%% Generated by lilypond-book.py
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************



\paper {
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}





% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "double-glissando.ly"
\sourcefileline 0
%% DO NOT EDIT this file manually; it is automatically
%% generated from LSR http://lsr.dsi.unimi.it
%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
\version "2.16.0"

\header {
%% Translation of GIT committish: e99967817ff985eb5bd5b0220b2fbf552963f9de
  texidocfr = "
La connection d'accords par des glissandos s'obtient par l'ajout d'un
deuxième glissando dans une voix masquée.

"
  doctitlefr = "Double glissando"

  lsrtags = "contemporary-notation, expressive-marks, simultaneous-notes, workaround"

  texidoc = "
To connect chords with glissando lines, attach a second glissando to a
hidden voice.

"
  doctitle = "Double glissando"
} % begin verbatim


\relative c {
  \clef bass
  <<
    {
      % new voice ( = \voiceOne), hidden
      \hideNotes
      % attach glissando to note heads
      e2\glissando g
    }
    \\
    {
      % original voice with chords rearranged so that
      % glissando is attached to a & c
      <e a,>2\glissando <g c,>
    }
  >>
}



% ****************************************************************
% end ly snippet
% ****************************************************************