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Expressive marks
See also Expressive marks.
- Adding beams, slurs, ties etc. when using tuplet and non-tuplet rhythms
- Adding parentheses around an expressive mark or chordal note
- Adding timing marks to long glissandi
- Adjusting slur positions vertically
- Adjusting the shape of falls and doits
- Aligning the ends of hairpins to NoteColumn directions
- Alternative breve notes
- Asymmetric slurs
- Breathing signs
- Broken Crescendo Hairpin
- Caesura ("railtracks") with fermata
- Center text below hairpin dynamics
- Changing text and spanner styles for text dynamics
- Changing the appearance of a slur from solid to dotted or dashed
- Changing the breath mark symbol
- Changing the number of augmentation dots per note
- Combining dynamics with markup texts
- Contemporary glissando
- Controlling spanner visibility after a line break
- Controlling the vertical ordering of scripts
- Creating a delayed turn
- Creating arpeggios across notes in different voices
- Creating cross-staff arpeggios in a piano staff
- Creating cross-staff arpeggios in other contexts
- Creating double-digit fingerings
- Creating "real" parenthesized dynamics
- Creating slurs across voices
- Creating text spanners
- Dynamics custom text spanner postfix
- Dynamics text spanner postfix
- Glissandi can skip grobs
- Hairpins with different line styles
- Hiding the extender line for text dynamics
- Horizontally aligning custom dynamics (e.g. "sempre pp", "piu f", "subito p")
- Inserting a caesura
- Laissez vibrer ties
- Line arrows
- Making slurs with complex dash structure
- Modifying default values for articulation shorthand notation
- Moving slur positions vertically
- Moving the ends of hairpins
- Positioning arpeggios
- Positioning text markups inside slurs
- Printing hairpins in various styles
- Printing hairpins using al niente notation
- Printing metronome and rehearsal marks below the staff
- Setting hairpin behavior at bar lines
- Setting the minimum length of hairpins
- Showing the same articulation above and below a note or chord
- Snap-pizzicato or Bartok pizzicato
- Using a tick as the breath mark symbol
- Using arpeggioBracket to make divisi more visible
- Using double slurs for legato chords
- Using the whiteout property
- Vertical line as a baroque articulation mark
- Vertically aligning dynamics across multiple notes
| [ << Rhythms ] | [Top][Contents] | [ Repeats >> ] |
| [ < Using ties with arpeggios ] | [ Up : Top ] | [ Adding beams, slurs, ties etc. when using tuplet and non-tuplet rhythms > ] |