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\include "lilypond-book-preamble.ly"


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#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  #(set-paper-size '(cons (* 597.508 pt) (* 845.047 pt)))
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "snippets/vocal-ensemble-template.ly"
\sourcefileline 0
%% DO NOT EDIT this file manually; it was automatically
%% generated from the LilyPond Wiki
%% (https://wiki.lilypond.community).
%%
%% Make any changes in the Wiki itself, or in
%% `Documentation/snippets/new/`, then run
%% `scripts/auxiliar/makelsr.pl`.
%%
%% This file is in the public domain.

\version "2.24.0"

\header {
%% Translation of GIT committish: c286e07798cd57a4785c3701b2bbcf94721b0f11
  texidocja = "
これは標準の 4 パート SATB (ソプラノ、アルト、テナー、バス) ボーカル譜です。@c
もっと大きな合唱では、すべてのパートで使用されるセクションをインクルードすると@c
便利です。例えば、拍子記号と調号はほとんど常にすべてのパートで同じです。@c
@qq{賛美歌} テンプレートのように、4 つのボイスは 2 つの譜にグループ分けされて@c
います。"
  doctitleja = "合唱テンプレート"

%% Translation of GIT committish: 2f3474d9af596d677ed5b7ce720ae4d0954a6b51
  texidocit = "
Ecco una tipica partitura corale a quattro parti, SATB. Se il complesso è più
ampio, è spesso comodo scrivere gli elementi comuni in un'unica sezione, che
verrà poi inclusa in tutte le parti. Ad esempio, l'indicazione di tempo e
l'armatura di chiave sono quasi sempre le stesse per tutte le parti. Come nel
modello dell'@qq{Inno}, le quattro voci sono ripartite in due soli righi.
"
  doctitleit = "Modello per complesso vocale"

%% Translation of GIT committish: de1e42ce512f3690387cdd065109bddff1b7bd6d
  texidocfr = "
Ce fichier constitue un canevas standard de partition pour chœur à
quatre voix mixtes. Lorsque les ensembles s'étoffent, il est judicieux
de recourir à une section spécifique incluse dans chacune des parties,
tout particulièrement pour gérer la métrique et la tonalité qui,
la plupart du temps, sont communes à tous les pupitres. Comme il est
d'usage pour les hymnes, les quatre voix sont réparties sur deux
portées.
"

  doctitlefr = "Ensemble vocal (simple)"

%% Translation of GIT committish: cd3e2b0177d366d0a25b4c7628b26455e52175cd
  texidoces = "
He aquí una partitura vocal estándar para cuatro voces SATB. Con
grupos mayores, suele ser útil incluir una sección que aparezca en
todas las partes.  Por ejemplo, el compás y la armadura casi
siempre son los mismos para todas. Como en la @qq{Plantilla para
himnos}, las cuatro voces se reagrupan en solo dos pentagramas.

"
  doctitlees = "Plantilla de conjunto vocal"

%% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
  texidocde = "
Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
sind fast immer gleich in allen Stimmen.
"

  doctitlede = "Vorlage für Vokalensemble"


%% Translation of GIT committish: f5fdeccc43889b77f9907d6b80d334921ca89fbc
  texidocca = "
Vet aquí una partitura vocal estàndard per a quatre veus SATB.  Amb
grups més grans, sol ser útil incloure una secció que aparegui a
totes les parts.  Per exemple, el compàs i l'armadura gairebé sempre
son els mateixos per a totes.  Com a la plantilla @qq{Himne}, les
quatre veus es reagrupen en sols dos pentagrames.

"
  doctitleca = "Plantilla de conjunt vocal"

  categories = "Really simple, Template, Vocal music"

  texidoc = "
Here is a standard four-part SATB vocal score. With larger ensembles,
it is often useful to include a section which is included in all parts.
For example, the time signature and key signature are almost always the
same for all parts. Like in the @qq{Hymn template}, the four voices are
regrouped on only two staves.
"

  doctitle = "Vocal ensemble template"
} % begin verbatim


\paper {
  top-system-spacing.basic-distance = 10
  score-system-spacing.basic-distance = 20
  system-system-spacing.basic-distance = 20
  last-bottom-spacing.basic-distance = 10
}

global = {
  \key c \major
  \time 4/4
}

sopMusic = \relative {
  c''4 c c8[( b)] c4
}
sopWords = \lyricmode {
  hi hi hi hi
}

altoMusic = \relative {
  e'4 f d e
}
altoWords = \lyricmode {
  ha ha ha ha
}

tenorMusic = \relative {
  g4 a f g
}
tenorWords = \lyricmode {
  hu hu hu hu
}

bassMusic = \relative {
  c4 c g c
}
bassWords = \lyricmode {
  ho ho ho ho
}

\score {
  \new ChoirStaff <<
    \new Lyrics = "sopranos" \with {
      % this is needed for lyrics above a staff
      \override VerticalAxisGroup.staff-affinity = #DOWN
    }
    \new Staff = "women" <<
      \new Voice = "sopranos" {
        \voiceOne
        << \global \sopMusic >>
      }
      \new Voice = "altos" {
        \voiceTwo
        << \global \altoMusic >>
      }
    >>
    \new Lyrics = "altos"
    \new Lyrics = "tenors" \with {
      % this is needed for lyrics above a staff
      \override VerticalAxisGroup.staff-affinity = #DOWN
    }
    \new Staff = "men" <<
      \clef bass
      \new Voice = "tenors" {
        \voiceOne
        << \global \tenorMusic >>
      }
      \new Voice = "basses" {
        \voiceTwo << \global \bassMusic >>
      }
    >>
    \new Lyrics = "basses"
    \context Lyrics = "sopranos" \lyricsto "sopranos" \sopWords
    \context Lyrics = "altos" \lyricsto "altos" \altoWords
    \context Lyrics = "tenors" \lyricsto "tenors" \tenorWords
    \context Lyrics = "basses" \lyricsto "basses" \bassWords
  >>
}



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