%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,paper-height=845.047\pt,paper-width=597.508\pt,papersize='(cons (* 597.508 pt) (* 845.047 pt))]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************

#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  #(set-paper-size '(cons (* 597.508 pt) (* 845.047 pt)))
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "/lilypond-2.26.0/input/regression/musicxml/13a-KeySignatures.xml"
\sourcefileline 0
\version "2.26.0"
% automatically converted by musicxml2ly from -
\pointAndClickOff

\header {
  texidoc = "Various key signatures: from 11 flats to 11 sharps. Each signature
    is shown twice, with one measure in major and the other measure in minor."
}
\layout {
  \context {
    \Staff
    printKeyCancellation = ##f
  }
  \context {
    \Score
    autoBeaming = ##f
  }
}
PartPOneVoiceOne = \relative c' {
  \clef "treble" \time 2/4 \key ases \major c2 | % 1
  \key fes \minor c2 | % 2
  \key eses \major c2 | % 3
  \key ces \minor c2 | % 4
  \key beses \major c2 | % 5
  \key ges \minor c2 | % 6
  \key fes \major c2 | % 7
  \key des \minor c2 | % 8
  \key ces \major c2 | % 9

  \barNumberCheck #10
  \key as \minor c2 | % 10
  \key ges \major c2 | % 11
  \key es \minor c2 | % 12
  \key des \major c2 | % 13
  \key bes \minor c2 | % 14
  \key as \major c2 | % 15
  \key f \minor c2 | % 16
  \key es \major c2 | % 17
  \key c \minor c2 | % 18
  \key bes \major c2 | % 19

  \barNumberCheck #20
  \key g \minor c2 | % 20
  \key f \major c2 | % 21
  \key d \minor c2 | % 22
  \key c \major c2 | % 23
  \key a \minor c2 | % 24
  \key g \major c2 | % 25
  \key e \minor c2 | % 26
  \key d \major c2 | % 27
  \key b \minor c2 | % 28
  \key a \major c2 | % 29

  \barNumberCheck #30
  \key fis \minor c2 | % 30
  \key e \major c2 | % 31
  \key cis \minor c2 | % 32
  \key b \major c2 | % 33
  \key gis \minor c2 | % 34
  \key fis \major c2 | % 35
  \key dis \minor c2 | % 36
  \key cis \major c2 | % 37
  \key ais \minor c2 | % 38
  \key gis \major c2 | % 39

  \barNumberCheck #40
  \key eis \minor c2 | % 40
  \key dis \major c2 | % 41
  \key bis \minor c2 | % 42
  \key ais \major c2 | % 43
  \key fisis \minor c2 | % 44
  \key eis \major c2 | % 45
  \key cisis \minor c2 \bar "|."
}


% The score definition
\score {
  <<
    \new Staff = "P1" <<
      \context Staff <<
        \override Staff.BarLine.allow-span-bar = ##f
        \mergeDifferentlyDottedOn
        \mergeDifferentlyHeadedOn
        \context Voice = "PartPOneVoiceOne" {
          \PartPOneVoiceOne
        }
      >>
    >>
  >>
  \layout {}
  % To create MIDI output, uncomment the following line:
  % \midi { \tempo 4 = 100 }
}




% ****************************************************************
% end ly snippet
% ****************************************************************