%% Generated by lilypond-book %% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,paper-height=845.047\pt,paper-width=597.508\pt,papersize='(cons (* 597.508 pt) (* 845.047 pt)),quote,ragged-right] \include "lilypond-book-preamble.ly" % **************************************************************** % Start cut-&-pastable-section % **************************************************************** #(ly:set-option 'eps-box-padding 3.000000) \paper { #(set-paper-size '(cons (* 597.508 pt) (* 845.047 pt))) indent = 0\mm line-width = 160\mm % offset the left padding, also add 1mm as lilypond creates cropped % images with a little space on the right line-width = #(- line-width (* mm 3.000000) (* mm 1)) line-width = 160\mm - 2.0 * 10.16\mm % offset the left padding, also add 1mm as lilypond creates cropped % images with a little space on the right line-width = #(- line-width (* mm 3.000000) (* mm 1)) ragged-right = ##t } \layout { } % **************************************************************** % ly snippet: % **************************************************************** \sourcefilename "snippets/incipit.ly" \sourcefileline 0 %% DO NOT EDIT this file manually; it was automatically %% generated from `Documentation/snippets/new/`. %% %% Make any changes in `Documentation/snippets/new/`, %% then run `scripts/auxiliar/makelsr.pl --new`. %% %% This file is in the public domain. %% %% Note: this file needs at least LilyPond version 2.25.32. \version "2.25.32" \header { %% Translation of GIT committish: f11513f36c131dab18338d6a3a729e24a927150d texidocja = " 計量音楽を転写する際、曲の最初に表示されるインキピットは、原曲の調やテンポを@c 記述するのに有用です。現代の音楽家は小節線に慣れていますが、計量音楽の@c 時代には知られていないものでした。そのため妥協策として、小節線が譜と譜の@c 間に表示されることがあります。@c これは計量音楽風の (mensurstriche) レイアウトと呼ばれています。 " doctitleja = "インキピット" %% Translation of GIT committish: 2f3474d9af596d677ed5b7ce720ae4d0954a6b51 texidocit = " Quando si trascrive musica mensurale, un incipit all'inizio del brano è utile per indicare il tempo e l'armatura di chiave originali. I musicisti oggi sono abituati alle stanghette, ma queste non erano note all'epoca della musica mensurale. Come compromesso, spesso le stanghette vengono poste tra i righi, uno stile di formattazione chiamato mensurstriche. " doctitleit = "Incipit" %% Translation of GIT committish: de1e42ce512f3690387cdd065109bddff1b7bd6d texidocfr = " Dans le cadre de la transcription de musique mensurale, un « incipit » en début de pièce permet d'indiquer tonalité et tempo originaux. Si les musiciens sont aujourd'hui habitués aux barres de mesure qui mettent en évidence la structure rythmique, elles n'étaient pas courantes à l'époque -- le mètre variait souvent après quelques notes. Dans une forme de compromis, les barres de mesures sont régulièrement imprimées entre les portées. " doctitlefr = "Incipit" %% Translation of GIT committish: d7e42f37c3c945ebff36b1c4bcb6c5da5051caa5 texidoces = " Al transcribir música mensural, es útil poner un incipit al comienzo de la pieza para indicar la tonalidad y el compás originales. Aunque en la actualidad los músicos están acostumbrados a las líneas divisorias para reconocer más rápidamente los patrones rítmicos, en el período de la música mensural aún no se habían inventado las barras de compás; de hecho, el metro cambiaba con frecuencia cada pocas notas. Como compromiso, las barras de compás se imprimían muchas veces entre las pautas en lugar de dibujarse atravesando las líneas del pentagrama. " doctitlees = "@emph{Incipits}" %% Translation of GIT committish: c4b122bf88e2aff20df5f85130e67aab73f7c5bf texidocca = " En transcriure música mensural, és útil posar un incipit al començament de la peça per indicar la tonalitat i el compàs originals. Actualment els músics estan acostumats a les línies del pentagrama, però en el període de la música mensural encara no s'utilitzaven. Com a compromís, amb freqüència s'imprimeixen línies divisòries entre els pentagrames, un estil de disseny conegut com mensurstriche. " doctitleca = "Incipit" categories = "Ancient notation, Staff notation" texidoc = " When transcribing mensural music, an incipit at the beginning of the piece is useful to indicate the original key and tempo. While today musicians are used to bar lines in order to faster recognize rhythmic patterns, bar lines were not yet invented during the period of mensural music; in fact, the meter often changed after every few notes. As a compromise, bar lines are often printed between the staves rather than on the staves. " doctitle = "Incipit" } % begin verbatim % A short excerpt from the Jubilate Deo by Orlande de Lassus global = { \set Score.skipBars = ##t \key g \major \time 4/4 % the actual music \skip 1*8 % let finis bar go through all staves \override Staff.BarLine.transparent = ##f % finis bar \bar "|." } discantusIncipit = \new PetrucciStaff { \clef "petrucci-c1" \key f \major \time 2/2 c''1. } discantusNotes = { \transpose c' c'' { \clef "treble" d'2. d'4 | b e' d'2 | c'4 e'4.( d'8 c' b | a4) b a2 | b4.( c'8 d'4) c'4 | \once \hide NoteHead c'1 | b\breve | } } discantusLyrics = \lyricmode { Ju -- bi -- la -- te De -- o, om -- nis ter -- ra, __ om- "..." -us. } altusIncipit = \new PetrucciStaff { \clef "petrucci-c3" \key f \major \time 2/2 e'1\rest f'1. } altusNotes = { \transpose c' c'' { \clef "treble" r2 g2. e4 fis g | a2 g4 e | fis g4.( fis16 e fis4) | g1 | \once \hide NoteHead g1 | g\breve | } } altusLyrics = \lyricmode { Ju -- bi -- la -- te De -- o, om -- nis ter -- ra, "..." -us. } tenorIncipit = \new PetrucciStaff { \clef "petrucci-c4" \key f \major \time 2/2 r\longa r\breve r1 c'1. } tenorNotes = { \transpose c' c' { \clef "treble_8" R1 | R1 | R1 | % two measures r2 d'2. d'4 b e' | \once \hide NoteHead e'1 | d'\breve | } } tenorLyrics = \lyricmode { Ju -- bi -- la -- te "..." -us. } bassusIncipit = \new PetrucciStaff { % The original print shows the b flat % for the f major key signature twice. \override Staff.KeySignature.flat-positions = #'((-7 . 6)) \clef "mensural-f" \key f\major \time 2/2 \tweak Y-offset #1 r\longa \tweak Y-offset #1 r\longa f1. } bassusNotes = { \transpose c' c' { \clef "bass" R1 | R1 | R1 | R1 | g2. e4 | \once \hide NoteHead e1 | g\breve | } } bassusLyrics = \lyricmode { Ju -- bi- "..." -us. } \score { << \new StaffGroup = choirStaff << \new Voice = "discantusNotes" << \set Staff.instrumentName = "Discantus" \incipit #1 \discantusIncipit \global \discantusNotes >> \new Lyrics \lyricsto discantusNotes { \discantusLyrics } \new Voice = "altusNotes" << \set Staff.instrumentName = "Altus" \global \incipit #1 \altusIncipit \altusNotes >> \new Lyrics \lyricsto altusNotes { \altusLyrics } \new Voice = "tenorNotes" << \set Staff.instrumentName = "Tenor" \global \incipit #1 \tenorIncipit \tenorNotes >> \new Lyrics \lyricsto tenorNotes { \tenorLyrics } \new Voice = "bassusNotes" << \set Staff.instrumentName = "Bassus" \global \incipit #1 \bassusIncipit \bassusNotes >> \new Lyrics \lyricsto bassusNotes { \bassusLyrics } >> >> \layout { \context { \Score %% no bar lines in staves or lyrics \hide BarLine } %% the next two instructions keep the lyrics between the bar lines \context { \Lyrics \consists "Bar_engraver" \consists "Separating_line_group_engraver" } \context { \Voice %% no slurs \hide Slur %% Comment in the below "\remove" command to allow line %% breaking also at those bar lines where a note overlaps %% into the next measure. The command is commented out in this %% short example score, but especially for large scores, you %% will typically yield better line breaking and thus improve %% overall spacing if you comment in the following command. %%\remove "Forbid_line_break_engraver" } indent = 5\cm incipit-width = 2.5\cm } } % **************************************************************** % end ly snippet % ****************************************************************