'/+e
}

\chordmode { c1:3.5.5-.5+ }

\new ChordNames {
  \chordmode {
    c2 f4. g8
  }
}

chordmusic = \relative {
  <c' e g>2 <f bes c>
  <f c' e g>1
  \chordmode {
    c2 f:sus4 c1:/f
  }
}
<<
  \new ChordNames {
    \chordmusic
  }
  {
    \chordmusic
  }
>>

<<
  \new ChordNames \chordmode {
    c1
    r1
    g1
    c1
  }
  \chordmode {
    c1
    r1
    g1
    c1
  }
>>

\chords {
  c2 f4.:m g8:maj7
}

\new ChordNames {
  \chordmode {
    c2 f4.:m g8:maj7
  }
}

harmonies = \chordmode {
  c1:m c:m \break c:m c:m d
}

<<
  \new ChordNames {
    \set chordChanges = ##t
    \harmonies
  }
  \new Staff {
    \relative c' { \harmonies }
  }
>>

<<
  \chords { c2 g:sus4 f e }
  \new Staff \relative c'' {
    a4 e c8 e r4
    b2 c4( d)
  }
  \addlyrics { One day this shall be free __ }
>>

\chords {
  \set chordNameLowercaseMinor = ##t
  c2 d:m e:m f
}

\new ChordNames {
  <c e g d'>    % add9
  \set additionalPitchPrefix = "add"
  <c e g d'>    % add9
}

\chords {
  c4:7.9- c:7.9-/g
  \set chordNameSeparator = \markup { "/" }
  \break
  c4:7.9- c:7.9-/g
}

\chords {
  c4:7.9- c:7.9-/g
  \set slashChordSeparator = \markup { " over " }
  \break
  c4:7.9- c:7.9-/g
}

\chords {
  c4:min f:min7
  \set minorChordModifier = \markup { "-" }
  \break
  c4:min f:min7
}

% modify maj9 and 6(add9)
% Exception music is chords with markups
chExceptionMusic = {
  <c e g b d'>1-\markup { \super "maj9" }
  <c e g a d'>1-\markup { \super "6(add9)" }
}

% Convert music to list and prepend to existing exceptions.
chExceptions = #(append
  (sequential-music-to-chord-exceptions chExceptionMusic #t)
  ignatzekExceptions)

theMusic = \chordmode {
  g1:maj9 g1:6.9
  \set chordNameExceptions = #chExceptions
  g1:maj9 g1:6.9
}

\layout {
  ragged-right = ##t
}

<<
   \new ChordNames \theMusic
   \new Voice \theMusic
>>

\chords {
  c:7+
  \set majorSevenSymbol = \markup { j7 }
  c:7+
}

\new ChordNames \with {
  \override BarLine.bar-extent = #'(-2 . 2)
  \consists "Bar_engraver"
}

\chordmode {
  f1:maj7 f:7 bes:7
}

\score {
  <<
    \chords {
      c1
      c1
    }
    \new Staff \with {
      \consists "Volta_engraver"
    }
    {
      \repeat volta 2 { c'1 }
      \alternative { c' }
    }
  >>
  \layout {
    \context {
      \Score
      \remove "Volta_engraver"
    }
  }
}

\chords {
  c:7sus4
  \set chordNameSeparator
    = \markup { \typewriter | }
  c:7sus4
}

scm/chords-ignatzek.scm
scm/chord-entry.scm
ly/chord-modifier-init.ly
myChords = \relative c' {
  \chordmode { c1 c/g c/f }
  <c e g>1 <g c e> <f c' e g>
}
<<
  \new ChordNames { \myChords }
  \new Staff { \myChords }
>>

<<
  \new Voice { \clef bass dis4 c d ais g fis}
  \new FiguredBass {
    \figuremode {
      < 6 >4 < 7\+ >8 < 6+ [_!] >
      < 6 >4 <6 5 [3+] >
      < _ >4 < 6 5/>4
    }
  }
>>

\new FiguredBass {
  \figuremode {
    <6 4>2
  }
}

\figures {
  <7! 6+ 4-> <5++> <3--> < _+ > < 7 _!>
}

\figures {
  <6\+ 5/> <7/>
}

\figures {
  <6> <6\\>
}

\figures {
  <[12] 8 [6  4]>
}

\figures {
  <\markup { \tiny \number 6 \super (1) } 5>
}

<<
  {
    \clef bass
    e4 d c b,
    e4 d c b,
  }
  \figures {
    \bassFigureExtendersOn
    <6 4>4 <6 3> <7 3> <7 3>
    \bassFigureExtendersOff
    <6 4>4 <6 3> <7 3> <7 3>
  }
>>

<<
  \figures {
    \bassFigureExtendersOn
    <6 4>4 <6 4> <6\! 4\!> <6 4>
  }
  {
    \clef bass
    d4 d c c
  }
>>

\figures {
  <5\+> <5+ 4\+> <6 4- 2\+> r
  \set figuredBassAlterationDirection = #RIGHT
  <5\+> <5+ 4\+> <6 4- 2\+> r
  \set figuredBassPlusDirection = #RIGHT
  <5\+> <5+ 4\+> <6 4- 2\+> r
  \set figuredBassAlterationDirection = #LEFT
  <5\+> <5+ 4\+> <6 4- 2\+> r
}

<<
  \relative {
    c''4 c'8 r8 c,4 c'
  }
  \new FiguredBass {
    \figuremode {
      <4>4 <10 6>8 s8
      <6 4>4 <6 4>
    }
  }
>>

<<
  \new Staff = "myStaff"
  \figuremode {
    <4>4 <10 6>8 s8
    <6 4>4 <6 4>
  }
  %% Posa les notes al mateix Staff que les figures
  \context Staff = "myStaff"
  {
    \clef bass
    c4 c'8 r8 c4 c'
  }
>>

<<
  \new Staff = "elmeuPentagrama"
  \figuremode {
    <4>4 <10 6>8 s8
    \bassFigureStaffAlignmentDown
    <6 4>4 <6 4>
  }
  %% Posa les notes al mateix Staff que les figures
  \context Staff = "elmeuPentagrama"
  {
    \clef bass
    c4 c'8 r8 c4 c'
  }
>>

<<
  {
    \clef bass
    \repeat unfold 4 { f16. g32 } f8. es16 d8 es
  }
  \figures {
    \bassFigureExtendersOn
    % Els extensors són correctes aquí, amb el mateix ritme que el bas
    \repeat unfold 4 { <6 4->16. <6 4->32 }
    <5>8. r16 <6>8 <6\! 5->
  }
>>
<<
  {
    \clef bass
    \repeat unfold 4 { f16. g32 } f8. es16 d8 es
  }
  \figures {
    \bassFigureExtendersOn
    % Els extensors són incorrectes aquí, tot i que la temporalització és la mateixa
    <6 4->4 <6 4->4
    <5>8. r16 <6>8 <6\! 5->
  }
>>

\relative {
  \[ g' c, a' f d' \]
  a g f
  \[ e f a g \]
}

\score {
  <<
    \new MensuralVoice = "discantus" \relative {
      \hide Score.BarNumber {
        c''1\melisma bes a g\melismaEnd
        f\breve
        \[ f1\melisma a c\breve d\melismaEnd \]
        c\longa
        c\breve\melisma a1 g1\melismaEnd
        fis\longa^\signumcongruentiae
      }
    }
    \new Lyrics \lyricsto "discantus" {
      San -- ctus, San -- ctus, San -- ctus
    }
  >>
}

breveTP = #(ly:make-duration -1 0 3/2)
…
{ c\breveTP f1 }

\set Score.skipBars = ##t
\autoBeamOff
\override NoteHead.style = #'petrucci
a'\maxima a'\longa a'\breve a'1 a'2 a'4 a'8 a'16 a'
\override NoteHead.style = #'semipetrucci
a'\breve*5/6
\override NoteHead.style = #'blackpetrucci
a'8*4/3 a'
\override NoteHead.style = #'petrucci
a'\longa

\relative c' {
  \override Flag.style = #'mensural
  \override Stem.thickness = #1.0
  \override NoteHead.style = #'mensural
  \autoBeamOff
  c8 d e f c16 d e f c32 d e f s8
  c'8 d e f c16 d e f c32 d e f
}

\set Score.skipBars = ##t
\override Rest.style = #'mensural
r\longa^"mensural" r\breve r1 r2 r4 r8 r16 s \break
\override Rest.style = #'neomensural
r\longa^"neomensural" r\breve r1 r2 r4 r8 r16

\override Staff.Accidental.alteration-glyph-name-alist =
  #alteration-mensural-glyph-name-alist

\relative {
  fis' gis
  \set suggestAccidentals = ##t
  ais bis
}

ficta = { \once \set suggestAccidentals = ##t }
\score { \relative
  \new MensuralVoice  {
    \once \set suggestAccidentals = ##t
    bes'4 a2 g2 \ficta fis8 \ficta e! fis2 g1
  }
}

\layout {
  \context {
    \Voice
    \remove Ligature_bracket_engraver
    \consists Mensural_ligature_engraver
  }
}

\score {
  \relative {
    \set Score.timing = ##f
    \set Score.measureBarType = ""
    \override NoteHead.style = #'petrucci
    \override Staff.TimeSignature.style = #'mensural
    \clef "petrucci-g"
    \[ c''\maxima g \]
    \[ d'\longa
       \override NoteHead.ligature-flexa = ##t
       \once \override NoteHead.flexa-width = #3.2
       c\breve f e d \]
    \[ c\maxima d\longa \]
    \[ e1 a, g\breve \]
  }
  \layout {
    \context {
      \Voice
      \remove Ligature_bracket_engraver
      \consists Mensural_ligature_engraver
    }
  }
}

\include "gregorian.ly"
\score {
  <<
    \new VaticanaVoice = "cantus" {
      \[ c'\melisma c' \flexa a \]
      \[ a \flexa \deminutum g\melismaEnd \]
      f \divisioMinima
      \[ f\melisma \pes a c' c' \pes d'\melismaEnd \]
      c' \divisioMinima \break
      \[ c'\melisma c' \flexa a \]
      \[ a \flexa \deminutum g\melismaEnd \] f \divisioMinima
    }
    \new Lyrics \lyricsto "cantus" {
      San- ctus, San- ctus, San- ctus
    }
  >>
}

\override Staff.Accidental.alteration-glyph-name-alist =
  #alteration-mensural-glyph-name-alist

gregorian.ly
gregorian.ly
ly/gregorian.ly
\include "gregorian.ly"
\score {
  \new VaticanaVoice {
    \override TextScript.font-family = #'typewriter
    \override TextScript.font-shape = #'upright
    \override Script.padding = #-0.1
    a\ictus_"ictus " \bar "" \break
    a\circulus_"circulus " \bar "" \break
    a\semicirculus_"semicirculus " \bar "" \break
    a\accentus_"accentus " \bar "" \break
    \[ a_"episema" \episemInitium \pes b \flexa a b \episemFinis \flexa a \]
  }
}

\include "gregorian.ly"
\score {
  \new VaticanaVoice {
    \[ \augmentum a \flexa \augmentum g \]
    \augmentum g
  }
}

gregorian.ly
gregorian.ly
% Paràmetres de tipus de lletra per al ciríl·lic
\paper {
  #(define fonts
    (set-global-fonts
     #:roman "Linux Libertine O,serif"
   ))
}

\score {
  <<
    \new KievanVoice = "melody" \relative c' {
      \cadenzaOn
        c4 c c c c2 b\longa
        \bar "k"
    }
    \new Lyrics \lyricsto "melody" {
      Го -- спо -- ди по -- ми -- луй.
    }
  >>
}

  \clef "kievan-do"
  \kievanOn
  c'

\autoBeamOff
\cadenzaOn
\kievanOn
b'1 b'2 b'4 b'8 b'\breve b'\longa
\kievanOff
b'2

\clef "kievan-do"
\override Accidental.alteration-glyph-name-alist =
 #alteration-kievan-glyph-name-alist
bes' dis'

  \kievanOn
  \clef "kievan-do"
  c' \bar "k"

\layout {
  \context {
    \Voice
    \remove Ligature_bracket_engraver
    \consists Kievan_ligature_engraver
  }
}

% Paràmetres de tipus de lletra per a ciríl·Lic
\paper {
  #(define fonts
    (set-global-fonts
     #:roman "Linux Libertine O,serif"
   ))
}

\score {
  <<
    \new KievanVoice = "melody" \relative c' {
      \cadenzaOn
        e2 \[ e4( d4 ) \] \[ c4( d e  d ) \] e1 \bar "k"
    }
    \new Lyrics \lyricsto "melody" {
      Га -- врі -- и -- лу
    }
  >>
}

\score {
  \new Staff <<
    \new Voice = Tenor {
      \set Staff.instrumentName = "Tenor"
      \override Staff.InstrumentName.self-alignment-X = #RIGHT
      \incipit { \clef "mensural-c4" \key f \major r\breve r1 c'1 }
      \clef "treble_8"
      \key f \major
      R1 r2 c'2 |
      a4. c'8
    }
    \new Lyrics \lyricsto Tenor { Cyn -- thia your }
  >>
  \layout
  {
    indent = 5\cm
    incipit-width = 3\cm
  }
}

\layout {
  \context {
    \Staff
    measureBarType = "-span|"
  }
}

music = \fixed c'' {
  c1
  d2 \section e2
  f1 \fine
}

\new StaffGroup <<
  \new Staff \music
  \new Staff \music
>>

\layout {
  …
  \context {
    \Voice
      \remove Stem_engraver
  }
}

\include "gregorian.ly"
chant = \relative {
  \clef "G_8"
  c'\breve c4 b4 a c2 c4  \divisioMaior
  c\breve c4 c f, f \finalis
}

verba = \lyricmode {
  \once \override LyricText.self-alignment-X = #-1
  "Noctem quietam et" fi -- nem per -- fec -- tum
  \once \override LyricText.self-alignment-X = #-1
  "concedat nobis Dominus" om -- ni -- po -- tens.
}
\score {
  \new Staff <<
  \new Voice = "melody" \chant
  \new Lyrics = "one" \lyricsto melody \verba
  >>
  \layout {
    \context {
      \Staff
      \remove Time_signature_engraver
      \remove Bar_engraver
    }
    \context {
      \Voice
      \remove Stem_engraver
    }
  }
}

\include "gregorian.ly"
chant = \relative {
  \clef "G_8"
  \set Score.timing = ##f
  \hide Stem
  c'\breve \hide NoteHead  c c c c c
  \undo \hide NoteHead
  \undo \hide Stem \stemUp c4 b4 a
  \hide Stem c2 c4  \divisioMaior
  c\breve \hide NoteHead c c c c c c c
  \undo \hide NoteHead c4 c f, f \finalis
}

verba = \lyricmode {
  No -- ctem qui -- e -- tam et fi -- nem per -- fec -- tum
  con -- ce -- dat no -- bis Do -- mi -- nus om -- ni -- po -- tens.
}

\score {
  \new Staff <<
    \new Voice = "melody" \chant
    \new Lyrics \lyricsto "melody" \verba
  >>
  \layout {
    \context {
      \Staff
      \remove Time_signature_engraver
      \hide BarLine
    }
  }
}

spiritus = \relative {
  \time 1/4
  \override Lyrics.LyricText.X-extent  = #'(0 . 3)
  d'4 \tuplet 3/2 { f8 a g } g a a4 g f8 e
  d4 f8 g g8 d f g a g f4 g8 a a4  s
  \tuplet 3/2 { g8 f d } e f g a g4
}

spirLyr = \lyricmode {
  Spi -- ri -- _ _ tus  _ Do -- mi -- ni  _ re -- ple -- _ vit _
  or -- _ bem _  ter -- ra -- _ rum, al -- _ _ le -- _ lu
  -- _ ia.
}
\score {
  \new Staff <<
    \new Voice = "chant" \spiritus
    \new Lyrics = "one" \lyricsto "chant" \spirLyr
  >>
  \layout {
    \context {
      \Staff
      \remove Time_signature_engraver
      \override BarLine.X-extent = #'(-1 . 1)
      \hide Stem
      \hide Beam
      \hide BarLine
      \hide TupletNumber
    }
  }
}

menrest = #(define-music-function (note)
  (ly:music?)
#{
    \tag #'mens $(make-music 'RestEvent note)
    \tag #'mod $(make-music 'RestEvent note 'pitch '())
#})

MenStyle = {
  \autoBeamOff
  \override NoteHead.style = #'petrucci
  \override Score.BarNumber.transparent = ##t
  \override Stem.neutral-direction = #up
}

finalis = \section

Music = \relative c'' {
  \set Score.tempoHideNote = ##t
  \key f \major
  \time 4/4
  g1 d'2 \menrest bes4 bes2 a2 r4 g4 fis2.
  \finalis
}

MenLyr = \lyricmode { So farre, deere life, deare life }
ModLyr = \lyricmode { So far, dear life, dear life }

\score {
  \keepWithTag #'mens {
    <<
      \new MensuralStaff
      {
        \new MensuralVoice = Cantus
          \clef "mensural-c1" \MenStyle \Music
      }
      \new Lyrics \lyricsto Cantus \MenLyr
    >>
  }
}

\score {
  \keepWithTag #'mod {
    \new ChoirStaff <<
      \new Staff
      {
        \new Voice = Sop \with {
          \remove "Note_heads_engraver"
          \consists "Completion_heads_engraver"
          \remove "Rest_engraver"
          \consists "Completion_rest_engraver" }
        {
          \shiftDurations #1 #0 { \autoBeamOff \Music }
        }
      }
      \new Lyrics \lyricsto Sop \ModLyr
    >>
  }
}

arabic.ly
makam.ly
arabic.ly
makam.ly
makam.ly
% Initialize makam settings
\include "makam.ly"

\relative c' {
  \set Staff.keyAlterations = #`((6 . ,(- KOMA)) (3 . ,BAKIYE))
  c4 cc db fk
  gbm4 gfc gfb efk
  fk4 db cc c
}

\include "arabic.ly"
\relative {
  do' re misb fa sol la sisb do sisb la sol fa misb re do
}

arabic.ly
\include "arabic.ly"
\relative {
  \set Staff.extraNatural = ##f
  dod' dob dosd \dwn dob dobsb dodsd do do
}

arabic.ly
\key re \bayati

\key sol \bayati

\include "arabic.ly"
\relative do' {
  \set Staff.keyAlterations = #`((0 . ,SEMI-FLAT)
                                 (1 . ,SEMI-FLAT)
                                 (2 . ,FLAT)
                                 (5 . ,FLAT)
                                 (6 . ,SEMI-FLAT))
%\set Staff.extraNatural = ##f
  re reb \dwn reb resd
  dod dob dosd \dwn dob |
  dobsb dodsd do do |
}

\include "arabic.ly"

\relative sol' {
  \key re \kurd
  \accidentalStyle forget
  \cadenzaOn
  sol4 sol sol sol fad mib sol1 fad8 mib re4. r8 mib1 fad sol
}

\include "arabic.ly"
\score {
  \header {
    title = "Semai Muhayer"
    composer = "Jamil Bek"
  }
  \relative {
    \set Staff.extraNatural = ##f
    \set Staff.autoBeaming = ##f
    \key re \bayati
    \time 10/8

    re'4 re'8 re16 [misb re do] sisb [la sisb do] re4 r8
    re16 [misb do re] sisb [do] la [sisb sol8] la [sisb] do [re] misb
    fa4 fa16 [misb] misb8. [re16] re8 [misb] re  [do] sisb
    do4 sisb8 misb16 [re do sisb] la [do sisb la] la4 r8
  }
}

makam.ly
.ly
\score {
  …
}

{ c'4 c' c' c' }

{
  { c'4 c' c' c' }
  { d'4 d' d' d' }
}

<<
  \new Staff { c'4 c' c' c' }
  \new Staff { d'4 d' d' d' }
>>

{
  \new GrandStaff <<
    \new StaffGroup <<
      \new Staff { \flute }
      \new Staff { \oboe }
    >>
    \new StaffGroup <<
      \new Staff { \violinI }
      \new Staff { \violinII }
    >>
  >>
}

sardanaperaelefants.ly
sardanaperaelefants.pdf
\score {
  …música…
}

\markup {
  …text…
}

.ly
\score {
  …
}
\markup {
  …
}
\score {
  …
}

\header {
  title = "Vuit miniatures"
  composer = "Igor Stravinsky"
}
\score {
  \header { piece = "Romanze" }
  …
}
\markup {
   …text de la segona estrofa…
}
\markup {
   …text de la tercera estrofa…
}
\score {
  \header { piece = "Menuetto" }
  …
}

\bookpart {
  \header {
    title = "Títol del llibre"
    subtitle = "Primera part"
  }
  \score { … }
  …
}
\bookpart {
  \header {
    subtitle = "Segona part"
  }
  \score { … }
  …
}

.ly
\book {
  \score { … }
  \paper { … }
}
\book {
  \score { … }
  \paper { … }
}
\book {
  \score { … }
  \paper { … }
}

eightminiatures.ly
eightminiatures.pdf
eightminiatures-1.pdf
eightminiatures-2.pdf
eightminiatures-Romanze.pdf
eightminiatures-Menuetto.pdf
eightminiatures-Nocturne.pdf
\book {
  \bookOutputSuffix "Romanze"
  \score { … }
  \paper { … }
}
\book {
  \bookOutputSuffix "Menuetto"
  \score { … }
  \paper { … }
}
\book {
  \bookOutputSuffix "Nocturne"
  \score { … }
  \paper { … }
}

\book {
  \bookOutputName "Romanze"
  \score { … }
  \paper { … }
}
\book {
  \bookOutputName "Menuetto"
  \score { … }
  \paper { … }
}
\book {
  \bookOutputName "Nocturne"
  \score { … }
  \paper { … }
}

Romanze.pdf
Menuetto.pdf
Nocturne.pdf
.ly
../scm/lily-library.scm
../ly/declarations-init.ly
.ly
../scm/lily.scm
{ c'4 d' e'2 }

\book {
  \score {
    \new Staff {
      \new Voice {
        { c'4 d' e'2 }
      }
    }
    \layout { }
  }
  \paper { }
  \header { }
}

../scm/lily.scm
\markup {
   2.  Estrofa dos, línia u
}

pepet = { c4 d e d }

\layout {
  % No justificar la sortida
  ragged-right = ##t
}

\header {
   title = "Do-re-mi"
}

{ c'4 d' e2 }

\header {
  title = "SUITE I."
  composer = "J. S. Bach."
}

\score {
  \header {
    piece = "Prélude."
  }
  \new Staff \relative {
    \clef bass
    \key g \major
    \repeat unfold 2 { g,16( d' b') a b d, b' d, } |
    \repeat unfold 2 { g,16( e' c') b c e, c' e, } |
  }
}

\score {
  \header {
    piece = "Allemande."
  }
  \new Staff \relative {
    \clef bass
    \key g \major
    \partial 16 b16 |
    <g, d' b'~>4 b'16 a( g fis) g( d e fis) g( a b c) |
    d16( b g fis) g( e d c) b(c d e) fis( g a b) |
  }
}

\book {
  \paper {
    print-all-headers = ##t
  }
  \header {
    title = "DAS WOHLTEMPERIRTE CLAVIER"
    subtitle = "TEIL I"
    % No mostris el peu de pàgina predeterminat del LilyPond per a aquest llibre
    tagline = ##f
  }
  \markup { \vspace #1 }
  \score {
    \header {
      title = "PRAELUDIUM I"
      opus = "BWV 846"
      % No mostris el subtítol per a aquesta partitura
      subtitle = ##f
    }
    \new PianoStaff <<
      \new Staff { s1 }
      \new Staff { \clef "bass" s1 }
    >>
  }
  \score {
    \header {
      title = "FUGA I"
      subsubtitle = "A 4 VOCI"
      opus = "BWV 846"
      % No mostris el subtítol per a aquesta partitura
      subtitle = ##f
    }
    \new PianoStaff <<
      \new Staff { s1 }
      \new Staff { \clef "bass" s1 }
    >>
  }
}

\book {
  \header {
      % Els camps següents estan centrats
    dedication = "Dedicatòria"
    title = "Títol"
    subtitle = "Subtítol"
    subsubtitle = "Subsubtítol"
      % Els camps següents es distribueixen regularment sobre una línia.
      % El camp "instrument" també apareix a les pàgines següents
    instrument = \markup \with-color #green "Instrument"
    poet = "Poeta"
    composer = "Compositor"
      % Els camps següents se situen als extrems oposats de la mateixa línia
    meter = "Metre"
    arranger ="Arreglador"
      % Els camps següents estan centrats a la part inferior
    tagline = "La línia d'etiqueta va al final de l'ultima pàgina"
    copyright = "El copyright va al final de la primera pàgina"
  }
  \score {
    \header {
        % Els camps següents es col·loquen als extrems d'una línia
      piece = "Peça 1"
      opus = "Opus 1"
    }
    { s1 }
  }
  \score {
    \header {
        % Els camps següents se situen als extrems d'una línia
      piece = "Peça 2  a la mateixa pàgina"
      opus = "Opus 2"
    }
    { s1 }
  }
  \pageBreak
  \score {
    \header {
        % Els camps següents se situen als extrems d'una línia
      piece = "Peça 3 en una pàgina nova"
      opus = "Opus 3"
    }
    { s1 }
  }
}

\book {
  \header {
    title = "Aquest és el meu Títol"
    subtitle = "Aquest és el meu Subtítol"
    copyright = "Aquest és el final de la primera pàgina"
  }
  \score {
    \header {
      piece = "Això és la música"
      breakbefore = ##t
    }
    \repeat unfold 4 { e'' e'' e'' e'' }
  }
}

ly/titling-init.ly
ly/titling-init.ly
\book {
  \header {
    tagline = "... music notation for Everyone"
  }
  \score {
    \relative {
      c'4 d e f
    }
  }
}

\score {
  \header {
    piece = \markup { \fontsize #4 \bold "PRAELUDIUM I" }
    opus = \markup { \italic "BWV 846" }
  }
  { s1 }
}

ly/titling-init.ly
scoreTitleMarkup = \markup { \column {
  \if \should-print-all-headers { \bookTitleMarkup \hspace #1 }
  \fill-line {
    \fromproperty #'header:piece
    \fromproperty #'header:opus
  }
}
}

\score {
  \header {
    piece = "PRAELUDIUM I"
    opus = "BWV 846"
  }
  { s1 }
}

\book {
  \paper {
    indent = 0\mm
    scoreTitleMarkup = \markup {
      \fill-line {
        \null
        \fontsize #4 \bold \fromproperty #'header:piece
        \fromproperty #'header:opus
      }
    }
  }
  \header { tagline = ##f }
  \score {
    \header {
      piece = "PRAELUDIUM I"
      opus = "BWV 846"
    }
    { s1 }
  }
}

\book {
  \paper {
    indent = 0\mm
    scoreTitleMarkup = \markup {
      \fill-line {
        \null
        \fontsize #4 \bold \fromproperty #'header:piece
        \fromproperty #'header:composer
      }
    }
  }
  \header { tagline = ##f }
  \score {
    \header {
      piece = "MENUET"
      composer = "Christian Petzold"
    }
    { s1 }
  }
  \score {
    \header {
      piece = "RONDEAU"
      composer = "François Couperin"
    }
    { s1 }
  }
}

\book {
  \paper {
    indent = 0\mm
    scoreTitleMarkup = \markup {
      \fill-line {
        \null
        \override #`(direction . ,UP) {
          \dir-column {
            \center-align \fontsize #-1 \bold
              \fromproperty #'header:mycustomtext %% Camp definit per l'usuari
            \center-align \fontsize #4 \bold
              \fromproperty #'header:piece
          }
        }
        \fromproperty #'header:opus
      }
    }
  }
  \header { tagline = ##f }
  \score {
    \header {
      piece = "FUGA I"
      mycustomtext = "A 4 VOCI" %% Camp definit per l'usuari
      opus = "BWV 846"
    }
    { s1 }
  }
}

variable = \markup {
  …
  \on-the-fly  \procediment  marcatge
  …
}

\book {
  \paper {
    print-page-number = ##t
    print-first-page-number = ##t
    oddHeaderMarkup = \markup \null
    evenHeaderMarkup = \markup \null
    oddFooterMarkup = \markup {
      \fill-line {
        \if \should-print-page-number
        \fromproperty #'page:page-number-string
      }
    }
    evenFooterMarkup = \oddFooterMarkup
  }
  \score {
    \new Staff { s1 \break s1 \break s1 }
  }
}

  \if \on-first-page
  \if \on-last-page
  { \markup … \fromproperty #'header: … }

../ly/titling-init.ly
\header{
  title = "Sinfonia núm. 1"
}

\header{
  title = "Sinfonia núm. 1"
  pdftitle = "Sinfonia núm. 1 de Beethoven"
}

[direcció] \footnote [marca] desplaçament text-de-la-nota música

\footnote [marca] desplaçament text-de-la-nota [Context].Nom-del-Grob

\footnote [marca] desplaçament text-de-la-nota música

\book {
  \header { tagline = ##f }
  \relative c'' {
    \footnote #'(-1 . 3) "Una nota" a4
    a4
    \footnote #'(2 . 2) "Un silenci" r4
    a4
  }
}

\book {
  \header { tagline = ##f }
  \relative c'' {
    \footnote #'(2 . 3) "No funciona" <a-3>2
    <\footnote #'(-2 . -3) "Funciona" a-3>4
    <a-3 \footnote #'(3 . 1/2) "També funciona" c-5>4
  }
}

direcció \footnote [marca] desplaçament text-de-la-nota música

\book {
  \header { tagline = ##f }
  \relative {
    a'4_\footnote #'(0 . -1) "Lligadura forçada cap avall" (
    b8^\footnote #'(1 . 0.5) "Barra manual forçada cap amunt" [
    b8 ]
    c4 )
    c-\footnote #'(1 . 1) "Tenuto" --
  }
}

\book {
  \header { tagline = ##f }
  \relative c'' {
    \footnote #'(-1 . -3) "Un bemoll" Accidental
    aes4 c
    \footnote #'(-1 . 0.5) "Un altre bemoll" Accidental
    ees
    \footnote #'(1 . -2) "Una plica" Stem
    aes
  }
}

\book {
  \header { tagline = ##f }
  \relative c' {
    \footnote #'(-1 . 3) "Un bemoll" Accidental
    <ees ges bes>4
    \footnote #'(2 . 0.5) "Articulació" Script
    c'->-.
  }
}

\book {
  \header { tagline = ##f }
  \relative c'' {
    < \footnote #'(1 . -2) "Un La" a
      \single \footnote #'(-1 . -1) "Un sostingut" Accidental
      cis
      \single \footnote #'(0.5 . 0.5) "Un bemoll" Accidental
      ees fis
    >2
  }
}

\book {
  \header { tagline = ##f }
  \relative c'' {
    r1 |
    \footnote #'(-0.5 . -1) "Canvi de compàs" Staff.TimeSignature
    \time 3/4
    \footnote #'(1 . -1) "Plica d'acord" Stem
    <c e g>4 q q
    \footnote #'(-0.5 . 1) "Línia divisòria" Staff.BarLine
    q q
    \footnote #'(0.5 . -1) "Canvi de tonalitat" Staff.KeySignature
    \key c\minor
    q
  }
}

\book {
  \header { tagline = ##f }
  \relative c' {
    \footnote "*" #'(0.5 . -2) \markup { \italic "* La primera nota" } a'4
    b8
    \footnote \markup { \super "$" } #'(0.5 . 1)
      \markup { \super "$" \italic " La segona nota" } e
    c4
    \once \override Score.Footnote.annotation-line = ##f
    b-\footnote \markup \tiny "+" #'(0.1 . 0.1)
      \markup { \super "+" \italic " Editorial" } \p
  }
}

\markup { … \footnote text nota … }

\book {
  \header { tagline = ##f }
  \markup {
    "Un melodia"
    \footnote "simple" \italic " Meva"
    "es mostra a sota. És una"
    \footnote "composició" \italic " Ago 2012"
    "recent."
  }
  \relative {
    a'4 b8 e c4 d
  }
}

\markup { … \footnote marca nota … }

\book {
  \paper { #(include-special-characters) }
  \header { tagline = ##f }
  \markup {
    "Es mostra a sota"
    \footnote "*" \italic "* Per mi"
    "una melodia simple.  És una composició"
    \footnote \super &dagger; \concat {
      \super &dagger; \italic " Ago 2012"
    }
    "recent."
  }
  \relative {
    a'4 b8 e c4 d
  }
}

\book {
  \header { tagline = ##f }
  \markup {
    "Es mostra a sota"
    \footnote \super \char##x00a7 \concat {
      \super \char##x00a7 \italic " Per mi"
    }
    "una melodia simple.  És una composició"
    \footnote \super \char##x00b6 \concat {
      \super \char##x00b6 \italic " Ago 2012"
    }
    "recent."
  }
  \relative {
    a'4 b8 e c4 d
  }
}

\header { tagline = ##f }
\book {
  \label #'firstScore
  \score {
    {
      c'1
      \pageBreak \mark A \label #'markA
      c'1
    }
  }
  \markup { La primera partitura comença a la pàgina \page-ref #'firstScore "0" "?" }
  \markup { La marca A està a la pàgina \page-ref #'markA "0" "?" }
}

\markuplist \table-of-contents
\pageBreak

\tocItem \markup "Primera partitura"
\score {
  {
    c'4  % ...
    \tocItem \markup "Un punto concret dins de la primera partitura"
    d'4  % ...
  }
}

\tocItem \markup "Segona partitura"
\score {
  {
    e'4 % ...
  }
}

tocTitleMarkup = \markup \huge \column {
  \fill-line { \null "Índex general" \null }
  \null
}

tocItemMarkup = \markup \fill-line {
  \fromproperty #'toc:text \fromproperty #'toc:page
}

\paper {
  tocTitleMarkup = \markup \huge \column {
    \fill-line { \null "Table des matières" \null }
    \hspace #1
  }

tocItemMarkup = \markup \large \fill-line {
  \fromproperty #'toc:text \fromproperty #'toc:page
}

\header { tagline = ##f }
\paper {
  tocItemMarkup = \tocItemWithDotsMarkup
}

\book {
  \markuplist \table-of-contents
  \tocItem \markup { Allegro }
  \tocItem \markup { Largo }
  \markup \null
}

\paper {
  tocActMarkup = \markup \large \column {
    \hspace #1
    \fill-line { \null \italic \fromproperty #'toc:text \null }
    \hspace #1
  }
}

tocAct =
  #(define-music-function (text) (markup?)
     (add-toc-item! 'tocActMarkup text))

\paper {
  tocItemMarkup = \markup { \fill-line {
    \override #'(line-width . 70)
    \fill-with-pattern #1.5 #CENTER . \fromproperty #'toc:text \fromproperty #'toc:page
    }
  }
}

ly/toc-init.ly
\include "unaltrefitxer.ly"

unaltrefitxer.ly
material.ly
\include "../material.ly"

parts
\include "partes/VI.ly"
\include "partes/VII.ly"
… etc.

libA/
  libA.ly
  A1.ly
  A2.ly
  …

#(ly:set-option 'relative-includes #t)
\include "A1.ly"
\include "A2.ly"
…
% retorn a l'ajustament predeterminat
#(ly:set-option 'relative-includes #f)

.ly
\include "~/libA/libA.ly"

principal.ly
parts
principal.ly
lilypond --include=parts principal.ly

principal.ly
\include "VI.ly"
\include "VII.ly"
… etc.

../ly
catala.ly
sopranoMusic = \relative { a'4 b c b8( a) }
altoMusic = \relative { e'4 e e f }
tenorMusic = \relative { c'4 b e d8( c) }
bassMusic = \relative { a4 gis a d, }
allLyrics = \lyricmode { King of glo -- ry }
<<
  \new Staff = "Soprano" \sopranoMusic
  \new Lyrics \allLyrics
  \new Staff = "Alto" \altoMusic
  \new Lyrics \allLyrics
  \new Staff = "Tenor" {
    \clef "treble_8"
    \tenorMusic
  }
  \new Lyrics \allLyrics
  \new Staff = "Bass" {
    \clef "bass"
    \bassMusic
  }
  \new Lyrics \allLyrics
  \new PianoStaff <<
    \new Staff = "RH" {
      \partCombine \sopranoMusic \altoMusic
    }
    \new Staff = "LH" {
      \clef "bass"
      \partCombine \tenorMusic \bassMusic
    }
  >>
>>

music = \relative {
  g'8. c32 d
  \tag #'trills { d8.\trill }
  \tag #'expand { \repeat unfold 3 { e32 d } }
  c32 d
 }

\score {
  \keepWithTag #'trills \music
}
\score {
  \keepWithTag #'expand \music
}

music = \relative {
  g'8. c32 d
  \tag #'trills { d8.\trill }
  \tag #'expand {\repeat unfold 3 { e32 d } }
  c32 d
 }

\score {
  \removeWithTag #'expand
  \music
}
\score {
  \removeWithTag #'trills
  \music
}

-\tag #'la-meva-etiqueta

c1-\tag #'finger ^4
c1-\tag #'warn ^"Alerta!"

music = \relative c'' {
  \tag #'a \tag #'both { a4 a a a }
  \tag #'(b both) { b4 b b b }
}
<<
\keepWithTag #'a \music
\keepWithTag #'b \music
\keepWithTag #'both \music
>>

music = \relative c'' {
  \tag #'A { a4 a a a }
  \tag #'B { b4 b b b }
  \tag #'C { c4 c c c }
  \tag #'D { d4 d d d }
}
\new Voice {
  \removeWithTag #'B
  \removeWithTag #'C
  \music
  \removeWithTag #'(B C)
  \music
}

music = \relative c'' {
  \tag #'violiI { a4 a a a }
  \tag #'violiII { b4 b b b }
  \tag #'viola { c4 c c c }
  \tag #'violoncel { d4 d d d }
}

\new Staff {
  \keepWithTag #'(violinI violinII)
  \music
}

\tagGroup #'(violiI violiII viola violoncel)

\keepWithTag #'violiI …

music = \relative {
  \tagGroup #'(violiI violiII viola violoncel)
  \tag #'violiI { c''4^"violiI" c c c }
  \tag #'violiII { a2 a }
  \tag #'viola { e8 e e2. }
  \tag #'violoncel { d'2 d4 d }
  R1^"untagged"
}

\new Voice {
  \keepWithTag #'violiI
  \music
}

music = { \tag #'here { \tag #'here <<c''>> } }

{
  \pushToTag #'here c'
  \pushToTag #'here e'
  \pushToTag #'here g' \music
  \appendToTag #'here c'
  \appendToTag #'here e'
  \appendToTag #'here g' \music
}

lilypond -dinclude-settings=ELS_MEUS_AJUSTAMENTS.ly LA_MEVA_PARTITURA.ly

FT_Get_Glyph_Name () error: argument invàlid

\score {
  \relative {
    c''1 \mark \markup { \char ##x03A8 }
    c1_\markup { \tiny { \char ##x03B1 " to " \char ##x03C9 } }
  }
  \addlyrics { O \markup { \concat { Ph \char ##x0153 be! } } }
}
\markup { "Copyright 2008--2015" \char ##x00A9 }

\header {
  copyright = \markup { \char ##x00A9 "2008" }
}

\paper {
  #(include-special-characters)
}

\markup "&flqq; &ndash; &OE;uvre incomplète&hellip; &frqq;"

\score {
  \new Staff { \repeat unfold 9 a'4 }
  \addlyrics {
    This is al -- so wor -- kin'~in ly -- rics: &ndash;_&OE;&hellip;
  }
}

\markup \column {
  "The replacement can be disabled:"
  "&ndash; &OE; &hellip;"
  \override #'(replacement-alist . ()) "&ndash; &OE; &hellip;"
}

\paper {
  #(add-text-replacements!
    '(("100" . "hundred")
      ("dpi" . "dots per inch")))
}
\markup "A 100 dpi."

\markup \replace #'(("100" . "hundred")
                    ("dpi" . "dots per inch")) "A 100 dpi."

ly/text-replacements.ly
\layout {
  clip-regions
  = #(list
      (cons
       (make-rhythmic-location 5 1 2)
       (make-rhythmic-location 7 3 4)))
}

showLastLength = R1*5
\score { … }

\relative c' {
  c1
  \set Score.skipTypesetting = ##t
  \tempo 4 = 80
  c4 c c c
  \set Score.skipTypesetting = ##f
  d4 d d d
}

http://www.chiark.greenend.org.uk/~sgtatham/gonville/

gonville-11.otf
gonville-13.otf
gonville-14.otf
gonville-16.otf
gonville-18.otf
gonville-20.otf
gonville-23.otf
gonville-26.otf
gonville-brace.otf
…/share/lilypond/current/fonts/otf
…/share/lilypond/X.Y.Z/fonts/otf
gonville-*.svg
gonville-*.woff
…/share/lilypond/current/fonts/svg
…/share/lilypond/X.Y.Z/fonts/svg
gonville-*.otf
gonville-*.svg
gonville-*.woff
\paper {
  #(define fonts
    (set-global-fonts
     #:music "gonville"
     #:brace "gonville"
   ))
}

fontname-*.otf
fontname-*.svg
fontname-*.woff
fontname-*.otf
…/share/lilypond/current/fonts/otf
…/share/lilypond/X.Y.Z/fonts/otf
fontname-*.svg
fontname-*.woff
…/share/lilypond/current/fonts/svg
…/share/lilypond/X.Y.Z/fonts/svg
-11
-13
-14
-16
-18
-20
-23
-26
-brace
emmentaler-11.otf
emmentaler-20.svg
emmentaler-brace.woff
\paper {
  #(define fonts
    (set-global-fonts
     #:music "tipoletra" ; nombre del archivo de fuente sin el sufijo ni la extensión
     #:brace "tipoletra" ; nombre del archivo de fuente sin el sufijo ni la extensión
   ))
}

articulate
\appoggiatura c8 d2.

\score {
  … música …
  \layout { }
  \midi { }
}

lilypond -dmidi-extension=mid Fitxer.ly

#(ly:set-option 'midi-extension "mid")

scm/midi.scm
scm/midi.scm
#(define (myDynamics dynamic)
    (if (equal? dynamic "rfz")
      0.9
      (default-dynamic-absolute-volume dynamic)))

\score {
  \new Staff {
    \set Staff.midiInstrument = #"cello"
    \set Score.dynamicAbsoluteVolumeFunction = #myDynamics
    \new Voice {
      \relative {
        a'4\pp b c-\rfz
      }
    }
  }
  \layout {}
  \midi {}
}

ly/script-init.ly
scm/midi.scm
midiMinimumVolume + (midiMaximumVolume - midiMinimumVolume) * fracció

\score {
  <<
    \new Staff {
      \set Staff.midiInstrument = "flute"
      … music …
    }
    \new Staff {
      \set Staff.midiInstrument = "clarinet"
      … music …
    }
  >>
  \midi {
    \context {
      \Score
      midiMinimumVolume = #0.2
      midiMaximumVolume = #0.5
    }
  }
}

\score {
  \new Staff {
    \set Staff.midiInstrument = "flute"
    \set Staff.midiMinimumVolume = #0.7
    \set Staff.midiMaximumVolume = #0.9
    … music …
  }
  \midi { }
}

\score {
  <<
    \new Staff {
      \set Staff.midiInstrument = "flute"
      \set Staff.midiMinimumVolume = #0.7
      \set Staff.midiMaximumVolume = #0.9
      … music …
    }
    \new Staff {
      \set Staff.midiInstrument = "clarinet"
      \set Staff.midiMinimumVolume = #0.3
      \set Staff.midiMaximumVolume = #0.6
      … music …
    }
  >>
  \midi { }
}

scm/midi.scm
scm/midi.scm
#(define my-instrument-equalizer-alist '())

#(set! my-instrument-equalizer-alist
  (append
    '(
      ("flute" . (0.7 . 0.9))
      ("clarinet" . (0.3 . 0.6)))
    my-instrument-equalizer-alist))

#(define (my-instrument-equalizer s)
  (let ((entry (assoc s my-instrument-equalizer-alist)))
    (if entry
      (cdr entry))))

\score {
  <<
    \new Staff {
      \key g \major
      \time 2/2
      \set Score.instrumentEqualizer = #my-instrument-equalizer
      \set Staff.midiInstrument = "flute"
      \new Voice \relative {
        r2 g''\mp g fis~
        4 g8 fis e2~
        4 d8 cis d2
      }
    }
    \new Staff {
      \key g \major
      \set Staff.midiInstrument = "clarinet"
      \new Voice \relative {
        b'1\p a2. b8 a
        g2. fis8 e
        fis2 r
      }
    }
  >>
  \layout { }
  \midi {  }
}

\score {
  … music …
  \midi {
    \tempo 4 = 72
  }
}

\score {
  … music …
  \midi {
    \context {
      \Voice
      \remove Dynamic_performer
    }
  }
}

ly/performer-init.ly
\score {
  \new Staff {
    \set Staff.midiInstrument = "glockenspiel"
    … music …
  }
  \midi { }
}

\score {
  \new Staff \with {midiInstrument = "cello"} {
    … music …
  }
  \midi { }
}

scm/midi.scm
scm/midi.scm
\score {
  \unfoldRepeats {
    \repeat tremolo 8 { c'32 e' }
    \repeat percent 2 { c''8 d'' }
    \repeat volta 2 { c'4 d' e' f' }
    \alternative {
      { g' a' a' g' }
      { f' e' d' c' }
    }
  }
  \midi { }
}

\score {
  … music …
  \layout { }
}
\score {
  \unfoldRepeats {
    … music …
  }
  \midi { }
}

\score {
  ...music...
  \midi {
    \context {
      \Score
      midiChannelMapping = #'instrument
    }
  }
}

\score {
  \new Staff <<
    \new Voice \relative c''' {
      \set midiInstrument = #"flute"
      \voiceOne
      \key g \major
      \time 2/2
      r2 g-"Flute" ~
      g fis ~
      fis4 g8 fis e2 ~
      e4 d8 cis d2
    }
    \new Voice \relative c'' {
      \set midiInstrument = #"clarinet"
      \voiceTwo
      b1-"Clarinet"
      a2. b8 a
      g2. fis8 e
      fis2 r
    }
  >>
  \layout { }
  \midi {
    \context {
      \Staff
      \remove "Staff_performer"
    }
    \context {
      \Voice
      \consists "Staff_performer"
    }
    \tempo 2 = 72
  }
}

articulate
\include "articulate.ly"

\score {
  \articulate <<
    … music …
  >>
  \midi { }
}

ly/articulate.ly
ly/articulate.ly
articulate
{
  \displayLilyMusic \transpose c a, { c4 e g a bes }
}

{ a,4 cis e fis g }

lilypond fitxer.ly >resultat.txt

{
  \void \displayLilyMusic \transpose c a, { c4 e g a bes }
  c1
}

\include "event-listener.ly"

FILENAME-STAFFNAME.notes
FILENAME-unnamed-staff.notes
0.000   note     57       4   p-c 2 12
0.000   dynamic  f
0.250   note     62       4   p-c 7 12
0.500   note     66       8   p-c 9 12
0.625   note     69       8   p-c 14 12
0.750   rest     4
0.750   breathe

temps tipus …paràmetres…

event-listener.ly
event-listener.ly
\paper {
  top-margin = 10
}

\paper {
  top-margin = 0.5\in
}

ly/paper-defaults-init.ly
\paper {
  #(define top-margin (* 0.5 in))
}

ly/paper-defaults-init.ly
#(set-default-paper-size "quarto")

\paper {
  #(set-paper-size "tabloid")
}

scm/paper.scm
#(set! paper-alist (cons '("mi tamaño" . (cons (* 15 in) (* 3 in))) paper-alist))

\paper {
  #(set-paper-size "mi tamaño")
}

#(set-default-paper-size "a6" 'landscape)

#(set-default-paper-size "a6landscape")

scm/paper.scm
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
scm/paper.scm
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
\paper {
  system-system-spacing.basic-distance = #8
  score-system-spacing =
    #'((basic-distance . 12)
       (minimum-distance . 6)
       (padding . 1)
       (stretchability . 12))
}

ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
ly/paper-defaults-init.ly
ly/titling-init.ly
#(set-default-paper-size "a8")

\book {
  \paper {
    system-separator-markup = \slashSeparator
  }
  \header {
    tagline = ##f
  }
  \score {
    \relative { c''1 \break c1 \break c1 }
  }
}

ly/titling-init.ly
\layout {
  indent = 2\cm
  \context {
    \StaffGroup
    \override StaffGrouper.staff-staff-spacing.basic-distance = #8
  }
  \context {
    \Voice
    \override TextScript.padding = #1
    \override Glissando.thickness = #3
  }
}

\layout {
  \context {
    \Voice
    \override TextScript.color = #magenta
    \override Glissando.thickness = #1.5
  }
}

variable_de_Layout = \layout {
  \context {
    \Voice
    \override NoteHead.font-size = #4
  }
}

\layout {
  \variable_de_layout
  \context {
    \Voice
    \override NoteHead.color = #red
  }
}

  TextScript.padding = #1
  TextScript.color = #magenta
  Glissando.thickness = #1.5
  NoteHead.font-size = #4
  NoteHead.color = #red

  NoteHead.font-size= #4 % (escrita en la definició de la variable)
  NoteHead.color = #red % (afegida després de l'ús de la variable)

#(set-global-staff-size 14)

\score {
  …
  \layout {
    #(layout-set-staff-size 14)
  }
}

\score {
  <<
    \new Staff \with {
      \magnifyStaff #5/7
    } { … }
    \new PianoStaff { … }
  >>
}

\score {
  <<
    \new Staff \with {
      \magnifyStaff #(magstep -3)
    } { … }
    \new PianoStaff { … }
  >>
}

\relative c'' {

c4 c c c | \break
  c4 c c c |
}

\relative c'' {
  c4 c c
  \bar ""
  \break
  c |
  c4 c c c |
}

\new Voice \with {
  \remove Forbid_line_break_engraver
} \relative {
  <<
    { c''2. \tuplet 3/2 { c4 c c } c2. | }
    { s1 | \break s1 | }
  >>
}

\relative c'' {
  \override Beam.breakable = ##t
  c2. c8[ c | \break
  c8 c] c2. |
}

\layout {
  indent = 0\mm
  line-width = 150\mm
  ragged-last = ##t
}

<<
  \repeat unfold 7 {
    s1 \noBreak s1 \noBreak
    s1 \noBreak s1 \break
  }
  { la música real… }
>>

music = \relative c'' { c4 c c c }

\score {
  \new Staff <<
    \new Voice {
      s1 * 2 \break
      s1 * 3 \break
      s1 * 6 \break
      s1 * 5 \break
    }
    \new Voice {
      \repeat unfold 2 { \music }
      \repeat unfold 3 { \music }
      \repeat unfold 6 { \music }
      \repeat unfold 5 { \music }
    }
  >>
}

\paper {
  page-breaking = #ly:page-turn-breaking
}

\bookpart {
  \header {
    subtitle = "Prefaci"
  }
  \paper {
     %% En una part consisteix en text principalment,
     %% pot ser preferible ly:minimal-breaking
     page-breaking = #ly:minimal-breaking
  }
  \markup { … }
  …
}
\bookpart {
  %% En aquesta part, consistent en música, s'usa la funció
  %% òptima predeterminada de salts de pàgina.
  \header {
    subtitle = "Primer moviment"
  }
  \score { … }
  …
}

\paper {
  page-breaking = #ly:minimal-breaking
}

\new Staff \with { \consists Page_turn_engraver }
{
  a4 b c d |
  R1 | % aquí es permet un salt de pàgina
  a4 b c d |
  \set Staff.minimumPageTurnLength = #(ly:make-moment 5/2)
  R1 | % aquí no es permet un salt de pàgina
  a4 b r2 |
  R1*2 | % aquí es permet un salt de pàgina
  a1
}

\new Staff \with {
  \override VerticalAxisGroup.default-staff-staff-spacing.basic-distance = #10
} { … }

\new Staff \with {
  \override VerticalAxisGroup.default-staff-staff-spacing =
    #'((basic-distance . 10)
       (minimum-distance . 9)
       (padding . 1)
       (stretchability . 10))
} { … }

\layout {
  \context {
    \Staff
    \override VerticalAxisGroup.default-staff-staff-spacing.basic-distance = #10
  }
}

ly/engraver-init.ly
scm/define-grobs.scm
\layout {
  \context {
    \Staff
    \override VerticalAxisGroup.default-staff-staff-spacing =
      #'((basic-distance . 8)
         (minimum-distance . 7)
         (padding . 1))
  }
}

<<
  % A l'última nota de totes li cal més espai que el que pot
  % proveir 'basic-distance, per tant la distància entre aquest
  % pentagrama i el següent es determina amb 'padding.
  \new Staff { b,2 r | }

  % Aquí, 'basic-distance proveeix prou espai, i no cal comprimir
  % l'espai (cap a 'minimum-distance) per fer espai per cap altra
  % cosa a la pàgina, per tant la distància entre aquest
  % pentagrama i el següent es determina per 'basic-distance.
  \new Staff { \clef bass g2 r | }

  % Si s'estableix 'padding a un valor negatiu, permet que les
  % pautes xoquin. EL valor més petit acceptable per a
  % 'basic-distance és 0.
  \new Staff \with {
    \override VerticalAxisGroup.default-staff-staff-spacing =
      #'((basic-distance . 3.5)
         (padding . -10))
  } { \clef bass g2 r | }
  \new Staff { \clef bass g2 r | }
>>

scm/define-grobs.scm
\layout {
  \context {
    \Score
    \override StaffGrouper.staff-staff-spacing.padding = #0
    \override StaffGrouper.staff-staff-spacing.basic-distance = #1
  }
}

<<
  \new PianoStaff \with {
    \override StaffGrouper.staffgroup-staff-spacing.basic-distance = #20
  } <<
    \new Staff { c'1 }
    \new Staff { c'1 }
  >>

  \new StaffGroup <<
    \new Staff { c'1 }
    \new Staff { c'1 }
  >>
>>

scm/define-grobs.scm
\layout {
  \context {
    \Lyrics
    \override VerticalAxisGroup.nonstaff-nonstaff-spacing.stretchability = #1000
  }
}

\new StaffGroup
<<
  \new Staff \with {
    \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 30))
  } { c'1 }
  \new Lyrics \with {
    \override VerticalAxisGroup.staff-affinity = #UP
  } \lyricmode { up }
  \new Lyrics \with {
    \override VerticalAxisGroup.staff-affinity = #CENTER
  } \lyricmode { center }
  \new Lyrics \with {
    \override VerticalAxisGroup.staff-affinity = #DOWN
  } \lyricmode { down }
  \new Staff { c'1 }
>>

ly/engraver-init.ly
scm/define-grobs.scm
\overrideProperty NonMusicalPaperColumn.line-break-system-details
  #'((X-offset . 20))

\overrideProperty NonMusicalPaperColumn.line-break-system-details
  #'((Y-offset . 40))

\overrideProperty NonMusicalPaperColumn.line-break-system-details
  #'((X-offset . 20)
     (Y-offset . 40))

\overrideProperty NonMusicalPaperColumn.line-break-system-details
  #'((alignment-distances . (15)))

\overrideProperty NonMusicalPaperColumn.line-break-system-details
  #'((X-offset . 20)
     (Y-offset . 40)
     (alignment-distances . (15)))

\header { tagline = ##f }
\paper { left-margin = 0\mm }
\book {
  \score {
    <<
      \new Staff <<
        \new Voice {
          s1*5 \break
          s1*5 \break
          s1*5 \break
        }
        \new Voice { \repeat unfold 15 { c'4 c' c' c' } }
      >>
      \new Staff {
        \repeat unfold 15 { d'4 d' d' d' }
      }
    >>
  }
}

\header { tagline = ##f }
\paper { left-margin = 0\mm }
\book {
  \score {
    <<
      \new Staff <<
        \new Voice {
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 0))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 40))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 60))
          s1*5 \break
        }
        \new Voice { \repeat unfold 15 { c'4 c' c' c' } }
      >>
      \new Staff {
        \repeat unfold 15 { d'4 d' d' d' }
      }
    >>
  }
}

\header { tagline = ##f }
\paper { left-margin = 0\mm }
\book {
  \score {
    <<
      \new Staff <<
        \new Voice {
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((extra-offset . (0 . 10)))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((extra-offset . (0 . 10)))
          s1*5 \break
        }
        \new Voice { \repeat unfold 15 { c'4 c' c' c' } }
      >>
      \new Staff {
        \repeat unfold 15 { d'4 d' d' d' }
      }
    >>
  }
}

\header { tagline = ##f }
\paper { left-margin = 0\mm }
\book {
  \score {
    <<
      \new Staff <<
        \new Voice {
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 20)
               (alignment-distances . (10)))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 60)
               (alignment-distances . (15)))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
          #'((Y-offset . 85)
             (alignment-distances . (20)))
          s1*5 \break
        }
        \new Voice { \repeat unfold 15 { c'4 c' c' c' } }
      >>
      \new Staff {
        \repeat unfold 15 { d'4 d' d' d' }
      }
    >>
  }
}

\header { tagline = ##f }
\paper { left-margin = 0\mm }
\book {
  \score {
    <<
      \new Staff <<
        \new Voice {
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 0)
               (alignment-distances . (30 10)))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 60)
               (alignment-distances . (10 10)))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 100)
               (alignment-distances . (10 30)))
          s1*5 \break
        }
        \new Voice { \repeat unfold 15 { c'4 c' c' c' } }
      >>
      \new StaffGroup <<
        \new Staff { \repeat unfold 15 { d'4 d' d' d' } }
        \new Staff { \repeat unfold 15 { e'4 e' e' e' } }
      >>
    >>
  }
}

\relative c'' {
  c4_"Text"\pp
  r2.
  \once \override TextScript.outside-staff-priority = #1
  c4_"Text"\pp % aquest cop el text estarà més a prop del pentagrama
  r2.
  % establint outside-staff-priority a un no-nombre
  % deshabilitem la cancel·lació automàtica de col·lisions
  \once \override TextScript.outside-staff-priority = ##f
  \once \override DynamicLineSpanner.outside-staff-priority = ##f
  c4_"Text"\pp % now they will collide
}

\relative {
  \once \override TextScript.outside-staff-padding = #0
  a'4-"outside-staff-padding = #0"
  \once \override TextScript.outside-staff-padding = #3
  d-"outside-staff-padding = #3"
  c-"default outside-staff-padding"
  b-"default outside-staff-padding"
  R1
}

\relative {
  c''4^"Word" c c''2
  R1
  \once \override TextScript.outside-staff-horizontal-padding = #1
  c,,4^"Word" c c''2
}

\relative c' {
  c2 c4. c8
  c4. c8 c4. c8
  c8 c c4 c c
}

\relative { c''2 c4. c8 | c4. c16[ c] c4. c8 | c8 c c4 c c }

 \override Score.NonMusicalPaperColumn.padding = #10

\relative c' {
  \time 2/4
  c4 c8 c
  c8 c c4 c16[ c c8] c4
  \newSpacingSection
  \time 4/16
  c16[ c c8]
}

\relative c' {
  \time 4/16
  c16[ c c8]
  \newSpacingSection
  \override Score.SpacingSpanner.spacing-increment = #2
  c16[ c c8]
  \newSpacingSection
  \revert Score.SpacingSpanner.spacing-increment
  c16[ c c8]
}

\score {
  \relative {
    g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
    g4 e e2 | f4 d d2 | c4 e g g | c,1 |
    d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
    g4 e e2 | f4 d d2 | c4 e g g | c,1 |
  }
}

\score {
  \relative {
    g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
    g4 e e2 | f4 d d2 | c4 e g g | c,1 |
    d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
    g4 e e2 | f4 d d2 | c4 e g g | c,1 |
  }
  \layout {
    \context {
      \Score
      \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/16)
    }
  }
}

\score {
  <<
    \new Staff {
      \tuplet 5/4 { c8 c c c c } c8 c c c
    }
    \new Staff {
      c8 c c c \tuplet 5/4 { c8 c c c c }
    }
  >>
  \layout {
    \context {
      \Score
      \override SpacingSpanner.uniform-stretching = ##t
    }
  }
}

\override Score.SpacingSpanner.strict-note-spacing = ##t
\new Staff \relative {
  c''8[ c \clef alto c \grace { c16 c } c8 c c]  c32[ c] }

\layout {
  indent = #0
  line-width = #150
  ragged-last = ##t
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
  >>
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
  >>
 \layout {
    \context {
      \Score
      proportionalNotationDuration = #(ly:make-moment 1/20)
    }
  }
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
  >>
  \layout {
    \context {
      \Score
      proportionalNotationDuration = #(ly:make-moment 1/8)
    }
  }
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
  >>
  \layout {
    \context {
      \Score
      proportionalNotationDuration = #(ly:make-moment 1/16)
    }
  }
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
  >>
  \layout {
    \context {
      \Score
      proportionalNotationDuration = #(ly:make-moment 1/32)
    }
  }
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
    \new RhythmicStaff {
      \tuplet 9/8 { c8 8 8 8 8 8 8 8 8 }
    }
  >>
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
    \new RhythmicStaff {
      \tuplet 9/8 { c8 8 8 8 8 8 8 8 8 }
    }
  >>
  \layout {
    \context {
      \Score
      proportionalNotationDuration = #(ly:make-moment 1/20)
    }
  }
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
    \new RhythmicStaff {
      \tuplet 9/8 { c8 8 8 8 8 8 8 8 8 }
    }
  >>
  \layout {
    \context {
      \Score
      proportionalNotationDuration = #(ly:make-moment 1/20)
      \override SpacingSpanner.uniform-stretching = ##t
    }
  }
}

\paper {
  indent = #0
}

\new Staff {
  c'1
  \break
  c'1
}

\paper {
  indent = #0
}

\new Staff \with {
  \remove Separating_line_group_engraver
} {
  c'1
  \break
  c'1
}

\new Staff {
  \set Score.proportionalNotationDuration = #(ly:make-moment 1/16)
  c''8 8 8 \clef alto d'2 2
}

\new Staff {
  \set Score.proportionalNotationDuration = #(ly:make-moment 1/16)
  \override Score.SpacingSpanner.strict-note-spacing = ##t
  c''8 8 8 \clef alto d'2 2
}

\book {
  \score { { c4 } }
  \paper { annotate-spacing = ##t }
}

\paper {
  system-system-spacing = #'((basic-distance . 0.1) (padding . 0))
  ragged-last-bottom = ##f
  ragged-bottom = ##f
}

\paper {
  system-count = #10
}

\paper {
  page-count = #2
}

\relative e' {
  e4 c g\f c
  e4 c g-\tweak X-offset #-2.7 \f c
}

\score {
  \relative {
    g'4 e e2 |
    f4 d d2 |
    c4 d e f |
    g4 g g2 |
    g4 e e2 |
  }
}

\score {
  \relative {
    g'4 e e2 |
    f4 d d2 |
    c4 d e f |
    g4 g g2 |
    g4 e e2 |
  }
  \layout {
    \context {
      \Score
      \override SpacingSpanner.common-shortest-duration =
        #(ly:make-moment 1/2)
    }
  }
}

.ly
ly/engraver-init.ly
ly/performer-init.ly
ly/engraver-init.ly
ly/performer-init.ly
[\new | \context] Context [ = nom] [expressió_musical]

<<
  \new Staff \relative {
    % deixeu que el context Voice es creï implícitament
    c''4 c
  }
  \new Staff \relative {
    d''4 d
  }
>>

\new Staff <<
  \new Voice \relative {
    \voiceOne
    c''8 c c4 c c
  }
  \new Voice \relative {
    \voiceTwo
    g'4 g g g
  }
>>

\new Staff <<
  \new Voice = "A" \relative {
    \voiceOne
    c''8 c c4 c c
  }
  \new Voice = "A" \relative {
    \voiceTwo
    g'4 g g g
  }
>>

\score {
  <<
    % score layout
    \new Staff <<
      \new Voice = "one" {
        \voiceOne
      }
      \new Voice = "two" {
        \voiceTwo
      }
    >>

    % musical content
    \context Voice = "one" {
      \relative {
        c''4 c c c
      }
    }
    \context Voice = "two" {
      \relative {
        g'8 g g4 g g
      }
    }
  >>
}

\score {
  <<
    % score layout
    \new Staff <<
      \context Voice = "one" {
        \voiceOne
      }
      \context Voice = "two" {
        \voiceTwo
      }
    >>

    % musical content
    \context Voice = "one" {
      \relative {
        c''4 c c c
      }
    }
    \context Voice = "two" {
      \relative {
        g'8 g g4 g g
      }
    }
  >>
}

\new Staff \relative {
  c'1
  \context Timing
  \applyContext #(lambda (ctx)
                   (newline)
                   (display (ly:context-current-moment ctx)))
  c1
}

\new Voice = "tenor" música
…
\new Lyrics \lyricsto "tenor" letra

musicA = \relative { d''4 d d d }
musicB = \relative { g'4 g g g }
keepVoicesAlive = {
  <<
    \new Voice = "A" { s1*5 }  % Manté la veu «A» viva per 5 compassos
    \new Voice = "B" { s1*5 }  % Manté la veu «B» viva per 5 compassos
  >>
}

music = {
  \context Voice = "A" {
    \voiceOneStyle
    \musicA
  }
  \context Voice = "B" {
    \voiceTwoStyle
    \musicB
  }
  \context Voice = "A" { \musicA }
  \context Voice = "B" { \musicB }
  \context Voice = "A" { \musicA }
}

\score {
  \new Staff <<
    \keepVoicesAlive
    \music
  >>
}

melody = \relative { a'4 a a a }
accompaniment = \relative { d'4 d d d }
words = \lyricmode { These words fol -- low the mel -- o -- dy }
\score {
  <<
    \new Staff = "music" {
      <<
        \new Voice = "melody" {
          \voiceOne
          s1*4  % Manté la veu «melody» viva per 4 compassos
        }
        {
          \new Voice = "accompaniment" {
            \voiceTwo
            \accompaniment
          }
          <<
            \context Voice = "melody" { \melody }
            \context Voice = "accompaniment" { \accompaniment }
          >>
          \context Voice = "accompaniment" { \accompaniment }
          <<
            \context Voice = "melody" { \melody }
            \context Voice = "accompaniment" { \accompaniment }
          >>
        }
      >>
    }
    \new Lyrics \with { alignAboveContext = "music" }
    \lyricsto "melody" { \words }
  >>
}

melody = \relative {
  s1  % skip a bar
  a'4 a a a
  s1  % skip a bar
  a4 a a a
}
accompaniment = \relative {
  d'4 d d d
  d4 d d d
  d4 d d d
  d4 d d d
}
words = \lyricmode { These words fol -- low the mel -- o -- dy }

\score {
  <<
    \new Staff = "music" {
      <<
        \new Voice = "melody" {
          \voiceOne
          \melody
        }
        \new Voice = "accompaniment" {
          \voiceTwo
          \accompaniment
        }
      >>
    }
    \new Lyrics \with { alignAboveContext = "music" }
    \lyricsto "melody" { \words }
  >>
}

\new contexto \with {
  \consists …
  \consists …
  \remove …
  \remove …
  etc.
}
{
  …música…
}

<<
  \new Staff \relative {
    f'2 g
  }
  \new Staff \with {
     \remove Time_signature_engraver
     \remove Clef_engraver
  } \relative {
    f'2 g2
  }
>>

\score {
  <<
    \new Staff \with {
      \consists Timing_translator
    }
    \relative {
        \time 3/4
        c''4 c c c c c
    }
  \new Staff \with {
    \consists Timing_translator
  }
  \relative {
      \time 2/4
      c''4 c c c c c
  }
>>
\layout {
  \context {
    \Score
    \remove Timing_translator
    }
  }
}

ly/engraver-init.ly
\layout {
  \context {
    \Voice
    [ajustaments de context per a tots els contextos Voice]
  }
  \context {
    \Staff
    [ajustaments de context per a tots els contextos Staff]
  }
}

\score {
  \relative {
    a'4^"Plica més gruixuda" a a a
    a4 a a\ff a
  }
  \layout {
    \context {
      \Staff
      \override Stem.thickness = #4.0
    }
  }
}

\score {
  \relative {
    a'4^"Tipus de lletra més petita" a a a
    a4 a a\ff a
  }
  \layout {
    \context {
      \Staff
      fontSize = #-4
    }
  }
}

\score {
  \relative {
    a'4^"La dinàmica a dalt" a a a
    a4 a a\ff a
  }
  \layout {
    \context {
      \Voice
      \dynamicUp
    }
    \context {
      \Staff
      \accidentalStyle dodecaphonic
    }
  }
}

StaffDefaults = \with {
  fontSize = #-4
}

\score {
  \new Staff {
    \relative {
      a'4^"Tipus de lletra més petita" a a a
      a4 a a a
    }
  }
  \layout {
    \context {
      \Staff
      \StaffDefaults
    }
  }
}

\score {
  \new Staff {
    \relative {
      a'4^"Tipus de lletra més petita" a a a
      a4 a a a
    }
  }
  \layout {
    \accidentalStyle dodecaphonic
    \set fontSize = #-4
    \override Voice.Stem.thickness = #4.0
  }
}

\new Staff \with { [ajustaments de context per a sols aquesta instància de context] }
{
  …
}

\chords \with { [ajustaments de context per a aquesta instància de context (implícita) sols] }
{
  …
}

\score {
  \new Staff {
    \new Voice \with { \override Stem.thickness = #4.0 }
    {
      \relative {
        a'4^"Pliques gruixudes" a a a
        a4 a a a
      }
    }
  }
}

\score {
  <<
    \new Staff {
      \relative {
        a'4^"Tipus de lletra predeterminat" a a a
        a4 a a a
      }
    }
    \new Staff \with { fontSize = #-4 }
    {
      \relative {
        a'4^"Tipus de lletra més petit" a a a
        a4 a a a
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \new Voice {
        \relative {
          a'4^"Dynamics below" a a a
          a4 a a\ff a
        }
      }
    }
    \new Staff \with { \accidentalStyle dodecaphonic }
    {
      \new Voice \with { \dynamicUp }
      {
        \relative {
          a'4^"Dinàmica a dalt" a a a
          a4 a a\ff a
        }
      }
    }
  >>
}

\layout {
  \context {
    …
  }
}

\name ImproVoice

\alias Voice

\consists Note_heads_engraver
\consists Text_engraver
\consists Rhythmic_column_engraver

\consists Pitch_squash_engraver
squashedPosition = #0

\override NoteHead.style = #'slash
\hide Stem

\type Engraver_group

\context {
  \name ImproVoice
  \type Engraver_group
  \consists Note_heads_engraver
  \consists Text_engraver
  \consists Rhythmic_column_engraver
  \consists Pitch_squash_engraver
  squashedPosition = #0
  \override NoteHead.style = #'slash
  \hide Stem
  \alias Voice
}

\context {
  \Staff
  \accepts ImproVoice
}

\layout {
  …
  \inherit-acceptability to from
}

\layout {
  …
  \inherit-acceptability "ImproVoice" "Voice"
}

\layout {
  \context {
    \name ImproVoice
    …
  }
  \inherit-acceptability "ImproVoice" "Voice"
}

\relative {
  a'4 d8 bes8
  \new ImproVoice {
    c4^"ad lib" c
    c4 c^"despulleu-vos"
    c c_"mentre toqueu :)"
  }
  a1
}

\score {
  \new GrandStaff <<
    \new StaffGroup <<
      \new Staff { c'1 }
      \new Staff { d'1 }
    >>
    \new Staff { \set Staff.instrumentName = bottom f'1 }
  >>
}

\score {
  \new GrandStaff <<
    \new StaffGroup <<
      \new Staff { c'1 }
      \new Staff { d'1 }
    >>
    \new Staff { \set Staff.instrumentName = bottom f'1 }
  >>
  \layout {
    \context {
      \GrandStaff
      \accepts StaffGroup
    }
  }
}

\new Staff \with { alignAboveContext = "principal" }

ly/engraver-init.ly
c''-2

scm/define-grobs.scm
(Fingering
  . ((padding . 0.5)
     (avoid-slur . around)
     (slur-padding . 0.2)
     (staff-padding . 0.5)
     (self-alignment-X . 0)
     (self-alignment-Y . 0)
     (script-priority . 100)
     (stencil . ,ly:text-interface::print)
     (direction . ,ly:script-interface::calc-direction)
     (font-encoding . fetaText)
     (font-size . -5) 		; don't overlap when next to heads.
     (meta . ((class . Item)
     (interfaces . (finger-interface
                    font-interface
                    text-script-interface
                    text-interface
                    side-position-interface
                    self-alignment-interface
                    item-interface))))))

c''-2

\once \override Voice.Fingering.padding = #3

\once \override Voice.Fingering.padding = #3
c''-2

\set context.propietat = #valor

R1*2
\set Score.skipBars = ##t
R1*2

\set Score.autoBeaming = ##f
\relative {
  e''8 e e e
  \set autoBeaming = ##t
  e8 e e e
} \\
\relative {
  c''8 c c c c8 c c c
}

R1*2
\set skipBars = ##t
R1*2

\unset context.propietat

\set Score.autoBeaming = ##t
\relative {
  \unset autoBeaming
  e''8 e e e
  \unset Score.autoBeaming
  e8 e e e
} \\
\relative {
  c''8 c c c c8 c c c
}

\set Voice.autoBeaming = ##t
\set autoBeaming = ##t

c''4
\once \set fontSize = #4.7
c''4
c''4

scm/define-grobs.scm
\override [context.]NomDelGrob.propietat = #valor

c''4 c''
\override Voice.Stem.thickness = #3.0
c''4 c''

\override Staff.Stem.thickness = #3.0
<<
  \relative {
    e''4 e
    \override Stem.thickness = #0.5
    e4 e
  } \\
  \relative {
    c''4 c c c
  }
>>

\override Stem.details.beamed-lengths = #'(4 4 3)

\override TextSpanner.bound-details.left.text = "left text"
\override TextSpanner.bound-details.right.text = "right text"

\revert [Context.]NomDelGrob.propietat

\relative {
  c''4
  \override Voice.Stem.thickness = #3.0
  c4 c
  \revert Voice.Stem.thickness
  c4
}

<<
  \relative {
    e''4
    \override Staff.Stem.thickness = #3.0
    e4 e e
  } \\
  \relative {
    c''4 c c
    \revert Staff.Stem.thickness
    c4
  }
>>

<<
  \relative c {
    \override Stem.thickness = #3.0
    e''4 e e e
  } \\
  \relative {
    c''4
    \once \override Stem.thickness = #3.0
    c4 c c
  }
>>

\tweak [objecte-de-presentació.]propietat-del-grob valor

< c''
  \tweak color #red
  d''
  g''
  \tweak duration-log #1
  a''
> 4

\relative { c'-\tweak thickness #5 ( d e f) }

\tweak color #red c''4
\tweak color #red <c'' e''>4
<\tweak color #red c'' e''>4

\tweak Stem.color #red
\tweak Beam.color #green c''8 e''
<c'' e'' \tweak Accidental.font-size #-3 ges''>4

c'
  -\tweak style #'dashed-line
  -\tweak dash-fraction #0.2
  -\tweak thickness #3
  -\tweak color #red
  \glissando
f''

[-]\offset propietat increments element

scm/define-grobs.scm
\offset propietat increment [context.]NomDeGrob

arpeggioMusic = {
  <c' e' g'>\arpeggio <a' c'' e''>\arpeggio
  <d' f' a' c''>\arpeggio <c' e' g' b' d'' f'' a''>\arpeggio
}

{
  \arpeggioMusic
  \bar "||"
  \offset positions #'(-0.5 . 0.5) Arpeggio
  \arpeggioMusic
  \bar "||"
  \once \override Arpeggio.positions = #'(-3.5 . -0.5)
  <c' e' g'>1\arpeggio
  \bar "||"
}

music = { c'8\< d' e' f'\! }

{
  \music
  \offset height 1 Hairpin
  \music
  \music
  \revert Hairpin.height
  \music
  \bar "||"
  \once \offset height 1 Hairpin
  \music \music
  \bar "||"
  \override Hairpin.height = 0.2
  \music
  \temporary \offset height 2 Hairpin
  \music
  \music
  \revert Hairpin.height
  \music
  \bar "||"
}

longStem = \offset length 6 Stem

{
 \longStem c'4 c''' c' c''
 \bar "||"
 \undo \longStem c'4 c''' c' c''
 \bar "||"
 \single \longStem c'4 c''' c' c''
 \bar "||"
}

[-]\offset [NomDeGrob.]propietat increments expressió-musical

{
  c''4
  \breathe
  c''4
  \offset Y-offset 2 \breathe
  c''2
  \tweak Y-offset 3 \breathe
}

{
  c''8 g'' e'' d''
  \offset Beam.positions #'(-2 . -2)
  c''8 g'' e'' d''
  c''8 g'' e'' d''
  c''8-\offset positions #-2 [ g'' e'' d'']
}

{
  \offset staff-padding #'(0 3) Staff.OttavaBracket
  \ottava #1
  c'''2 c'''
  \break
  c'''2 c'''
}

{
  c'4-\offset control-points #'(
               ((0 . 0) (0 . 0) (0 . 0) (0 . 1))
               ((0.5 . 1.5) (1 . 0) (0 . 0) (0 . -1.5))
              ) ( f'4 g' c''
  \break
  d'4 c'' f' c')
}

'((clave1 . valor1)
  (clave2 . valor2)
  (clave3 . valor3)
  …)

'((basic-distance . 9)
  (minimum-distance . 7)
  (padding . 1)
  (stretchability . 5))

% espai predeterminat entre pentagrames
\new PianoStaff <<
  \new Staff { \clef treble c''1 }
  \new Staff { \clef bass   c1   }
>>

% espai reduït entre pentagrames
\new PianoStaff \with {
  % aquesta és la declaració niuada
  \override StaffGrouper.staff-staff-spacing.basic-distance = #7
} <<
  \new Staff { \clef treble c''1 }
  \new Staff { \clef bass   c1   }
>>

\new PianoStaff \with {
  \override StaffGrouper.staff-staff-spacing =
    #'((basic-distance . 0)
       (minimum-distance . 0)
       (padding . 0)
       (stretchability . 0))
} <<
  \new Staff { \clef treble c''1 }
  \new Staff { \clef bass   c1   }
>>

\override StaffGrouper.staff-staff-spacing =
  #'((basic-distance . 7))

\override StaffGrouper.staff-staff-spacing =
  #'((basic-distance . 7)
     (minimum-distance . 0)
     (padding . 0)
     (stretchability . 7))

scm/define-grobs.scm
\relative {
  c''2( c)
  c2_( c)
  c2( c)
  c2^( c)
}

\xxxUp, \xxxDown or \xxxNeutral

\relative {
  c''2( c)
  \slurDown
  c2( c)
  c2( c)
  \slurNeutral
  c2( c)
}

\with-dimensions #'(-5 . 10) #'(-3 . 15) arg

\new Staff \with {
  \override StaffSymbol.line-positions = #'(7 3 0 -4 -6 -7)
}
\relative { a4 e' f b | d1 }

\new Staff \with {
  \override StaffSymbol.width = #23
}
\relative { a4 e' f b | d1 }

a'~ a'
a'
% incrementa la longitud de la lligadura d'unió
-\tweak minimum-length #5
~ a'

\relative \compressMMRests {
  a'1
  R1*23
  % incrementa la longitud del compàs d'espera
  \once \override MultiMeasureRest.minimum-length = #20
  R1*23
  a1
}

\relative {
  a' \< a a a \!
  % incrementa la longitud de les marques expressives
  \override Hairpin.minimum-length = #20
  a \< a a a \!
}

\relative {
  a'( g)
  a
  -\tweak minimum-length #5
  ( g)

  a\( g\)
  a
  -\tweak minimum-length #5
  \( g\)
}

% default
e' \glissando c''

% no és efectiu per si sol
\once \override Glissando.minimum-length = #20
e' \glissando c''

% sols efectiu si estan presents els dos overrida
\once \override Glissando.minimum-length = #20
\once \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
e' \glissando c''

% no és efectiu per si sol
\once \override Beam.minimum-length = #20
e'8 e' e' e'

% sols efectiu si estan presents els dos overrida
\once \override Beam.minimum-length = #20
\once \override Beam.springs-and-rods = #ly:spanner::set-spacing-rods
e'8 e' e' e'

\relative {
  a' \< a a a a \! a a a \break
  \override Hairpin.to-barline = ##f
  a \< a a a a \! a a a
}

e''2 \glissando b'
\once \override Glissando.bound-details.left.Y = #3
\once \override Glissando.bound-details.right.Y = #-2
e''2 \glissando b'

\override Glissando.breakable = ##t
\override Glissando.bound-details.right-broken.Y = #-3
c''1 \glissando \break
f''1

\override TextSpanner.bound-details.left.text
   = \markup { \small \bold Slower }
\relative { c''2\startTextSpan b c a\stopTextSpan }

\override TextSpanner.bound-details.left.stencil-align-dir-y = #-2
\override TextSpanner.bound-details.right.stencil-align-dir-y = #UP

\override TextSpanner.bound-details.left.text = "ggg"
\override TextSpanner.bound-details.right.text = "hhh"

\relative { c'4^\startTextSpan c c c \stopTextSpan }

\relative c'' {
  \endSpanners
  c2 \startTextSpan c2 c2
  \endSpanners
  c2 \< c2 c2
}

a1 a
\override Score.BarLine.stencil = ##f
a a
\revert Score.BarLine.stencil
a a a

a1 a
\omit Score.BarLine
a a
\undo \omit Score.BarLine
a a a

a'4 a'
\once \override NoteHead.transparent = ##t
a' a'

a'4 a'
\once \hide NoteHead
a' a'

\override Staff.Clef.color = #white
a'1

\override Staff.Clef.color = #white
\override Staff.Clef.layer = #-1
a'1

scm/output-lib.scm
\relative {
  f'4 g a b
  f4 g a b
  % Elimina la línia de compàs al final de la línia actual
  \once \override Score.BarLine.break-visibility = ##(#f #t #t)
  \break
  f4 g a b
  f4 g a b
}

\relative {
  \key g \major
  f'4 g a b
  % Intenta eliminar totes armadures
  \override Staff.KeySignature.break-visibility = #all-invisible
  \key bes \major
  f4 g a b
  \break
  f4 g a b
  f4 g a b
}

\relative {
  \key g \major
  f'4 g a b
  \set Staff.explicitKeySignatureVisibility = #all-invisible
  \override Staff.KeySignature.break-visibility = #all-invisible
  \key bes \major
  f4 g a b \break
  f4 g a b
  f4 g a b
}

\relative {
  \key g \major
  f'4 g a b
  \set Staff.explicitKeySignatureVisibility = #all-invisible
  \set Staff.printKeyCancellation = ##f
  \override Staff.KeySignature.break-visibility = #all-invisible
  \key bes \major
  f4 g a b \break
  f4 g a b
  f4 g a b
}

\relative {
  \key g \major
  f'4 g a b
  \set Staff.explicitKeySignatureVisibility = #all-invisible
  \set Staff.printKeyCancellation = ##f
  \key c \major
  f4 g a b \break
  f4 g a b
  f4 g a b
}

\relative {
  \key g \major
  f'4 g a b
  \set Staff.explicitKeySignatureVisibility = #all-invisible
  \override Staff.KeyCancellation.break-visibility = #all-invisible
  \key c \major
  f4 g a b \break
  f4 g a b
  f4 g a b
}

\relative {
  d''2 \glissando d'2
  \once \override Glissando.style = #'dashed-line
  d,2 \glissando d'2
  \override Glissando.style = #'dotted-line
  d,2 \glissando d'2
  \override Glissando.style = #'zigzag
  d,2 \glissando d'2
  \override Glissando.style = #'trill
  d,2 \glissando d'2
}

\relative {
  e''2 \glissando f
  \once \override Glissando.bound-details.right.Y = #-2
  e2 \glissando f
}

g4\< e' d'' f''\!
\override Hairpin.rotation = #'(20 -1 0)
g4\< e' d'' f''\!

\override TextScript.outside-staff-priority = ##f
g4^\markup { \rotate #30 "a G" }
b^\markup { \rotate #30 "a B" }
des'^\markup { \rotate #30 "a D-Flat" }
fis'^\markup { \rotate #30 "an F-Sharp" }

scm/define-grobs.scm
a'-3
a'
-\tweak X-offset #0
-\tweak Y-offset #0
-3
a'
-\tweak X-offset #-1
-\tweak Y-offset #1
-3

a'
-\tweak self-alignment-X #-1
^"left-aligned"
-\tweak self-alignment-X #0
^"center-aligned"
-\tweak self-alignment-X #RIGHT
^"right-aligned"
-\tweak self-alignment-X #-2.5
^"aligned further to the right"

a'
-\tweak self-alignment-X #0.5  % mou horitzontalment cap a l'esquerra
-\tweak Y-offset #ly:self-alignment-interface::y-aligned-on-self
-\tweak self-alignment-Y #-1  % mou amunt verticalment
-3  % tercer dit

% La marca d'assaig s'alinearà amb la vora dreta de la clau
\override Score.RehearsalMark.break-align-symbols = #'(clef)
\key a \major
\clef treble
\mark "↓"
e'1
% La marca d'assaig s'alinearà amb la vora esquerra de la indicació de temps
\override Score.RehearsalMark.break-align-symbols = #'(time-signature)
\key a \major
\clef treble
\time 3/4
\mark "↓"
e'2.
% La marca d'assaig se centrarà sobre la marca de respiració
\override Score.RehearsalMark.break-align-symbols = #'(breathing-sign)
\key a \major
\clef treble
\time 4/4
e'1
\breathe
\mark "↓"

% La marca d'assaig s'alinearà amb la vora dreta de l'armadura
\override Score.RehearsalMark.break-align-symbols = #'(key-signature clef)
\key a \major
\clef treble
\mark "↓"
e'1
% La marca d'assaig s'alinearà amb la vora dreta de la clau
\set Staff.explicitKeySignatureVisibility = #all-invisible
\override Score.RehearsalMark.break-align-symbols = #'(key-signature clef)
\key a \major
\clef bass
\mark "↓"
gis,1
% La marca d'assaig se centrarà sobre la línia de compàs
\set Staff.explicitKeySignatureVisibility = #all-invisible
\set Staff.explicitClefVisibility = #all-invisible
\override Score.RehearsalMark.break-align-symbols = #'(key-signature clef)
\key a \major
\clef treble
\mark "↓"
e'1

% La marca d'assaig s'alinearà amb la vora dreta de l'armadura
\override Score.RehearsalMark.break-align-symbols = #'(key-signature)
\key a \major
\clef treble
\time 4/4
\mark "↓"
e'1
% La marca d'assaig se centrarà sobre l'armadura
\once \override Score.KeySignature.break-align-anchor-alignment = #CENTER
\mark "↓"
\key a \major
e'1
% La marca d'assaig s'alinearà amb la vora esquerra de l'armadura
\once \override Score.KeySignature.break-align-anchor-alignment = #LEFT
\key a \major
\mark "↓"
e'1

% La marca d'assaig s'alinearà amb la vora esquerra de l'armadura
% i després es desplaçarà 3.5 espais de pentagrama a la dreta
% and then shifted right by 3.5 staff-spaces
\override Score.RehearsalMark.break-align-symbols = #'(key-signature)
\once \override Score.KeySignature.break-align-anchor = #3.5
\key a \major
\mark "↓"
e'1
% La marca d'assaig s'alinearà amb la vora esquerra de l'armadura
% i després es desplaçarà 2 espais de pentagrama a l'esquerra
\once \override Score.KeySignature.break-align-anchor = #-2
\key a \major
\mark "↓"
e'1

XinO = {
  \once \override NoteHead.stencil = #ly:text-interface::print
  \once \override NoteHead.text = \markup {
    \combine
      \halign #-0.7 \draw-circle #0.85 #0.2 ##f
      \musicglyph "noteheads.s2cross"
  }
}
\relative {
  a' a \XinO a a
}

EPS
<<
  { e'1~ 1 }
\\
  \relative { r4 <g' c,> <g c,> <g c,> }
>>

[-]\shape desplaçament element

<<
  {
    \shape #'((0 . 0.5) (0 . 0.5) (0 . 0.5) (0 . 0.5)) Tie
    e'1~ 1
  }
\\
  \relative { r4 <g' c,> <g c,> <g c,> }
>>

<<
  {
    e'1-\shape #'((0 . 0.5) (0 . 1) (0 . 1) (0 . 0.5)) ~ e'
  }
\\
  \relative { r4 <g' c,> <g c,> <g c,> }
>>

\relative {
  c''8(\( a) a'4 e c\)
  \shape #'((0.7 . -0.4) (0.5 . -0.4) (0.3 . -0.3) (0 . -0.2)) Slur
  \shape #'((0 . 0) (0 . 0.5) (0 . 0.5) (0 . 0)) PhrasingSlur
  c8(\( a) a'4 e c\)
}

\relative {
  c'4( f g c
  \break
  d,4 c' f, c)
}

% () es pot usar com a abreviatura per a ((0 . 0) (0 . 0) (0 . 0) (0 . 0))
% si no cal canviar algun dels segments
\relative c' {
  \shape #'(
             (( 0 . 0) (0 . 0) (0 . 0) (0 . 1))
             ((0.5 . 1.5) (1 . 0) (0 . 0) (0 . -1.5))
           ) Slur
  c4( f g c
  \break
  d,4 c' f, c)
}

\relative c'' {
  c8( e b-> f d' a e-> g)
  \shape #'((0 . -1) (5.5 . -0.5) (-5.5 . -10.5) (0 . -5.5)) PhrasingSlur
  c8\( e b-> f d' a e-> g\)
}

\relative {
  c''1
  \repeat volta 3 { c4 d( e f }
  \alternative {
    { g2) d }
    {
      g2
      % crea una lligadura d'expressió i mou-la a una nova posició
      % <> és simplement un acord buit per portar el final de la lligadura d'unió
      -\tweak control-points #'((-2 . 3.8) (-1 . 3.9) (0 . 4) (1 . 3.4)) ( <> )
      f,
    }
    {
      e'2
      % create a slur and move it to a new position
      -\tweak control-points #'((-2 . 3) (-1 . 3.1) (0 . 3.2) (1 . 2.4)) ( <> )
      f,
    }
  }
}

\relative c'' {
  r2
  \once\override Slur.thickness = 10
  c8( d e f
  \break
  g8 f e d) r2
}

[-]\alterBroken propietat valors element

\relative c'' {
  r2
  \alterBroken thickness #'(10 1) Slur
  c8( d e f
  \break
  g8 f e d) r2
}

% La llista buida s'usa convenientment a sota, atès que és la
% configuració predeterminada de línia, una línia sòlida
\relative {
  c''2-\alterBroken dash-definition #'(() ((0 1.0 0.4 0.75))) \(e
  \break
  g2 e\)
}

#(define (square-line-circle-space grob)
(let* ((pitch (ly:event-property (ly:grob-property grob 'cause) 'pitch))
      (notename (ly:pitch-notename pitch)))
 (if (= 0 (modulo notename 2))
     (make-circle-stencil 0.5 0.0 #t)
     (make-filled-box-stencil '(0 . 1.0)
                              '(-0.5 . 0.5)))))

squareLineCircleSpace = {
  \override NoteHead.stencil = #square-line-circle-space
}

smartSquareLineCircleSpace = {
  \squareLineCircleSpace
  \override NoteHead.Y-extent =
   #(ly:make-unpure-pure-container
      ly:grob::stencil-height
      (lambda (grob start end) (ly:grob::stencil-height grob)))
}

\new Voice \with { \remove Stem_engraver }
\relative c'' {
  \squareLineCircleSpace
  cis4 ces disis d
  \smartSquareLineCircleSpace
  cis4 ces disis d
}

funcion =
#(define-music-function
     (arg1 arg2 …)
     (type1? type2? …)
   #{
     …música…
   #})

boolean?
cheap-list?  (utilitzar en lloc de ‘list?’ per processar-ho més ràpid)
ly:duration?
ly:music?
ly:pitch?
markup?
number?
pair?
string?
symbol?

lily/music-scheme.cc
scm/c++.scm
scm/lily.scm
padText =
#(define-music-function
     (padding)
     (number?)
   #{
     \once \override TextScript.padding = #padding
   #})

\relative {
  c''4^"piu mosso" b a b
  \padText #1.8
  c4^"piu mosso" b a b
  \padText #2.6
  c4^"piu mosso" b a b
}

custosNote =
#(define-music-function
     (note)
     (ly:music?)
   #{
     \tweak NoteHead.stencil #ly:text-interface::print
     \tweak NoteHead.text
        \markup \musicglyph "custodes.mensural.u0"
     \tweak Stem.stencil ##f
     #note
   #})

\relative { c'4 d e f \custosNote g }

padText =
  \once \override TextScript.padding = \etc

\relative {
  c''4^"piu mosso" b a b
  \padText #1.8
  c4^"piu mosso" b a b
  \padText #2.6
  c4^"piu mosso" b a b
}

custosNote =
  \tweak NoteHead.stencil #ly:text-interface::print
  \tweak NoteHead.text
     \markup \musicglyph "custodes.mensural.u0"
  \tweak Stem.stencil ##f
  \etc

\relative { c'4 d e f \custosNote g }

tempoPadded =
#(define-music-function
     (padding tempotext)
     (number? markup?)
   #{
     \once \override Score.MetronomeMark.padding = #padding
     \tempo \markup { \bold #tempotext }
   #})

\relative {
  \tempo \markup { "Low tempo" }
  c''4 d e f g1
  \tempoPadded #4.0 "High tempo"
  g4 f e d c1
}

scm/paper.scm
acoustic grand            contrabass           lead 7 (fifths)
bright acoustic           tremolo strings      lead 8 (bass+lead)
electric grand            pizzicato strings    pad 1 (new age)
honky-tonk                orchestral harp      pad 2 (warm)
electric piano 1          timpani              pad 3 (polysynth)
electric piano 2          string ensemble 1    pad 4 (choir)
harpsichord               string ensemble 2    pad 5 (bowed)
clav                      synthstrings 1       pad 6 (metallic)
celesta                   synthstrings 2       pad 7 (halo)
glockenspiel              choir aahs           pad 8 (sweep)
music box                 voice oohs           fx 1 (rain)
vibraphone                synth voice          fx 2 (soundtrack)
marimba                   orchestra hit        fx 3 (crystal)
xylophone                 trumpet              fx 4 (atmosphere)
tubular bells             trombone             fx 5 (brightness)
dulcimer                  tuba                 fx 6 (goblins)
drawbar organ             muted trumpet        fx 7 (echoes)
percussive organ          french horn          fx 8 (sci-fi)
rock organ                brass section        sitar
church organ              synthbrass 1         banjo
reed organ                synthbrass 2         shamisen
accordion                 soprano sax          koto
harmonica                 alto sax             kalimba
concertina                tenor sax            bagpipe
acoustic guitar (nylon)   baritone sax         fiddle
acoustic guitar (steel)   oboe                 shanai
electric guitar (jazz)    english horn         tinkle bell
electric guitar (clean)   bassoon              agogo
electric guitar (muted)   clarinet             steel drums
overdriven guitar         piccolo              woodblock
distorted guitar          flute                taiko drum
guitar harmonics          recorder             melodic tom
acoustic bass             pan flute            synth drum
electric bass (finger)    blown bottle         reverse cymbal
electric bass (pick)      shakuhachi           guitar fret noise
fretless bass             whistle              breath noise
slap bass 1               ocarina              seashore
slap bass 2               lead 1 (square)      bird tweet
synth bass 1              lead 2 (sawtooth)    telephone ring
synth bass 2              lead 3 (calliope)    helicopter
violin                    lead 4 (chiff)       applause
viola                     lead 5 (charang)     gunshot
cello                     lead 6 (voice)

black       white          red         green
blue        cyan           magenta     yellow
grey        darkred        darkgreen   darkblue
darkcyan    darkmagenta    darkyellow

snow		GhostWhite	WhiteSmoke	gainsboro	FloralWhite
OldLace		linen		AntiqueWhite	PapayaWhip	BlanchedAlmond
bisque		PeachPuff	NavajoWhite	moccasin	cornsilk
ivory		LemonChiffon	seashell	honeydew	MintCream
azure		AliceBlue	lavender	LavenderBlush	MistyRose
white		black		DarkSlateGrey	DimGrey		SlateGrey
LightSlateGrey	grey		LightGrey	MidnightBlue	navy
NavyBlue	CornflowerBlue	DarkSlateBlue	SlateBlue	MediumSlateBlue
LightSlateBlue	MediumBlue	RoyalBlue	blue		DodgerBlue
DeepSkyBlue	SkyBlue		LightSkyBlue	SteelBlue	LightSteelBlue
LightBlue	PowderBlue	PaleTurquoise	DarkTurquoise	MediumTurquoise
turquoise	cyan		LightCyan	CadetBlue	MediumAquamarine
aquamarine	DarkGreen	DarkOliveGreen	DarkSeaGreen	SeaGreen
MediumSeaGreen	LightSeaGreen	PaleGreen	SpringGreen	LawnGreen
green		chartreuse	MediumSpringGreen	GreenYellow	LimeGreen
YellowGreen	ForestGreen	OliveDrab	DarkKhaki	khaki
PaleGoldenrod	LightGoldenrodYellow	LightYellow	yellow	gold
LightGoldenrod	goldenrod	DarkGoldenrod	RosyBrown	IndianRed
SaddleBrown	sienna		peru		burlywood	beige
wheat		SandyBrown	tan		chocolate	firebrick
brown		DarkSalmon	salmon		LightSalmon	orange
DarkOrange	coral		LightCoral	tomato		OrangeRed
red		HotPink		DeepPink	pink		LightPink
PaleVioletRed	maroon		MediumVioletRed	VioletRed	magenta
violet		plum		orchid		MediumOrchid	DarkOrchid
DarkViolet	BlueViolet	purple		MediumPurple	thistle
DarkGrey	DarkBlue	DarkCyan	DarkMagenta	DarkRed
LightGreen

snowN		seashellN	AntiqueWhiteN	bisqueN		PeachPuffN
NavajoWhiteN	LemonChiffonN	cornsilkN	ivoryN		honeydewN
LavenderBlushN	MistyRoseN	azureN		SlateBlueN	RoyalBlueN
blueN		DodgerBlueN	SteelBlueN	DeepSkyBlueN	SkyBlueN
LightSkyBlueN	LightSteelBlueN	LightBlueN	LightCyanN	PaleTurquoiseN
CadetBlueN	turquoiseN	cyanN		aquamarineN	DarkSeaGreenN
SeaGreenN	PaleGreenN	SpringGreenN	greenN		chartreuseN
OliveDrabN	DarkOliveGreenN	khakiN		LightGoldenrodN	LightYellowN
yellowN		goldN		goldenrodN	DarkGoldenrodN	RosyBrownN
IndianRedN	siennaN		burlywoodN	wheatN		tanN
chocolateN	firebrickN	brownN		salmonN		LightSalmonN
orangeN		DarkOrangeN	coralN		tomatoN		OrangeRedN
redN		DeepPinkN	HotPinkN	pinkN		LightPinkN
PaleVioletRedN	maroonN		VioletRedN	magentaN	orchidN
plumN		MediumOrchidN	DarkOrchidN	purpleN		MediumPurpleN
thistleN

greyN

g^\markup {\musicglyph "scripts.segno" }

\markup {\musicglyph "five"}

\markup {
  default text font size
  \hspace #2
  \abs-fontsize #16 { text font size 16 }
  \hspace #2
  \abs-fontsize #12 { text font size 12 }
}

\markup {
  default
  \hspace #2
  \bold
  bold
}

\markup {
  \override #'(box-padding . 0.5)
  \box
  \line { V. S. }
}

\markup {
  default
  \hspace #2
  \caps {
    Text in small caps
  }
}

\markup {
  \dynamic {
    sfzp
  }
}

\markup {
  \figured-bass {
    2 3 4+ 7 "9\\"
  }
}

\markup {
  \finger {
    1 2 3 4 5
  }
}

\markup {
  default
  \hspace #2
  \fontsize #-1.5
  smaller
}

\markup {
  default
  \hspace #2
  \huge
  huge
}

\markup {
  default
  \hspace #2
  \italic
  italic
}

\markup {
  default
  \hspace #2
  \large
  large
}

\markup {
  default
  \hspace #2
  \larger
  larger
}

A \magnify #1.1 { A } A

\markup {
  default
  \hspace #2
  \magnify #1.5 {
    50% larger
  }
}

\markup {
  \bold {
    some bold text
    \hspace #2
    \medium {
      medium font series
    }
    \hspace #2
    bold again
  }
}

\markup {
  default
  \normal-size-sub {
    subscript in standard size
  }
}

\markup {
  default
  \normal-size-super {
    superscript in standard size
  }
}

\markup {
  \huge \bold \sans \caps {
    huge bold sans caps
    \hspace #2
    \normal-text {
      huge normal
    }
    \hspace #2
    as before
  }
}

\markup {
  \teeny {
    this is very small
    \hspace #2
    \normalsize {
      normal size
    }
    \hspace #2
    teeny again
  }
}

\markuplist
  \number
  \fontsize #5
  \override #'((padding . 2)
               (baseline-skip . 4)
               (box-padding . 0)
               (thickness . 0.1))
  \table #'(-1 -1 -1 -1) {
      0123456789 \box 147 \concat { \box 1 \box 4 \box 7 }
    \normal-text \normalsize "(time signatures)"
    \override #'(font-features .("cv47")) {
      0123456789 \box 147 \concat { \box 1 \box 4 \box 7 } }
    \normal-text \normalsize "(alternatives)"
    \override #'(font-features .("tnum" "cv47" "-kern")) {
      0123456789 \box 147 \concat { \box 1 \box 4 \box 7 } }
    \normal-text \normalsize "(fixed-width)"
    \override #'(font-features . ("tnum" "cv47" "ss01")) {
      0123456789 \box 147 \concat { \box 1 \box 4 \box 7 } }
    \normal-text \normalsize "(figured bass)"
    \override #'(font-features . ("cv47" "ss01")) {
      0123456789 \box 147 \concat { \box 1 \box 4 \box 7 } }
    \normal-text \normalsize "(fingering)"
  }

\markup \line {
  \overtie "overtied"
  \override #'((offset . 5) (thickness . 1))
  \overtie "overtied"
  \override #'((offset . 1) (thickness . 5))
  \overtie "overtied"
}

\markup \replace #'(("2nd" . "Second"))
  "2nd time"
\markup \replace
  #`(("2nd" . ,#{ \markup \concat { 2 \super nd } #}))
  \center-column {
    \line { Play only }
    \line { the 2nd time }
  }

\markup {
  \sans \bold {
    sans serif, bold
    \hspace #2
    \roman {
      text in roman font family
    }
    \hspace #2
    return to sans
  }
}

\markup {
  default
  \hspace #2
  \sans {
    sans serif
  }
}

\markup {
  \simple #"simple"
  \simple #"text"
  \simple #"strings"
}

\markup {
  default
  \hspace #2
  \small
  small
}

\markup {
  default
  \hspace #2
  \smallCaps {
    Text in small caps
  }
}

\markup {
  \fontsize #3.5 {
    large text
    \hspace #2
    \smaller { smaller text }
    \hspace #2
    large text
  }
}

\markup {
  \concat {
    H
    \sub {
      2
    }
    O
  }
}

\markup {
  E =
  \concat {
    mc
    \super
    2
  }
}

\markup {
  default
  \hspace #2
  \teeny
  teeny
}

\markup {
  \number {
    1, 2,
    \text {
      three, four,
    }
    5
  }
}

\markup {
  \override #'(direction . 1)
  \tie "above"
  \override #'(direction . -1)
  \tie "below"
}

\markup {
  default
  \hspace #2
  \tiny
  tiny
}

\markup {
  default
  \hspace #2
  \typewriter
  typewriter
}

\markup \justify-line {
  \underline "underlined"
  \override #'(offset . 5)
  \override #'(thickness . 1)
  \underline "underlined"
  \override #'(offset . 1)
  \override #'(thickness . 5)
  \underline "underlined"
  \override #'(offset . 5)
  \override #'(underline-skip . 4)
  \underline \underline \underline "multiple underlined"
}

\markup \line {
  \undertie "undertied"
  \override #'((offset . 5) (thickness . 1))
  \undertie "undertied"
  \override #'((offset . 1) (thickness . 5))
  \undertie "undertied"
}

\markup {
  \italic {
    italic text
    \hspace #2
    \upright {
      upright text
    }
    \hspace #2
    italic again
  }
}

\markup \with-string-transformer
  #(lambda (layout props str)
     (string-upcase str))
  "abc"

\markup \column {
  1
  12
  \align-on-other #X #RIGHT 12
                     #LEFT 12345
  123
}

\markup {
  \column {
    one
    \center-align
    two
    three
  }
}

\markup {
  \center-column {
    one
    two
    three
  }
}

\markup {
  \column {
    one
    two
    three
  }
}

\markup {
  \fontsize #5
  \override #'(thickness . 2)
  \combine
    \draw-line #'(0 . 4)
    \arrow-head #Y #DOWN ##f
}

\markup {
  \concat {
    one
    two
    three
  }
}

\markup {
  \override #`(direction . ,UP)
  \dir-column {
    going up
  }
  \hspace #1
  \dir-column {
    going down
  }
  \hspace #1
  \override #'(direction . 1)
  \dir-column {
    going up
  }
}

\markup {
  \column {
    \fill-line {
      Words evenly spaced across the page
    }
    \null
    \fill-line {
      \line { Text markups }
      \line {
        \italic { evenly spaced }
      }
      \line { across the page }
    }
    \null
    \override #'(line-width . 50)
    \fill-line {
      Width explicitly specified
    }
  }
}

\markup \column {
  "right-aligned :"
  \fill-with-pattern #1 #RIGHT . first right
  \fill-with-pattern #1 #RIGHT . second right
  \null
  "center-aligned :"
  \fill-with-pattern #1.5 #CENTER - left right
  \null
  "left-aligned :"
  \override #'(line-width . 50)
  \fill-with-pattern #2 #LEFT : left first
  \override #'(line-width . 50)
  \fill-with-pattern #2 #LEFT : left second
}

\markup {
  \column {
    one
    \general-align #X #LEFT
    two
    three
    \null
    one
    \general-align #X #CENTER
    two
    three
    \null
    \line {
      one
      \general-align #Y #UP
      two
      three
    }
    \null
    \line {
      one
      \general-align #Y #3.2
      two
      three
    }
  }
}

\markup {
  \column {
    one
    \halign #LEFT
    two
    three
    \null
    one
    \halign #CENTER
    two
    three
    \null
    one
    \halign #RIGHT
    two
    three
    \null
    one
    \halign #-5
    two
    three
  }
}

\new StaffGroup <<
  \new Staff {
    \set Staff.instrumentName = \markup {
      \hcenter-in #12
      Oboe
    }
    c''1
  }
  \new Staff {
    \set Staff.instrumentName = \markup {
      \hcenter-in #12
      Bassoon
    }
    \clef tenor
    c'1
  }
>>

\markup {
  one
  \hspace #2
  two
  \hspace #8
  three
}

\markup {
  \justify {
    Lorem ipsum dolor sit amet, consectetur adipisicing elit,
    sed do eiusmod tempor incididunt ut labore et dolore
    magna aliqua.  Ut enim ad minim veniam, quis nostrud
    exercitation ullamco laboris nisi ut aliquip ex ea
    commodo consequat.
  }
}

\header {
  title = "My title"
  myText = "Lorem ipsum dolor sit amet, consectetur
    adipisicing elit, sed do eiusmod tempor incididunt
    ut labore et dolore magna aliqua.  Ut enim ad minim
    veniam, quis nostrud exercitation ullamco laboris
    nisi ut aliquip ex ea commodo consequat."
}

\paper {
  bookTitleMarkup = \markup {
    \column {
      \fill-line { \fromproperty #'header:title }
      \null
      \justify-field #'header:myText
    }
  }
}

\markup {
  \null
}

\markup {
  \justify-line {
    Constant space between neighboring words
  }
}

\markup {
  \override #'(line-width . 40)
  \justify-string #"Lorem ipsum dolor sit amet, consectetur
      adipisicing elit, sed do eiusmod tempor incididunt ut
      labore et dolore magna aliqua.

      Ut enim ad minim veniam, quis nostrud exercitation
      ullamco laboris nisi ut aliquip ex ea commodo
      consequat.

      Excepteur sint occaecat cupidatat non proident, sunt
      in culpa qui officia deserunt mollit anim id est
      laborum"
}

\markup {
  \column {
    one
    \left-align
    two
    three
  }
}

\markup {
  \left-column {
    one
    two
    three
  }
}

\markup {
  \line {
    one two three
  }
}

\markup {
  one
  \lower #3
  two
  three
}

\markup {
  \fontsize #5
  \override #'(thickness . 2)
  \overlay {
    \draw-line #'(0 . 4)
    \arrow-head #Y #DOWN ##f
    \translate #'(0 . 4)\arrow-head #Y #UP ##f
  }
}

\markup {
  \box {
    default
  }
  \hspace #2
  \box {
    \pad-markup #1 {
      padded
    }
  }
}

\markup {
  \box {
    default
  }
  \hspace #2
  \box {
    \pad-around #0.5 {
      padded
    }
  }
}

\markup {
  \box {
    default
  }
  \hspace #4
  \box {
    \pad-to-box #'(0 . 10) #'(0 . 3) {
      padded
    }
  }
}

\markup {
  \box {
    default
  }
  \hspace #4
  \box {
    \pad-x #2 {
      padded
    }
  }
}

\markup {
  C
  \small
  \bold
  \raise #1.0
  9/7+
}

\markup {
  \column {
    one
    \right-align
    two
    three
  }
}

\markup {
  \right-column {
    one
    two
    three
  }
}

\markup {
  default
  \hspace #2
  \rotate #45
  \line {
    rotated 45?
  }
}

\markup {
  *
  \translate #'(2 . 3)
  \line { translated two spaces right, three up }
}

\markup {
  \fontsize #5 {
    * \translate #'(2 . 3) translate
    \hspace #2
    * \translate-scaled #'(2 . 3) translate-scaled
  }
}

\markup {
  one
  \vcenter
  two
  three
}

\markup {
    \center-column {
    one
    \vspace #2
    two
    \vspace #5
    three
  }
}

\markup {
  \wordwrap {
    Lorem ipsum dolor sit amet, consectetur adipisicing elit,
    sed do eiusmod tempor incididunt ut labore et dolore
    magna aliqua.  Ut enim ad minim veniam, quis nostrud
    exercitation ullamco laboris nisi ut aliquip ex ea
    commodo consequat.
  }
}

\header {
  title = "My title"
  myText = "Lorem ipsum dolor sit amet, consectetur
    adipisicing elit, sed do eiusmod tempor incididunt ut
    labore et dolore magna aliqua.  Ut enim ad minim
    veniam, quis nostrud exercitation ullamco laboris nisi
    ut aliquip ex ea commodo consequat."
}

\paper {
  bookTitleMarkup = \markup {
    \column {
      \fill-line { \fromproperty #'header:title }
      \null
      \wordwrap-field #'header:myText
    }
  }
}

\markup {
  \null
}

\markup {
  \override #'(line-width . 40)
  \wordwrap-string #"Lorem ipsum dolor sit amet,
      consectetur adipisicing elit, sed do eiusmod tempor
      incididunt ut labore et dolore magna aliqua.

      Ut enim ad minim veniam, quis nostrud exercitation
      ullamco laboris nisi ut aliquip ex ea commodo
      consequat.

      Excepteur sint occaecat cupidatat non proident,
      sunt in culpa qui officia deserunt mollit anim id
      est laborum"
}

\markup {
  \fontsize #5 {
    \general-align #Y #DOWN {
      \arrow-head #Y #UP ##t
      \arrow-head #Y #DOWN ##f
      \hspace #2
      \arrow-head #X #RIGHT ##f
      \arrow-head #X #LEFT ##f
    }
  }
}

\markup {
  \beam #5 #1 #2
}

\markup {
  \bracket {
    \note {2.} #UP
  }
}

\markup {
  \circle {
    Hi
  }
}

\markup {
  \draw-circle #2 #0.5 ##f
  \hspace #2
  \draw-circle #2 #0 ##t
}

\markup {
  \draw-dashed-line #'(5.1 . 2.3)
  \override #'((on . 0.3) (off . 0.5))
  \draw-dashed-line #'(5.1 . 2.3)
}

\markup {
  \draw-dotted-line #'(5.1 . 2.3)
  \override #'((thickness . 2) (off . 0.2))
  \draw-dotted-line #'(5.1 . 2.3)
}

\markup {
  \column {
    \draw-hline
    \override #'(span-factor . 1/3)
    \draw-hline
  }
}

\markup {
  \draw-line #'(4 . 4)
  \override #'(thickness . 5)
  \draw-line #'(-3 . 0)
}

\markup
  \column {
    \draw-squiggle-line #0.5 #'(6 . 0) ##t
    \override #'(orientation . -1)
    \draw-squiggle-line #0.5 #'(6 . 0) ##t
    \draw-squiggle-line #0.5 #'(6 . 0) ##f
    \override #'(height . 1)
    \draw-squiggle-line #0.5 #'(6 . 0) ##t
    \override #'(thickness . 5)
    \draw-squiggle-line #0.5 #'(6 . 0) ##t
    \override #'(angularity . 2)
    \draw-squiggle-line #0.5 #'(6 . 0) ##t
  }

\markup {
  \ellipse {
    Hi
  }
}

\markup {
  \general-align #Y #DOWN {
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Copyright © 2000, 2001, 2002, 2007, 2008 Free Software Foundation, Inc.
https://fsf.org/

Everyone is permitted to copy and distribute verbatim copies
of this license document, but changing it is not allowed.

  Copyright (C)  year  your name.
  Permission is granted to copy, distribute and/or modify this document
  under the terms of the GNU Free Documentation License, Version 1.3
  or any later version published by the Free Software Foundation;
  with no Invariant Sections, no Front-Cover Texts, and no Back-Cover
  Texts.  A copy of the license is included in the section entitled ``GNU
  Free Documentation License''.

    with the Invariant Sections being list their titles, with
    the Front-Cover Texts being list, and with the Back-Cover Texts
    being list.

Annexos
1. Notació musical		Notació que es fa servir a gairebé tots els projectes.
2. Notació especialitzada		Notació que sols s’usa per a fins específics.
3. Entrada i sortida generals		Informació general sobre l’entrada i la sortida del LilyPond.
4. Gestió de l’espai		Presentació del resultat en paper.
5. Canvi dels valors predeterminats		Ajust fi del resultat
A. Taules del manual sobre notació		Taules i quadres
B. Full de referència ràpida		Resum de la sintaxi del LilyPond
C. GNU Free Documentation License		Llicència d’aquest document
D. Índex d’ordres del LilyPond
E. Índex del LilyPond

[ << Top ]	[Part superior][Continguts][Índex]	[ Notació especialitzada >> ]
[ < Top ]	[ Amunt : Top ]	[ Altures > ]

1.1 Altures		Escriptura i presentació de les duracions de les notes.
1.2 Duracions		Escriptura i presentació de les duracions de les notes.
1.3 Expressions		Addició d’expressió a les notes.
1.4 Repeticions		Repeticions de música.
1.5 Notes simultànies		Més d’una nota a l’hora.
1.6 Notació dels pentagrames		Impressió dels pentagrames.
1.7 Anotacions editorials		Notació especial per augmentar la llegibilitat.
1.8 Text		Addició de text a les partitures.

[ << Notació musical ]	[Part superior][Continguts][Índex]	[ Notació especialitzada >> ]
[ < Notació musical ]	[ Amunt : Notació musical ]	[ Escriptura de notes > ]

1.1.1 Escriptura de notes
1.1.2 Modificació de diverses notes a l’hora
1.1.3 Impressió de les altures
1.1.4 Cap de les notes

Escriptura d’octava absoluta
Escriptura d’octava relativa
Alteracions accidentals
Noms de les notes en altres llengües

Llengua	Nom de les notes
`nederlands`	`c` `d` `e` `f` `g` `a` `bes` `b`
`català` o `catalan`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`deutsch`	`c` `d` `e` `f` `g` `a` `b` `h`
`english`	`c` `d` `e` `f` `g` `a` `bf`/`b-flat` `b`
`español` o `espanol`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`français`	`do` `ré`/`re` `mi` `fa` `sol` `la` `sib` `si`
`italiano`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`norsk`	`c` `d` `e` `f` `g` `a` `b` `h`
`português` o `portugues`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`suomi`	`c` `d` `e` `f` `g` `a` `b` `h`
`svenska`	`c` `d` `e` `f` `g` `a` `b` `h`
`vlaams`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`

Llengua	sostingut	bemoll	doble sostingut	doble bemoll
`nederlands`	`is`	`es`	`isis`	`eses`
`català` o `catalan`	`d`/`s`	`b`	`dd`/`ss`	`bb`
`deutsch`	`is`	`es`	`isis`	`eses`
`english`	`s`/`-sharp`	`f`/`-flat`	`ss`/`x`/`-sharpsharp`	`ff`/`-flatflat`
`español` o `espanol`	`s`	`b`	`ss`/`x`	`bb`
`français`	`d`	`b`	`dd`/`x`	`bb`
`italiano`	`d`	`b`	`dd`	`bb`
`norsk`	`iss`/`is`	`ess`/`es`	`ississ`/`isis`	`essess`/`eses`
`português` o `portugues`	`s`	`b`	`ss`	`bb`
`suomi`	`is`	`es`	`isis`	`eses`
`svenska`	`iss`	`ess`	`ississ`	`essess`
`vlaams`	`k`	`b`	`kk`	`bb`

Llengua	semi-sostingut	semi-bemoll	sesqui-sostingut	sesqui-bemoll
`nederlands`	`ih`	`eh`	`isih`	`eseh`
`català` o `catalan`	`qd`/`qs`	`qb`	`tqd`/`tqs`	`tqb`
`deutsch`	`ih`	`eh`	`isih`	`eseh`
`english`	`qs`	`qf`	`tqs`	`tqf`
`español` o `espanol`	`cs`	`cb`	`tcs`	`tcb`
`français`	`sd`	`sb`	`dsd`	`bsb`
`italiano`	`sd`	`sb`	`dsd`	`bsb`
`norsk`	`ih`	`eh`	`issih`/`isih`	`esseh`/`eseh`
`português` o `portugues`	`sqt`	`bqt`	`stqt`	`btqt`
`suomi`	`ih`	`eh`	`isih`	`eseh`
`svenska`	`ih`	`eh`	`issih`	`esseh`
`vlaams`	`hk`	`hb`	`khk`	`bhb`

Comprovació d’octava
Transposició
Inversió
Retrogradació
Transformacions modals

Clau
Armadura de la tonalitat
Indicadors d’octava
Transposició dels instruments
Alteracions accidentals automàtiques
Tessitura

Caps de nota especials
Caps de notes de Notació Fàcil
Caps de notes amb formes diverses
Improvisació

1.2.1 Escriptura de les duracions (valors rítmics)
1.2.2 Escriptura dels silencis
1.2.3 Impressió de les duracions
1.2.4 Barres
1.2.5 Compassos
1.2.6 Temes especials de ritme

Duració de les notes
Grups especials
Escalat de les duracions
Lligadures d’unió

Indicació de compàs
Indicacions metronòmiques
Anacrusis
Música sense compassos
Notació polimètrica
Divisió automàtica de les notes
Mostrar els ritmes de la melodia

Barres automàtiques
Establir el comportament de les barres automàtiques
Barres manuals
Barres progressives

Barres de compàs
Numeració de compassos
Comprovació de compàs i de número de compàs
Marques d’assaig

1.3.1 Expressions annexades a les notes
1.3.2 Marques expressives en forma corba
1.3.3 Marques expressives en forma de línies

Articulacions i ornaments
Matisos dinàmics
Indicacions dinàmiques contemporànies

Lligadures d’expressió
Lligadures de fraseig
Marques de respiració
Caigudes i elevacions

Repeticions normals
Marques de repetició manual
Repeticions explícites

Repeticions de compàs o part d’ells
Repeticions de trèmol

Notes a un acord
Repetició d’acords
Expressions simultànies
Clústers

Polifonia en un sol pentagrama
Estils de veu
Resolució de les col·lisions
Combinació automàtica de les parts
Escriptura de música en paral·lel

1.6.1 Visualització dels pentagrames
1.6.2 Modificació de pentagrames separats
1.6.3 Escriptura de les particel·les

LilyPond — Referència de la notació

1. Notació musical

1.1 Altures

1.1.1 Escriptura de notes

Escriptura d’octava absoluta

Vegeu també

Escriptura d’octava relativa

Vegeu també

Alteracions accidentals

Fragments de codi seleccionats

Ocultar les alteracions sobre notes lligades al principi d’un sistema nou

Evitar que s’afegeixen becaires addicionals automàticament

Vegeu també

Advertiments i problemes coneguts

Noms de les notes en altres llengües

Vegeu també

1.1.2 Modificació de diverses notes a l’hora

Comprovació d’octava

Vegeu també

Transposició

Fragments de codi seleccionats

Transposició de la música amb el menor nombre d’alteracions

Vegeu també

Advertiments i problemes coneguts

Inversió

Vegeu també

Retrogradació

Advertiments i problemes coneguts

Vegeu també

Transformacions modals

Transposició modal

Inversió modal

Vegeu també

1.1.3 Impressió de les altures

Clau

Fragments de codi seleccionats

Ajustament de les propietats de clau

Vegeu també

Advertiments i problemes coneguts

Armadura de la tonalitat

Fragments de codi seleccionats

Evitar que se impriman becuadros cuando cambia la armadura

Armadures de tonalitat no tradicional

Vegeu també

Indicadors d’octava

Fragments de codi seleccionats

Changing ottava text

Afegir una indicació d’octava alta a una sola veu

Modifying the Ottava spanner slope

Vegeu també

Transposició dels instruments

Vegeu també

Alteracions accidentals automàtiques

Vegeu també

Advertiments i problemes coneguts

Tessitura

Fragments de codi seleccionats

Afegir un àmbit per veu

Àmbits amb diverses veus

Modificació de la separació en les indicacions de tessitura

Vegeu també

Advertiments i problemes coneguts

1.1.4 Cap de les notes

Caps de nota especials

Instruccions predefinides

Vegeu també

Caps de notes de Notació Fàcil

Instruccions predefinides

Fragments de codi seleccionats

Nombres com notes de notació fàcil

Vegeu també

Caps de notes amb formes diverses

Instruccions predefinides

Fragments de codi seleccionats

Aplicar estils de cap segons la nota de l’escala

Vegeu també

Improvisació

Instruccions predefinides

Vegeu també

1.2 Duracions

Creació d’instàncies de pentagrames nous
Agrupament de pentagrames
Grups de pentagrames niuats
Separació de sistemes

El símbol del pentagrama
Pentagrames d’Ossia
Ocultament de pentagrames

Noms d’instruments
Cites a altres veus
Format de les notes guia

Selecció del la mida del tipus de lletra per a la notació
Indicacions de digitació
Notes ocultes
Acoloriment d’objectes
Parèntesis
Pliques

Ordre	Equivalent a	Mida relativa
`\teeny`	`\set fontSize = -3`	71%
`\tiny`	`\set fontSize = -2`	79%
`\small`	`\set fontSize = -1`	89%
`\normalsize`	`\set fontSize = 0`	100%
`\large`	`\set fontSize = 1`	112%
`\huge`	`\set fontSize = 2`	126%

1.8.1 Escriptura del text
1.8.2 Donar format al text
1.8.3 Tipus de lletra

Scripts de text
Extensions de text
Indicacions de text
Text separat

Introducció al marcatge de text
Selecció del tipus de lletra i la seva mida
Alineació de text
Notació gràfica dins d’elements de marcatge
Notació musical dins d’elements de marcatge
Elements de marcatge de diverses pàgines

Explicació dels tipus de lletra
Tipus de lletra d’un sol element
Tipus de lletra del document complet

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