A.7.1 Transcripción de música mensural
Al transcribir música mensural, es útil poner un incipit al comienzo de la pieza para indicar la tonalidad y el compás originales. Actualmente los músicos están acostumbrados a las líneas del pentagrama, pero en el período de la música mensural aún no se utilizaban. Como compromiso, con frecuencia se imprimen líneas divisorias entre los pentagramas, un estilo de diseño conocido como mensurstriche.
%% With 2.23. this throws: %% programming error: Loose column does not have right side to attach to. %% Likely "Hidden BarLine during note yields programming error" %% https://gitlab.com/lilypond/lilypond/-/issues/4084 %% --Harm %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A short excerpt from the Jubilate Deo by Orlande de Lassus %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% global = { \set Score.skipBars = ##t \key g \major \time 4/4 % the actual music \skip 1*8 % let finis bar go through all staves \override Staff.BarLine.transparent = ##f % finis bar \bar "|." } discantusIncipit = { \clef "neomensural-c1" \key f \major \time 2/2 c''1. } discantusNotes = { \transpose c' c'' { \clef "treble" d'2. d'4 | b e' d'2 | c'4 e'4.( d'8 c' b | a4) b a2 | b4.( c'8 d'4) c'4 | \once \hide NoteHead c'1 | b\breve | } } discantusLyrics = \lyricmode { Ju -- bi -- la -- te De -- o, om -- nis ter -- ra, __ om- "..." -us. } altusIncipit = { \clef "neomensural-c3" \key f \major \time 2/2 r1 f'1. } altusNotes = { \transpose c' c'' { \clef "treble" r2 g2. e4 fis g | a2 g4 e | fis g4.( fis16 e fis4) | g1 | \once \hide NoteHead g1 | g\breve | } } altusLyrics = \lyricmode { Ju -- bi -- la -- te De -- o, om -- nis ter -- ra, "..." -us. } tenorIncipit = { \clef "neomensural-c4" \key f \major \time 2/2 r\longa r\breve r1 c'1. } tenorNotes = { \transpose c' c' { \clef "treble_8" R1 | R1 | R1 | % two measures r2 d'2. d'4 b e' | \once \hide NoteHead e'1 | d'\breve | } } tenorLyrics = \lyricmode { Ju -- bi -- la -- te "..." -us. } bassusIncipit = { \clef "mensural-f" \key f \major \time 2/2 r\maxima f1. } bassusNotes = { \transpose c' c' { \clef "bass" R1 | R1 | R1 | R1 | g2. e4 | \once \hide NoteHead e1 | g\breve | } } bassusLyrics = \lyricmode { Ju -- bi- "..." -us. } \score { << \new StaffGroup = choirStaff << \new Voice = "discantusNotes" << \set Staff.instrumentName = "Discantus" \incipit \discantusIncipit \global \discantusNotes >> \new Lyrics \lyricsto discantusNotes { \discantusLyrics } \new Voice = "altusNotes" << \set Staff.instrumentName = "Altus" \global \incipit \altusIncipit \altusNotes >> \new Lyrics \lyricsto altusNotes { \altusLyrics } \new Voice = "tenorNotes" << \set Staff.instrumentName = "Tenor" \global \incipit \tenorIncipit \tenorNotes >> \new Lyrics \lyricsto tenorNotes { \tenorLyrics } \new Voice = "bassusNotes" << \set Staff.instrumentName = "Bassus" \global \incipit \bassusIncipit \bassusNotes >> \new Lyrics \lyricsto bassusNotes { \bassusLyrics } >> >> \layout { \context { \Score %% no bar lines in staves or lyrics \hide BarLine } %% the next two instructions keep the lyrics between the bar lines \context { \Lyrics \consists "Bar_engraver" \consists "Separating_line_group_engraver" } \context { \Voice %% no slurs \hide Slur %% Comment in the below "\remove" command to allow line %% breaking also at those bar lines where a note overlaps %% into the next measure. The command is commented out in this %% short example score, but especially for large scores, you %% will typically yield better line breaking and thus improve %% overall spacing if you comment in the following command. %%\remove "Forbid_line_break_engraver" } indent = 6\cm incipit-width = 4\cm } }
![[image of music]](../e4/lily-d9a2b36a.png)