%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,paper-height=845.047\pt,paper-width=597.508\pt,papersize='(cons (* 597.508 pt) (* 845.047 pt))]
\include "lilypond-book-preamble.ly"


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% Start cut-&-pastable-section
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#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  #(set-paper-size '(cons (* 597.508 pt) (* 845.047 pt)))
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}




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% ly snippet:
% ****************************************************************
\sourcefilename "/lilypond-2.26.0/input/regression/chord-names-languages.ly"
\sourcefileline 0
\version "2.25.35"

\header {
  texidoc = "
The English naming of chords (the default) can be changed to
German (@code{\\germanChords} replaces B and Bes with H and B),
semi-German (the same as @code{\\germanChords} but B gets displayed
as B with a flat), Italian (@code{\\italianChords} uses Do Re Mi
Fa Sol La Si), or French (@code{\\frenchChords} uses Do Ré Mi Fa
Sol La Si).  Command @code{\\englishChords} sets the chord names
back to English.

The input note language is the default (i.e., Dutch).
"
}

scm = \chordmode {
  e1/d c:m b/b bis/bis bes/bes beses/beses
}

\include "chord-names-languages.ily"



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% end ly snippet
% ****************************************************************