MIDI test suite

ambitus-after-midi.ly

articulate-accel-midi.ly

articulate-repeat-midi.ly

\articulate correctly handles repeats with alternatives. They are played in the same order as their visual rendition suggests.

articulate-trill-midi.ly

beat-structure-by-metronome-12-8-midi.ly

beat-structure-by-metronome-8-8-midi.ly

crescendo-gap-compatible-target-midi.ly

crescendo-return-crescendo-midi.ly

crescendo-return-louder-target-midi.ly

crescendo-return-softer-target-midi.ly

crescendo-return-unspecified-target-midi.ly

crescendo-single-compatible-target-midi.ly

crescendo-single-unspecified-target-midi.ly

decrescendo-multiple-compatible-target-midi.ly

decrescendo-single-contrary-target-midi.ly

dynamic-initial-midi.ly

dynamic-voices-sequential-midi.ly

dynamic-voices-simultaneous-midi.ly

key-initial-midi.ly

keys work in MIDI, this is d-minor

key-option-all-staves-midi.ly

Midi2ly –key works on all staves, this is G major (–key=1)

key-option-midi.ly

midi2ly’s option --key works, this is F major.

lyric-combine-switch-voice-midi.ly

It is possible to switch the voice that \lyricsto follows.

lyric-repeat-count-midi.ly

lyric-tie-midi.ly

lyrics-addlyrics-midi.ly

Lyrics are preserved

midi-overlapping-notes-midi.ly

midi-polymeter-midi.ly

midi2ly-long-notes-midi.ly

music-after-fine-warning-midi.ly

pan-position-midi.ly

partcombine-midi.ly

PartCombined music is preserved

performance-name-utf8-midi.ly

quantize-duration-2-midi.ly

midi2ly’s option --duration-quant preserves first note length (16).

quantize-duration-midi.ly

midi2ly’s option --duration-quant quantizes durations of notes.

quantize-start-midi.ly

midi2ly’s option --start-quant quantizes start of notes.

rehearsal-mark-midi.ly

repeat-segno-midi.ly

rest-dynamic-midi.ly

LilyPond respects rests, also when there are dynamics

rest-midi.ly

midi2ly identifies rests

satb-template-on-two-staves-with-verses-midi.ly

The printed output should have a one-measure SATB score on two staves with five verses and piano accompaniment.

The MIDI output should include an extra beat of silence where the printed output has a caesura mark.

satb-template-with-keyboard-reduction-midi.ly

The printed output should have a one-measure SATB score on four staves with lyrics and a keyboard reduction.

The MIDI output should not include the keyboard reduction. It should include an extra beat of silence where the printed output has a caesura mark.

section-label-midi.ly

sequence-name-midi.ly

The MIDI sequence generated from a score should get its name from the title defined in the score’s \header block (if any). The title used for layout can be overridden for MIDI output by specifying a separate midititle in the \header block. If the score does not define a title of its own, and has no enclosing \bookpart, \book, or top-level scope with a \header block that defines a title, either, the MIDI sequence should get the default name.

sequence-name-scoping-midi.ly

If a score has a \header block which defines a title, this title should override any title defined in a \header block of the score’s enclosing \bookpart or \book (or a title defined in a top-level \header block) when naming the MIDI sequence generated from the score. Otherwise, if the score has no title defined, the MIDI sequence generated from the score should get named using the title defined in the \header block of the nearest enclosing \bookpart, \book, or top-level scope that contains a title definition.

spacer-no-notes-midi.ly

staff-map-instrument-midi.ly

Midi2ly remaps voices correctly to staves in MIDI-files that use instrument<->channel mapping when combined with voice<->track mapping. TODO: pianostaff

staff-map-voice-midi.ly

Midi2ly remaps voices correctly to staves in MIDI-files that use voice<->channel mapping when combined with staff<->track mapping. TODO: pianostaff

tempo-midi.ly

time-signature-alternating-fraction-midi.ly

time-signature-midi.ly

time-signature-unsupported-midi.ly

varcoda-midi.ly

voice-2-midi.ly

midi2ly maps two voices nicely on one staff as \voiceOne, \voiceTwo

voice-4-midi.ly

midi2ly maps four voices nicely on one staff as \voiceOne, \voiceTwo, \voiceThree, \voiceFour

voice-5-midi.ly

midi2ly still produces output for a staff with five voices. However, in such cases, most probably the the correct \voiceOne, \voiceX... mapping is lost.