%% Generated by lilypond-book.py %% Options: [alt=[image of music],printfilename,indent=0\mm,texidoc,line-width=160\mm] \include "lilypond-book-preamble.ly" % **************************************************************** % Start cut-&-pastable-section % **************************************************************** \paper { #(define dump-extents #t) indent = 0\mm line-width = 160\mm } \layout { } % **************************************************************** % ly snippet: % **************************************************************** \sourcefilename "chord-names-languages.ly" \header { texidoc = "@cindex Chord Names German The english naming of chords (default) can be changed to german (@code{\germanChords} replaces B and Bes to H and B), semi-german (@code{\semiGermanChords} replaces B and Bes to H and Bb), italian (@code{\italianChords} uses Do Re Mi Fa Sol La Si), or french (@code{\frenchChords} replaces Re to RĂ©). " } scm = \chordmode { e1/d c:m % c/c cis/cis % yeah, we get the idea. -hwn % cisis/cisis ces/ces ceses/ceses b/b bis/bis bes/bes % beses/beses } \layout { ragged-right = ##t \context {\ChordNames \consists Instrument_name_engraver } } << \new ChordNames { \set instrument = #"default" \scm } \new ChordNames { \set instrument = #"german" \germanChords \scm } \new ChordNames { \set instrument = #"semi-german" \semiGermanChords \scm } \new ChordNames { \set instrument = #"italian" \italianChords \scm } \new ChordNames { \set instrument = #"french" \frenchChords \scm } \context Voice { \scm } >> % **************************************************************** % end ly snippet % ****************************************************************