%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,paper-height=845.047\pt,paper-width=597.508\pt,papersize='(cons (* 597.508 pt) (* 845.047 pt))]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************

#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  #(set-paper-size '(cons (* 597.508 pt) (* 845.047 pt)))
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "snippets/accordion-register-symbols.ly"
\sourcefileline 0
%% DO NOT EDIT this file manually; it was automatically
%% generated from the LilyPond Wiki
%% (https://wiki.lilypond.community).
%%
%% Make any changes in the Wiki itself, or in
%% `Documentation/snippets/new/`, then run
%% `scripts/auxiliar/makelsr.pl`.
%%
%% This file is in the public domain.

\version "2.24.0"

\header {
%% Translation of GIT committish: 0cc270b871321ae5aa8622cea8d8262aafd16641
  texidocja = "
アコーディオンの音色切り替え記号は、@code{\\markup} としても、@c
(音色の切り替えは音と音の間に行われるため) 単独の@c
音楽イベントとしても用いることができます。@c
バスの音色は過度には一般化されていません。使用できるコマンドは、@c
記譜法リファレンスの 'キーボードと他の複数譜の楽器' にある
'ディスカント記号' を参照してください。@c
"
  doctitleja = "アコーディオンの音色切り替え記号"

%% Translation of GIT committish: 2f3474d9af596d677ed5b7ce720ae4d0954a6b51
  texidocit = "
I simboli di registro della fisarmonica sono disponibili sia come @code{\\markup}
sia come eventi musicali autonomi (perché i cambi di registro capitano
solitamente tra reali eventi musicali).  I registri bassi non sono troppo
standardizzati.  I comandi disponibili si trovano nella sezione
«Registri della fisarmonica» della Guida alla notazione.

"
  doctitleit = "Simboli di registro della fisarmonica"

%% Translation of GIT committish: de1e42ce512f3690387cdd065109bddff1b7bd6d
  texidocfr = "
Les symboles spécifiques aux registres d'accordéon sont disponible tant
sous forme de @code{\\markup} que d'événements musicaux indépendants --
un changement de registre a tendance à intervenir entre des événements
musicaux réels.  Les registres de basse ne sont pas très standardisés.
Les différentes commandes disponibles sont regroupées à l'annexe
@rnotationnamed{Accordion registers, Registres d'accordéon}.
"

  doctitlefr = "Symboles de registre pour accordéon"

%% Translation of GIT committish: cd3e2b0177d366d0a25b4c7628b26455e52175cd
  texidoces = "
Los símbolos de registración de acordeón están disponibles como
elementos de @code{\\markup} y como eventos musicales
autocontenidos (pues los cambios de registro tienden a ocurrir
entre eventos de música).  Los registros del bajo no están
demasiado estandarizados.  Las instrucciones existentes están
disponibles en el apartado
@uref{https://lilypond.org/doc/v2.24/Documentation/notation/accordion#discant-symbols,@q{Símbolos de acordeón}
en la Referencia de la notación}.
"

  doctitlees = "Símbolos de registración de acordeón"

  categories = "Keyboards, Specific notation, Symbols and glyphs"

  texidoc = "
Accordion register symbols are available as @code{\\markup} as well as
as standalone music events (as register changes tend to occur between
actual music events). Bass registers are not overly standardized. The
available commands can be found in
@uref{https://lilypond.org/doc/v2.24/Documentation/notation/accordion#discant-symbols,@q{Discant
symbols} in the Notation Reference}.
"

  doctitle = "Accordion register symbols"
} % begin verbatim


#(use-modules (lily accreg))

\new PianoStaff <<
  \new Staff \relative {
    \clef treble
    \discant "10"
    r8 s32 f'[ bes f] s e[ a e] s d[ g d] s16 e32[ a]
    <<
      { r16 <f bes> r <e a> r <d g> }
      \\
      { d r a r bes r }
    >> |
    <cis e a>1
  }

  \new Staff \relative {
    \clef treble
    \freeBass "1"
    r8 d'32 s16. c32 s16. bes32 s16. a32[ cis] s16
    \clef bass \stdBass "Master"
    <<
      { r16 <f, bes d>^"b" r <e a c>^"am" r <d g bes>^"gm" |
      <e a cis>1^"a" }
      \\
      { d8_"D" c_"C" bes_"B" | a1_"A" }
    >>
  }
>>



% ****************************************************************
% end ly snippet
% ****************************************************************
